well folks, this is it. the big one. after almost 13 years on the air, we’ve reached our 500th edition. we can’t quite believe it, as
Read more
imaginario sonoro
well folks, this is it. the big one. after almost 13 years on the air, we’ve reached our 500th edition. we can’t quite believe it, as
Read moreRegular Fwonk* artists Phirnis and Katarrhaktes have colluded to devise this split LP. Resting somewhere between noise and ambience, Sleepers recalls the uncomfortable mode of
Read moreEl patio de Carbono es un espacio al aire libre en el lugar donde está la base física del Carbonoproyecto, en Toay, La Pampa,
Read morePercussionist Joe Sorbrara and Vocal improvisor Christine Duncan join forces in their first performance using the NAISA Sound Bash. Joe Sorbara is a highly inventive
Read moreFear and Sound is curatorial project with an open call for artists interested in exploring the relationship between fear and sound. The initial concept comes
Read moreVox Novus and Wave Farm are delighted to collaborate on a special edition of 60×60 focused on Radio Art. Selected from an international open call,
Read moreThe Bridge, c’est un projet pas tout à fait ordinaire jailli de l’imagination de l’ethnographe, anthropologue et passionné de jazz Alexandre Pierrepont, un projet également baptisé “Réseau transatlantique
Read moreRoulette TV talks with legendary performer Marshall Allen on his experiences with Sun Ra, why he plays music, and where some spirit can take you
Read moreMusInfo is pleased to announce the second edition of the International composition contest for acoustic instrument and electroacoustic device. With this initiative MusInfo proposes to open a new space
Read moreMACHINEFABRIEK – THE MEASURE TAKEN (CD by Zoharum) * MACHINEFABRIEK – LOOS (CD by Machinefabriek) * SINDRE BJERGA AND FABIO ORSI – FADED BROWN AND
Read moreHi everybody, Iâ•?m cordially inviting you to the first a.silent.room in 2015. I am looking forward to this myself, as we present you some great
Read moreThe sound of empty space explores relationships between microphones, speakers, and surrounding acoustic environment through controlled, self-generating microphone feedback. By amplifying and aestheticizing the acoustic
Read more