Posts tagged Yannick

V/A : 2 Favourite Places


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Following last week’s Thomas Koner’s mentioning of longitude/lattitude’s in the piece, this compilation, the second in a series, does the same. Each of the ten pieces is a favorite place for the composer. They are also mentioned by the place it is, although then its still not easy to know what it is, except of course ‘my bed’ by He Can Jog. I could of course install google’s earth view thingy, but then I rather listen and imagine these places myself. Oh oops. The booklet provides me with pictures and descriptions of each of the places, which is a nice read. If you read these, you might think that this is a CD of purely field recordings, as there are references to recording dates/times, but I guess that’s when the basic material has been recorded, which was later manipulated. Throughout one can say that these ten composers all belong to the world of microsound, with their minimalist, electronic processing of the original field recordings. Sometimes we hear a bit of rainfall, bird twitter, people talking or snooring in ‘my bed’. Not much news under the sun in terms of music, but throughout I must say this is a nice compilation of well made field recordings, microsound and electronics. Including Lawrence English, Yannick Franck, Micheal Santos, Icarus, Sawako, Jeremy Bible, Austitici, Calika and Micheal Trommer. (FdW) Vital Weekly 696

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No Square : Double Album



 

No Square

Double Album

label: Altrisuoni

ref: AS 182

year:2005

players: Andr Hahne, Yannick Oppliger, Gabriel Zufferey, Guillaume Perret

Concerned with the establishment of strongly laid grooves, powerfully driving fast modulating tempi, modal ostinati and intense atmospheric developments of standard structures, the choice of an electrical instrument on the keys overtly points to this group?s aesthetic inclinations, which are thoroughly inspired by fusion stances in their early blossoming stage.

En respuesta a la intencin de establecer grooves planteados con fuerza, tempos rpidos, modulantes y poderosos, ostinatos modales e intensos desarrollos atmosfricos de estructuras estandard, la eleccin de un instrumento elctrico en el teclado apunta la inclinacin esttica del grupo, claramente inspirada en propuestas de fusin en sus primeros estadios de floracin.

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