LIVE CODING SESSIONS II
Friday 22.03.13, 20.15h, FREE @ Niu, Almogàvers, 208
+ info: http://www.niubcn.com
Live coding is the practice of improvising (in this case sound) in which code is the working interface. This allows the improvisors’ action to be seen by the audience through the projection of the code. Following the success of the first edition in March 2012, we present more examples of this practice that reflect different approximations to computer music.
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Graham Coleman (US)
Graham Coleman (Athens, GA, USA) started livecoding music with the ChucK language in 2007, and since then alternates between that and SuperCollider in sketches and performances. In his performances he tries to create intricate harmonic structures and melody with code. In the current performance he intends to premiere his own livecoding editor. In Barcelona he has performed at Niu, at the city Science Festival (la Festa de la Ciència), and also with the Barcelona Laptop Orchestra.
http://ravelite.org/blog/
https://soundcloud.com/ravelite
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Javi Agenjo @tamat (SP)
Researcher at Pompeu Fabra University (UPF) in 3D graphics. In previous years he has worked on tools for livecoding graphics using web standards.
His principal tool Simplecanvas expands HTML5 to make it more accessible for livecoding.
His most recent project uses OSC messages generated from a music livecoding session to generate visuals in real-time.
http://blog.tamats.com
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0001 (SP)
0001 confronts digital sound from a naive perspective. In recent times, work is centered on the direct sonification of binary strings, produced by stochastic processes and/or thoughtless typing, and solipsism on the net. The final result is a noisy texture formed by a tangle of small experiments.
https://twitter.com/000100100100
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Glen Fraser (CA)
Glen Fraser (Canada) has always preferred “live coding” to dead coding. Although he’s programmed interactive graphics and sound for fun and profit for a quarter century, it’s always been from the relative safety of his home or office. This will be his first time doing it for an audience. In this performance, Glen will use SuperCollider to explore what he calls “Sines and Symbols”. He is currently a member of the Barcelona Laptop Orchestra and of the Wù:: Collective, where he develops technology for the performing arts.
http://blog.glenfraser.com/
https://soundcloud.com/totalgee
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Twitter Sound Installation
Imagined by the members of the Barcelona Laptop Orchestra, we propose an installation, a small game among those present, for sharing anxieties, feelings and indecipherable messages via twitter for the purpose of sonifying them. The poems are chaotic. The more chaotic texts generate musically interesting sequences. You should try it. It comes from an addictive simplicity…
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Live concerts and live coding | La fressa d'en Glen
on March 12, 2013
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