{"id":37218,"date":"2015-07-01T00:03:26","date_gmt":"2015-06-30T22:03:26","guid":{"rendered":"http:\/\/modisti.tk\/15\/?p=37218"},"modified":"2015-12-31T16:47:49","modified_gmt":"2015-12-31T14:47:49","slug":"kunstmusik-17","status":"publish","type":"post","link":"https:\/\/modisti.com\/15\/kunstmusik-17\/","title":{"rendered":"KunstMusik #17"},"content":{"rendered":"

\"KunstMusik<\/p>\n

As announced in our last edition, with KunstMusik 17 we are continuing our thoughts
\non intonation in a second part. Once again in this issue: composers, musicians,
\nsound and radio artists ask themselves questions about the fine unanimity of sounds.
\nComplex systems (re-)define with a \u201cyes\u201d or a \u201cno\u201d the tightly knit foundations
\nof our sound environment and the often tautly stretched surface of traditional listening habits. \u201cIn tune\u201d or \u201cout of tune\u201d become either inclusive or exclusive criteria. Foreign or not, belonging or not? The nuance of a shift gains a social component. With an entire catalogue of questions, the American composer Andrew McIntosh takes on the challenge of finding answers and draws near to the interplay between
\ncomposer and audience. Here he connects with Christian Wolff, who \u2013 as he admits
\nhimself \u2013 was not blessed with perfect pitch, but at the same time meets microtonal
\nshifts of textbook definitions with an \u201caccurate\u201d intonation.
\nOur special thanks go to the Berlin based Canadian composer Marc Sabat who
\nwas able to enthuse numerous colleagues into contributing to these two issues.
\nWe would also like to thank all of you who have given us the opportunity to share
\ndiverse thoughts and experiences from their artistic practices.<\/p>\n

Maria de Alvear & World Edition Team<\/p>\n

KunstMusik #16
\nOn Intonation – Double Feature (part 1)<\/p>\n

Clarence Barlow \u00b7 Adrian Koye \u00b7 Marc Sabat \u00b7 Gerhard Schultz \u00b7 Wolfgang von Schweinitz \u00b7 Chiyoko Szlavnics \u00b7 Antje Vowinckel \u00b7 Jeremy Woodruff<\/p>\n

http:\/\/world-edition.com<\/p>\n","protected":false},"excerpt":{"rendered":"

As announced in our last edition, with KunstMusik 17 we are continuing our thoughts on intonation in a second part. Once again in this issue:<\/p>\n","protected":false},"author":521,"featured_media":37219,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22],"tags":[],"class_list":["post-37218","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-publications"],"_links":{"self":[{"href":"https:\/\/modisti.com\/15\/wp-json\/wp\/v2\/posts\/37218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/modisti.com\/15\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/modisti.com\/15\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/modisti.com\/15\/wp-json\/wp\/v2\/users\/521"}],"replies":[{"embeddable":true,"href":"https:\/\/modisti.com\/15\/wp-json\/wp\/v2\/comments?post=37218"}],"version-history":[{"count":0,"href":"https:\/\/modisti.com\/15\/wp-json\/wp\/v2\/posts\/37218\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/modisti.com\/15\/wp-json\/wp\/v2\/media\/37219"}],"wp:attachment":[{"href":"https:\/\/modisti.com\/15\/wp-json\/wp\/v2\/media?parent=37218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/modisti.com\/15\/wp-json\/wp\/v2\/categories?post=37218"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/modisti.com\/15\/wp-json\/wp\/v2\/tags?post=37218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}