The Pilot Ships : The Limits of Painting and Poetry

The Pilot Ships

The Limits of Painting and Poetry

label: bluesanct

ref: INRI 047CD

year:2000

players: Cheree Jetton, Chris Linnen, Michael Linnen, Brian McBride

A range of stances, moving from straight rock to more experimental, concrete, mildly electronic tracks is presented. A cohesively horizontal, gentle approach weaves the different tracks, coming in and out of the various sonic frames and alternating the more abstract influenced passages with other ones of a song-form, lyrical nature.

Diversidad de posturas, que van del rock convencional a cortes ms experimentales, concretos, ligeramente electrnicos donde planteamientos suaves, de cohesin horizontal entreveran los diversos cortes, entrando y saliendo de los diferentes marcos sonoros y alternando los pasajes ms abstractos con otros lricos, de forma cancin.

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Love Of Light : Static Films

Love Of Light

Static Films

label: BlueSanct

ref: INRI 077

year:2004

players: Various

Developing their rock influenced, lyrical approach this release abounds in chamber arrangements for (mainly) acoustic renditions. Compositional gestures reminiscent of seminal rock from the 70-80s coexists with a more experimental outlook which further develops their homemade aesthetics and increases the use of studio techniques.

Desarrollando su planteamiento lrico, de ascendencia rock, el CD abunda en arreglos camersticos de versiones (fundamentalmente) acsticas. Gestos compositivos deudores de grupos de los 70-80 coexisten con una mirada ms experimental que ampla su esttica casera al tiempo que incrementa el uso de tcnicas de estudio.

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Annelies Monser : Helder

Annelies Monser

Helder

label: BlueSanct

ref: INRI 078

year:2002/2004

players: Annelis Monser

A repetitive symmetrical stance, keen on close-up portraits, presents a horizontal landscape where forms protrude from the background as scattered objects covered by snow. Melodies unfold over modal harmonies, providing turning points in a maze of songs-poems, somewhat related to soundtrack composition, featuring a single gesture.

Planteamiento simtrico, repetitivo, con retratos en primer plano, para un paisaje horizontal donde las formas destacan sobre el fondo cual objetos desperdigados cubiertos por la nieve. Melodas desplegadas sobre armonas modales, como esquinas en el laberinto de canciones-poema, composicin de banda sonora y gesto nico.

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Minmae : Microcassette Quatrains

Minmae

Microcassette Quatrains

label: BlueSanct

ref: I NR I 046

year:1998/2003

players: Minmae

Electric guitar noise-walls saturate the sonic space. Loose song forms and blurred lyrics similarly suffocated by distortion; rather than processing, superimposition of sound layers becomes a way to transform them. Folk and rock influences occasionaly emerge to the surface, disfigured as they cross the noise veils or quotidian surface.

Muros de ruido de guitarra elctrica saturan el espacio sonoro. Formas cancin y letras borrosas asfixiadas por la distorsin; mas que procesado se superponen capas sonoras como recurso de transformacin. Influencias folk y rock emergen a la superficie, desfiguradas al cruzar los velos de ruido o la superficie cotidiana.

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Drekka : Extractioning

Drekka

Extractioning

label: Blue Sanct

ref: I NR I 075

year:2004

players: Michael Anderson, Jimmy Volltar, Cat Power, Donovan

The various tracks feature a shared compositional backbone. The blend of instrumental, environmental and vocal sounds is interwoven by means of pitch, thus producing a continuous sound track from diverse elements featuring a common aesthetic where envelop and content are often on a game of mutual redefinition.

Los diversos cortes tienen una columna vertebral comn. La mezcla de sonidos instrumentales, ambientales y vocales se entrelaza mediante el ?pitch? produciendo asi una banda sonora continua a partir de elementos diversos con una esttica comn en la que el continente y el contenido a menudo a juegan a definirse mutuamente.

Drekka : Extractioning

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Anaphylaxis : Dead Letters

Anaphylaxis

Dead Letters

label: Blue Sanct

ref: Orphan 002

year:2001

players: Jason Coffman

The tracks feature diverse stances, from slowly unfolding forms of an abstract nature -ruidist drones or oscillator generated, processed sounds- to livelier repetitive compositions of speech and traffic recordings in mostly horizontal slowly developing forms. Other tracks alternatively feature metacomposition of musical snippets.

Los cortes presentan diversos planteamientos, desde formas en lento desarrollo de tipo abstracto ?pedales de ruido o sonidos generados por oscilador- en desarrollos lentos, casi siempre horizontales, hasta composiciones repetitivas ms dinmicas, con grabaciones de campo o del habla. Otros cortes incluyen la metacomposicin de recortes musicales.

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Drekka : Take Care to Fall

Drekka

Take Care to Fall

label: Blue Sanct

ref: I NR I 0029

year: 2002

players: Michael Anderson, K. Joy, Chris Gregory, Tiltmaster, Krisin Grieve.

Low-fi experimental approach to simple pop songs illustrating different performances in a laid back, casual manner. Recorded in context, the various tracks feature environmental sounds, passing friends, and other circumstances.

Aproximacin low-fi experimental a canciones pop sencillas, ilustrando diversas actuaciones de corte relajado, casual. Grabadas en su medio, los diversos cortes incluyen ruido ambiental, amigos de paso y dems circumstancias.

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