pH – HELTON & PATTON . CICADA
Mar 12th
Cicada is the first release of the duet pH with Thomas Helton on Contrabass and brundleFLY. brundleFLY is software designed by Kevin Patton to respond to and alter the timbre of the bass.
Improvisations were recorded summer 2009 in Houston TX, at the REMS Lab, the Rice University Electroacoustic Studios.
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Tim Green, Massimo Magee and John Porter . OF AN EVENING
Mar 12th
1: Part I: In Which Friction Accumulates 20:41âš2: Part II: Experiments In Hypnotism 22:41
3: Part III: In Which We Encounter A Groove 10:31
4: Part IV: Double Take 4:49
âšTim Green: Drums and mobile phone
Massimo Magee: Sopranino Saxophone, clarinet, piano, signal generator, laptop feedback, tape recorder with blank tape, walkie-talkies, field recordings, recordings of prior drum improvisation by Tim Green, amplifier feedback
John Porter: Soprano Saxophone
Live trio recording â Free Improvisation with no edits, overdubs, or prior planning
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NON GROUP . (appropriation)
Mar 11th
non group is mathew mullane
photograph by perlyn g. bunyi
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Fundamental Form
Mar 11th
Fundamental Form was the first formation that directly grew out of the activities of musicians collective and scene Memento in Eskilstuna. The group was formed in 1999 at the initiative of saxophonist Stefan Wistrand and with the aim of playing free improvised music colored by rock, free jazz and electronica. Fundamental Formâs music is built on a finely chiseling of moods â from the abstract to the concrete, from free rhythms to awkward grooves, which is all collectively improvised. The mixture of acoustic and electronic instruments contributes to the specific sound of the group.
Daniel Carlsson – Electronics, Sampling
Johan Carlsson – Drums, Percussion
Mattias Ribbing – Voice, Hands, Water Bowl, Trombone, Euphonium, Saxophonium
Stefan Wistrand – Bass Clarinet, Alto & Soprano Sax
Per Ă
hlund – Electronics, Sampling
Cover art & design: Per Ă
hlund
Engineering & mastering: Daniel Carlsson
Produced by M. Mori
2174
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Metamusik . Con7
Mar 10th
Metamusik was formed in 2005, after Johannes Rytzler and Daniel Carlsson had discussed a way in which they could make improvised electronica, which despite its origin still sounded like music and not just like random sound experiments. The conceptual starting point for Metamusik is music as an evolving and extensible form of constant motion. With seven variations of this meta-concept arises a music that is a synthesis of the electronic and living, the expected and the unexpected, the composed and the improvised. Electronics and technology is not an end in itself, but contributes only to a specific sound, the feel of a musical moment, the main objective.
Daniel Carlsson – Electronics, Manipulation, Sampling
Johannes Rytzler – Keyboards, Devices
Cover art & design: Tom Holmlund
Engineering & mastering: Daniel Carlsson
Executive producer: M. Mo
2173
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Arbole . Blezna
Mar 10th
Ărbole is an experimental sound project, inspired by asturian forest and its trees.
Juanjo Palacios: soundscapes recordings, virtual instruments, plugins, sample manipulations, composition, process, photography and graphic design.
This work was done between 2008 and the beginning of 2010.
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A Quiet Monday . Asap
Mar 9th
suRRism-Phonoethics proudly presents A Quiet Monday âAsapâ by Jean Montag!
This exciting EP wishes to be inhaled ASAP-
âA Secret Task
revealed through spiral techniques
gently told as Love confirmations threaten the Fact!â
-André Pissoir
voice on “format” by ”Une Autre Transformation” from a text by Abdul “Ben” Camel
Visit AQM:AQM (by Jean Montag)
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System 09 . Only One Broken Plan
Mar 9th
Glitch the way it should be. No care for rhythm, structure, pattern, or reason. Using samples from shows like Heroes to musicians like Devin Townsend, this release is over an hour of glitched noise. Originally released under the name of “Zero Acid”.
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Martin Back . Izisk
Mar 8th
Martin Back is a sound/media artist, musician/composer and sonic provocateur living and working in Santa Fe, New Mexico, USA. He studied film and video at the College of Santa under the tutelage of pioneering media theorist Gene Youngblood and media artist David Stout. He has studied experimental composition and sound art privately with composer David Dunn. Martinâs work is multiplicitous and makes use of drone, graphic and text scores, digital computers and software, custom analog electronics, field recordings, noise, custom instruments, and site specific performance. He performs often in various ensembles in New Mexico, including the Ancestral Groan Liberation Orchestra; the Soundpainting Orchestra of New Mexico; and The Transducers.
Izisk is his second full album release where he goes beyond the experimental. These highly avant guarde tracks taunt the ears and brain and take you into a world of fantasy, the unique world of Martin Back.
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FACET . conscious mental field recordings
Mar 8th
While contemporary improvisation is from time to time marked by a denial of tonality, rhythm or even humour, the international trio FACET take a completely different approach. If questioned about their influences the band cite northern minimalism, no wave music and electronic sound collages.
[âŠ] These boys don’t play a lot of different notes and tones. They keep things to a minimum. [âŠ] Quite intense playing at that actually, held backed, controlled, with each player receiving the space they need. [âŠ] The real beauty lies in the improvising densities they create with their music. Nice one indeed. Frans de Ward, Vital Weekly 705
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