Posts tagged Experimental
Rinus Van Alebeek . nine variations
Feb 3rd

Rinus Van Alebeek is a writer, sound artist and performer born in The Netherlands in 1956. He has published two books in his native country under the pseudonym of Philip Markus, the first of which, published in 1991, was awarded best first novel.
His approach to musical improvisation is seen as radical, based on sounds captured on his travels in and outside Europe. Rinus Van Alebeek records, composes and performs with analogue equipment. During his concerts he mixes tapes thus creating powerful lo-fi sound collages between noise and pure poetry.
The artistic biography of Rinus Van Alebeek is divided in two periods: prehistoric and historic. The prehistoric period stretches from the birth of the universe to the year 1989 a.C. The historic period starts in 1989 and is divided in three categories: literature, visual arts and sound art.
Text to ‘Nine Variations’ ( in German and English )
One evening as the rain pattered against the window and I, from the darkness of my room, was staring at the dance of the raindrops in the light of a street lantern, a deep desire came over me: I wantedNastassja Kinski.
Once every year this happened, then I thought that only in a relation with her my life would make sense, a lighthearted shining sense that would bring tears of joy as you could only see on the movie screen.
O man!
How I longed for it to sit on a terrace with her in Duesseldorf and pick a piece of Currywurst with sauce out of her hair.
Later in the afternoon we would walk hand in hand along the Rhine.
One very long moment I kept on staring out of the window not knowing what to do. The heartache grew out of my body.
I’d better get rid of the idea to marry the most beautiful woman in the world.
I simply had to forget about it and content myself with the fact to grow old with her living in the same universe.
….
Eines Abends, als der Regen gegen das Fenster prasselte und ich aus der Finsternis meines Zimmers den Tanz der Tropfen im gelben Strassenlaternenlicht bewunderte, ueberfiel mich eine unheimliche Sehnsucht: Ich hatte Lust auf Nastassja Kinski.
Einmal im Jahr geschah das, dann dachte ich, dass ein Verhaeltnis mit ihr dem Leben erst Sinn geben wuerde, so einen leichtsinnigen strahlenden zu Glueckstraenen fuehrenden Sinn, wie es den nur auf der Leinwand gab.
Mann! Wie sehr verlangte es mich danach, ihr, auf einer Duesseldorfer Terrasse sitzend, mit meinen Fingern ein Stueckchen Currywurst samt Sosse aus dem Haar zu pfluecken. Spaeter am Nachmittag liefen wir dann Hand in Hand unter einem groĂźen Regenschirm das Rheinufer entlang.
Einen langen Moment blieb ich unentschlossen und starrte aus dem Fenster. Der Herzschmerz wuchs aus meinem Leib hinaus.
Ich musste mir die Heirat mit der schoensten Frau der Welt einfach aus dem Kopf schlagen. Ich sollte sie sowieso vergessen – , mich damit zufrieden geben, zusammen mit ihr, im selben Weltall, alt zu werden.
Recorded with an iPhone.
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Jan Kees Helms . H2OCO2
Feb 2nd

“H2OCO2″ is the next Jan Kees Helms’ experiment with field recordings, a new chapter in his sound research of world elemental essences. With abstract approach he’s trying to discover mysteries of ordinary but very important things. And field recordings are the tools which help him to extract and to process “voices” of that essences.
This album is dedicated to studies of water and carbon dioxide sounds. Two unique microspaces created by Jan Kees Helms are different but look like very familiar thanks for author’s laborious task which helps to unmistakably recognize these essences by its “voices”.
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Fear and Aghast . Troubled thoughts
Jan 30th

One man project founded by L. Ghost of Polish
The material was recorded in 20 November 2009
Demo maintained in an atmosphere of ill human mind
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Hindi + Riis . Trunking
Jan 28th

As avid listeners surely has noted, exercises in improvised sound has, to an increasing extent, begun to bridge the gap between restrained tone clusters and the underworlds of grit and abrasion. But what is the nature of this ‘noise’ being adapted?
If what we are dealing with truly is a case of adaptation, this might prove problematic, implicating the displacement of sound into new contexts rather than a profound familiarity with the matter at hand. While such strategies have rendered interesting results in their own right, it remains a rare thing to experience a merger not compromising either position. Releases like Kevin Drumm’s Sheer Hellish Miasma naturally comes to mind when reaching for standout examples, but listening to Trunking, it is evident that also Hindi and Riis are stating a vision of their own, exposing a similar understanding of the harsh noise vocabulary.
Alongside delicate wave structures and concrete object rustles the duo naturally cranks out the crude feedback squeals, throbbing crunch and junk metal crashes characteristic of another stratum of the experimental music scene. Yet, what seems to distinguish the playing of Hindi and Riis are not primarily the specifics of the sounds themselves, but what appears to be the genuine pleasure derived from their crafting. Coarse music, not for the sake of exotica, but for the genuine love of a heavy jam.
With a burgeoning understanding of noise, electro-acoustic improvisation might find itself once again embracing the ecstatic qualities of free music that were once rejected on the basis of excess. How are we to come to terms with the, perhaps vulgar, pleasure of noise while still aiming for the refined aesthetics of contemporary improvisation. Or, one might ask, has such a dichotomy of ‘body’ and ’soul’ been wrongly stated to begin with?
A partial answer lies buried in the binary code of these digital sound files, since, to its merit, Trunking seems to raise questions of this very kind.
Could this be music for fans of Burkhard Beins and Black Leather Jesus alike?
(Peter Henning, Malmö 2010)
Jassem Hindi (FRA/LEB): lo-fi electro-acoustic material: diverted machines, amplified objects, contact mics, found tapes, no-fi field recordings, no input mixing board.
Jakob Riis (DK/SWE): laptop, MaxMSP, real time processing.
Recorded at Mains d’Ouvres, Paris feb. 2007
Cover photos by Nguyenmaler http://www.tuannguyen.co.nr/
Contacts:
Jassem Hindi:
http://www.myspace.com/hindij
Jakob Riis:
http://www.sonicescape.net
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Brad Lynham & Jesse TaylorEmpty Love + Reflektions – E.R.G.I.
Jan 27th

Recorded live at The Emergency Room Granville Island in Vancouver on July 27, 2007 by Dan Kibke.
Korg MS-20
ARP Axxe
Moog Delay
Sequential Circuits Pro-One
Moog Ring Modulator
Dream Machine
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Golgotha Communications Ltd . I Am Not a Politician
Jan 23rd

GOLGOTHA COMMUNICATIONS LTD. is the main project of Philadelphia-based sound artists Jozef K·rpovsky, Penny Petticoat, and GRECO-NORWEGIAN. GCL have existed, in one form or another, since 1996, and in that time have released numerous works in various formats, and under several different names, notably FARS, GENDARMERIE, and ‘222′.While it’s work Generally consistis of bleak electronic soundscapes, GCL(and it’s various sub-projects) have nonetheless experimented with a variety of different genres, from ‘be-bop’ and dance music, to darkwave and Neo-Folk. Please see our blog for information about releases, news, etc.
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Generic . Exit Sanction Resolve
Jan 20th

Generic is a project by Iris Light label owner Adam Sykes. Using manipulated, processed and deconstructed “FOLEY” Tracks, “Sound FX” (both for use in films and tv programmes) with occassional guitars, bass, and found sound to create music from drone, ambience and noise, with a mechanical edge to it.
Cover by Adam Sykes
This was said about the Generic album ‘Torture’ – Almost an admission that he’s not trying to reinvent the wheel, Generic aka Adam Sykes’ choice of band name is apt, given that there are literally thousands of identikit dark ambient / industrial outfits out there. But within the strange cold world of today’s industrial music where drone, machine sounds, unsettling noises and generally terrifying ambience are de rigueur, it’s less about variety and more about whether the artist manages to capture these moods successfully.
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Kerim Safa . Subdermal
Jan 20th

We use words to get in contact with people to explain what we think. But thoughts are abstract. We narrow them by using daily language to make everyone understand. If we were able to use pure thoughts (not words) to communicate, there would be a vague and chaotic communication process from the viewpoint of the “daily language user”. But on the other hand, there would have been a wider and sincere communication experience for the two sides of this uncommon conversation.
Kerim Safa is an audio/visual artist from Istanbul, Turkey. He was born in Izmir on 1985 and after 4 years of fine arts faculty (on printing design) experience in his hometown, he moved to Istanbul. In 2007, he started studying music at Istanbul Bilgi University with full scholarship. After playing and recording with some bands, he decided to release his own material as an ep. He is still living,playing and continiuing his education in Istanbul.
Contact:
http://www.myspace.com/kerimsafa
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Murmurists . Joseph Boi
Jan 18th

“Murmurists (Anthony Donovan) runs bicycles as water well.
when I tried I fell, when I enjoyed I dwell as son’s of goddess gestures”
-André Pissoir
“’Jospeh Boi’ a decision was made with spirit!
none addicted to manipulate,
it’s the mood as fact
which appears in this work of genius!
He’s the neXt ONE!
viva Murmurists!”
-Lester Béton
“hearts would be passed on like trust beyond matter of relatives, he’s one of those we do”
-undRess Béton
handle the short as wired,
threshold your companion through glasses…
welCOME
one of the VERY important son of doings:
Murmurists (Anthony Donovan)
and his unrecorded trust of art ‘Joseph Boi’
Ground Bursting Circuits Merry The Mass Survival- bless thy family
the kitchen avant may never meet their circumstances as it was truly off your health!
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LEZET . Caged?
Jan 17th

suRRism-Phonoethics is proud to announce our first long awaited release…
make way and raise your glass to the initial!
LEZET and his fantastic album ‘Caged?’
Piano Prepared Pieces- of finest heritage
re-rooted in counter-clockwise gestures pointing at you!
01-10 Prepared Piano Piece I-X
Track 10 contains the first sound file ever,
recorded by Edouard-Leon de Martinville on the Phonoautograph (1860)
“Lezet (Igor Jovanovic) dreams right out of his pockets”
-André Pissoir
“he stole my cell,- i’m free now!”
-Lester Béton
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