As part of ISSUE’s Music & Technology Month, Australian musicologist (and occasional FMA guest-blogger) Caleb Kellycurated an evening of fantastic performances to complement his talk on the use of deliberately cracked and malfunction-ed technology in music. For the concluding set of the evening, artist/composer/turntablist Marina Rosenfeld teased out a gorgeous stream of sounds into a fluid tapestry of quiet, spacious beauty –  shared below. Improvising from a rich palette of her own hand-crafted dub plates, electronics, and instructional synth samples from old educational records, Rosenfeld sculpted an alluring narrative that felt both electrifyingly spontaneous and effortlessly precise. Live, the understated physicality of her performance served as an integral layer in the evocative whole, with sounds forming and evolving with stunningly organic connectivity to the elegant gestures of her record selection and turntable manipulation.  While the recording can’t fully capture the enchanting visual dimension of Rosenfeld’s performance practice, the inseparable physicality of the sound production remains perceptibly embedded in the audio document and the mesmerizing aura remains.