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Archive for April, 2006

Apr200618

recorded . commercial releases

0

Thus : Tripod Mind


Thus : Tripod Mind

 

Thus

Tripod Mind

label: Recorded

ref: Recorded 018

year:2005

players: Neil Feather, John Berndt

Instrument design and musical ideas are woven into a single rhythmic tapestry of changing length and speed and constant gesture. Featured as a backdrop for this experimental sound space distribution project, the centrifugal movement of the motifs, processing and pulses is employed in various phases, allowing different configurations to emerge from the superimpositions of the various layers.

Diseo instrumental e ideas musicales son tejidas en un nico tapiz rtmico de longitud y velocidad cambiantes. Incluido como teln de fondo para este proyecto experimental de distribucin del espacio sonoro, el movimiento centrfugo de los motivos, procesado y pulsos se emplea en diversas fases, lo que permite el surgimiento de diferentes configuraciones en la superposicin de las diferentes capas.

m-1311

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Apr200614

Leo Records . commercial releases

0

O?Leary/Caine/Perowsky : Closure


O?Leary/Caine/Perowsky : Closure

 

O?Leary/Caine/Perowsky

Closure

label: Leo Records

ref: CD LR 448

year:2005

players: Mark O?Leary, Uri Caine, Ben Perowsky

Halfway between melodic and harmonic roles, the piano is a truly cohesive device for this trio. A permanent renegotiation of linguistic approaches both in terms of timbre (electric guitar) and coherence, with occasional tensions diluted as things unfold, weaving in and out of free jazz fabrics and more experimental passages, eventually visiting more atmospheric realms if permanently proposing simultaneously evolving layers.

A medio camino entre el papel meldico y armnico, el piano funciona como auntntico elemento de cohesin del tro. Una constante renegociacin de planteamientos lingsticos en trminos tmbricos (guitarra elctrica) y coherencia, con ocasionales tensiones que se diluyen segn pasa el tiempo, entrando y saliendo de entornos ms atmosfricos aunque proponiendo constantemente capas en desarrollo paralelo.

m-1310

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Apr200613

discus . commercial releases

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Grew Trio : It?s Morning


Grew Trio : It?s Morning

 

Grew Trio

It?s Morning

label: Discus

ref: Discus 22 CD

year:2005

players: Stephen Grew, Mick Beck, Philip Marks

Trio work centered around a percussive approach. Focusing on attack and quick successions of individual particles rather than continuous sounds, their work thrives on a no-man?s-land between asymmetric pulse structures and chaotic clusters: the accidental falling of objects becoming musical in the ear of the ?beholder?. Rough finishings, prepared timbres, fricative textures or low register pulsations resulting from a research in collective improvisation.

Trabajo en tro sobre un planteamiento percusivo. Centrado en el ataque y la rpida sucesin de particulas individuales ms que en sonidos continuos, su trabajo explora la tierra de nadie entre estructuras de pulso asimtrico y racimos caticos. La cada accidental de objetos se torna musical al odo del ?observador?. Acabados toscos, timbres preparados, texturas fricativas o batidos de fracuencia grave resultan de una bsqueda en la improvisacin colectiva.

m-1309

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Apr200610

Leo Records . commercial releases

0

Simon Nabatov Octet : A few Incidences


Simon Nabatov Octet : A few Incidences

 

Simon Nabatov Octet

A few Incidences

label: Leo Records

ref: CD LR 446

year:2005

players: Various

A project where experimental approaches meet in a carefully composed frame preserving the individual identity of its parts. Complex textures with a sharp contrast between experimental languages -voice, electronics or extended reeds- and idiomatically intricate arrangements. The coexistence of unrelated materials in time and space, simultaneously weaving a collage aesthetics, continues some of the author?s concerns: use of literary texts and sophisticated compositional envelops if humouristically seasoned.

Proyecto donde se dan cita planteamientos experimentales en un marco de cuidada elaboracin que conserva la identidad individual de las partes. Texturas complejas de marcado contraste entre lenguajes experimentales ?voz, electrnica, o vientos ampliados- e intrincados arreglos idiomticos. La coexistencia de materiales inconexos en el tiempo y el espacio, tejiendo simultneamente una esttica de colage, contina desarrollando los intereses del autor: uso de textos literarios y envolventes compositivas complejas aunque salpicadas de humor.

m-1308

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Apr200606

altri suoni . commercial releases

0

Cholet, Knzig, Papux Trio : Under The Whale


Cholet, Knzig, Papux Trio : Under The Whale

 

Cholet, Knzig, Papux Trio

Under The Whale

label: Altrisuoni

ref: AS 189

year:2005

players: Jean-Christophe Cholet, Heiri Knzig, Marcel Papaux.

Connecting classical interests and jazzistic influences by means of a gestural work, this trio explores the multilinear possibilities offered by an enhanced rhythmic, timbric and harmonic approach: a careful exploration of interplay both in terms of group interaction and careful research of previous jazz trio proposals.

Conectando intereses clsicos e influencias jazzsticas mediante un trabajo gestual, el tro explora las posibbilidades multilineales ofrecidas por el enriquecimiento de ideas rtmicas, armnicas y tmbricas: cuidadosa exploracin del interplay tanto en trminos interactivos como de una cuidadosa investigacin de planteamientos en tro previos.

m-1307

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Apr200604

recorded . commercial releases

0

Ian Nagoski : Effortless Battle


Ian Nagoski : Effortless Battle

 

Ian Nagoski

Effortless Battle

label: Recorded

ref: Recorded 010

year:2003

players: Ian Nogoski

A developmental, progressive approach to sound masses in slow motion. The grain of sound reveals a growing number of harmonic partials as the unfolding of volume transformations, which turns dark tones into a richer chromatic palette, takes place. The unbroken continuum changes over vast periods of time, while the previous darkness gains depth as light progressively suffuses it.

Una mirada en desarrollo, acercamiento progresivo a masas sonoras en cmara lenta. El grano sonoro revela un creciente nmero de parciales armnicos al tiempo que las transformaciones del volumen, que convierten los tonos oscuros en una paleta cromtica ms nutrida, se suceden. El continuo ininterrumpido cambia a lo largo de amplios periodos de tiempo mientras que la oscuridad anterior gana profundidad segn es baada por la luz.

m-1306

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