Autistici Reworked . Resonating Wires

Resonating Wire started as one vibrating wire from an acoustic guitar, captured, sculptured and morphed into a buzzing pad of noise. Tiny details were added, xylophone, cello, double bass, electronics and the crumpled sound of household objects exploited and manipulated. The original track can be found on the album Complex Tone

Test released on KESH. Resonating Wires sees the process start again. It is an album of remixes by talented artists. It is also an album in its own right. That one vibrating wire and all the other

http://www.autistici.com

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hexakai dekagon . portals

improvised and recorded late at night in the backyard by the light of the moon and stars. mixed/edited in the cave early hours of the morning august 2010

HXDK

a glorious attempt that fateful evening at letting go of the stress of earthly matters so i could, for a short time, explore space and other dimensions through murky guitar loops,intense analog synth noises and computer drones at high volumes on headphones until i dissolved into a million scattered molecules… while the rest of the neighbourhood (and beyond) slept unaware of my somewhat questionable and possibly quite dangerous sonic experiments to achieve full astral projectile liftoff.

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Pesticide Organica . Denial of Service

Pesticide Organica is a self-supporting musical node. Producing music of the utmost contempt and repugnance, masked by a veneer of acceptable social norms. The ubiquitous force of Pesticide Organica permeates even the most one-dimensional of minds.

Band Members
Richard Knight – Scorpions and Venus Flytraps
Tom Harrison – Brass Bongs

Influences – Students / iCulture / Sha’itan / Insect Dominion
http://www.myspace.com/pesticideorganica
Pesticide Organica also have other releases on Electronic Musik
Cover Art by Richard Knight

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Cover

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Jazznoize: ALBA

Todos los temas por S. Sánchez Nicolás – http://myspace.com/jazznoize17 -
Portada: Antonio José Fernández “El Hombre del Anillo”, Sin Titulo 1977

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.RR . RReplay

suRRism-Phonoethics is proud to place the second .RR squirt to our shelves…

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Steve Barsotti . Along These Lines

Subtle fluttering fragments that boarder on the inaudible float across the stereo spectrum and hover on the fringes of perception are interspersed with glitchy shards that dance on the edge of the speaker cone and threaten to pierce through into the room The newest collection of works by Seattle sound artist Steve Barsotti featuring works for invented instruments, electronics and field recordings. Limited edition of 200

“Terraces is built out of steppes, plateaus and crevices I would never have dared on my own. Mundane sounds become monumental events, subtleties are substantiated, echoes made epic, and shades of doubt edited out. Composed out of an improvised set, Terraces articulates thresholds where land meets sky, sea meets shore, and where one’s inner landscape converges with the outside world.” – Perri Lynch

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Trianov . C om praver

Audio Work “c om prayer” demonstrates the difference between the levels of human perception, the difference between the spiritual, sverhsmyslovym and algorithmic artificial. The purpose of the album-convention to show such differences. The genre this album should be seen as a continuation of psychoacoustic experiments that started in the second half of xx century, connected with the names of representatives frantsuzskoyspektralnoy schools, Xenakis, Keydzha.Za basis of work taken compositional principle of transformation of a visual object in the sound (timbre-altitude combination) with the help of computer algorithms. visual objects “c om prayer” began seven Orthodox icons, “sound” which created the basis for the seven improvised songs with brief epigrofami author-”edinnstvenno true humanity.” genre; conceptual ,8-bit, experimental.

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Images

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Cover Front
Cover back
Inside

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Graham Dunning . Tufa

A live performance at Electronic Organica V (Britons Protection, Manchester) using turntables, modified records, objects and electronics in May 2010.

Graham Dunning is a sound and visual artist based in the UK. His sound sources include field recordings pressed to dubplates; modified records; adapted playback equipment such as reel-to-reel tape players, turntables and Walkmans; found sounds, especially discarded footage of people’s home recordings; home made electronics and circuit bends; broken cymbals and other metal objects; and inexpensive delay units.
Dunning has recently performed at temporary gallery space Outlet run by Exocet in Manchester, a Happening in Shoreditch Library and the Leytonstone Arts Trail. He also performs in improvised noise, drone and post-punk band Blood Moon; psychedelic drone and improv band Infinite Birth; and produces dubstep, techno and electronica under the name Analogg.

http://www.myspace.com/grahamdunning

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AYANKOKO!!! . nowhere

nowhere, strange and beautiful, warm electronics, nothing”

Produced by Ayankoko!!!
Made in france, Février 2008.
JOHNCO013 [LP]
Photo: William Jame.

http://www.myspace.com/ayankoko
http://www.ayankoko.org

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Milwaukee Laptop Orchestra . Live at Woodland Pattern

Recorded live at Woodland Pattern, Milwaukee, WI, 17 May 2009; broadcast on WMSE 91.7 FM.

Performers

Christopher Burns: laptop (3, visuals on 1 and 2)
David Collins: saxophone, laptop (1, 2)
Brent Coughenour: laptop (1, 3)
Joel Matthys: accordion, laptop (1, 2)
Steve Nelson-Raney: saxophones (1, 3)
Greg Surges: laptop (2, 3)
Seth Warren-Crow: percussion (2, 3)

MiLO is the Milwaukee Laptop Orchestra.

MiLO is a collective of musicians and artists dedicated to live audio/visual performance.
Performances consist of free improvisations as well as works from the repertoire of electronic music.

MiLO also makes use of custom software to enable networking between laptops during performance.
Some members perform using acoustic instruments, some using electronics, and some produce live video and animation.

MiLO has included (but is not limited to):
Glenn Bach – Electronics
Christopher Burns – Electronics/Visuals
David Collins – Electronics/Saxophone
Brent Coughenour – Electronics/Visuals
Bill Heinrichs – Electronics
Dale Kaminski – Electronics/Visuals
Joel Matthys – Accordion/Electronics
Adam Murphy – Electronics/Bass Clarinet
Jason Nanna – Visuals
Steve Nelson-Raney – Saxophone/Piano
Kevin Schlei – Electronics
Steve Schlei – Electronics/Mandolin
Jerod Sommerfeldt – Electronics
Greg Surges – Electronics
Seth Warren-Crow – Electronics/Percussion
Jon Welstead – Electronics

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Steve Law . Dissolution

All titles written and produced by Steve Law.

1. recorded 2009. 2. recorded 2000, 3. & 4. recorded 2008.

Instruments: Korg MS-20, Roland System 100M, Roland SH-101,
Arp 2600, EMS VCS3, Kurzweil K2500, Field Recordings, Voice.

Tracks

1. Bummer Interlock 07:39
2. Insanity Threshold 16:50
3. The Death of Light 19:37
4. Time Dilation 21:50

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Rod Cooper . Recordings of Electrical Equipment

The locations included train stations in Berlin and Brussels. Gaming rooms in London. CN tower and shopping mall in Toronto.
Hours were spent just walking around with headphones listening for what each city would emit, randomly stumbling across an edifice or another installation of machines saturating the environment with electromagnetic activity .
Sometimes I tried to explain to security that I was only recording the electromagnetic waves of the machines and not any sound associated with
the user interface which breached their so called intellectual copyright sanctions.
I’m sure the engineers of the machines never thought to copyright the electromagnetic wave emissions.
By the time I got to the CN tower in Toronto I had mastered the art of getting enough recorded material before being ejected by security.
London was the most difficult place to record material, usually a minute or two would be my longest take.

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