We live in a visually-oriented culture, privileging what we can see over what we can hear. But what if the senses could be blurred? What
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imaginario sonoro
We live in a visually-oriented culture, privileging what we can see over what we can hear. But what if the senses could be blurred? What
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DOLMEN displays the strength and presence of modern technologies for mass control. A response against capitalist oppression, privacy violation, human health disturbance, and bioethical conflicts. DOLMEN is an
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this edition of framework:afield has been produced in switzerland (not in germany, as stated in the show – the artist relocated some time ago) by regular contributor
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Alice Hui-Sheng Chang was one of the guest artists at the 2015 Totally Huge New Music Festival. She presented two works at PICA (Perth Institute
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Une proposition énergique, décalée, trouble, conceptuellement punko-zen et tragiquement parodique. 1 Stone & Charnel. C’est une belle récession 2 Richard Martel. Capitaly 3 Les Tétines
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greetings from ose, in the setesdal valley of southern norway, where this show was recorded and mixed in the frameworkmobile studio (ie, my laptop and a
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Extended voice artist and composer Alice Hui-Sheng Chang talks about her work and performs solo at this year’s Totally Huge New Music Festival. Presented
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A l’Improviste made in England en compagnie d’un duo original qui associe le saxophoniste John Butcher et le harpiste Rhodri Davies. John Butcher (saxophone) et Rhodri Davies (harpe
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greetings from the 2nd leg of our summer journeys – we’ve left london now and are sitting in bergen airport on our way to kristiansand,
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[rssless][rssless] Dans A l’ Improviste ce soir un duo tout neuf qui associe la chanteuse Valérie Phillipin et la violoncelliste Séverine Ballon. Elles sont
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Net rubrique audio des Kristoff K.Roll Conçue et réalisée par Carole Rieussec Graphisme et mise en ligne de Lionel Palun [rssless] WI WATT’HEURE – L’écoute
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who’d have thought, a few years ago, that from here in a muddy field, with the remains of glastonbury festival coming down around us, we’d
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