Posts tagged Electronica
Generic . Exit Sanction Resolve
Jan 20th
Generic is a project by Iris Light label owner Adam Sykes. Using manipulated, processed and deconstructed “FOLEY” Tracks, “Sound FX” (both for use in films and tv programmes) with occassional guitars, bass, and found sound to create music from drone, ambience and noise, with a mechanical edge to it.
Cover by Adam Sykes
This was said about the Generic album ‘Torture’ – Almost an admission that he’s not trying to reinvent the wheel, Generic aka Adam Sykes’ choice of band name is apt, given that there are literally thousands of identikit dark ambient / industrial outfits out there. But within the strange cold world of today’s industrial music where drone, machine sounds, unsettling noises and generally terrifying ambience are de rigueur, it’s less about variety and more about whether the artist manages to capture these moods successfully.
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NZ & UKQWJB : Azure
Dec 20th
We strongly believe in the creativity of the people, as we know that the Network has given us a unique opportunity to develop and express ourselves. Do not let the social and cultural emancipation be held hostages bythe profit, become an active part and show that we want to be leaders of our future.
With this initiative we are talking about net neutrality, the mere conduit, âs Amendment 138 of the Telecoms Package and the Legalization of P2P without any commercial purpose, around the the Creative 4 Net Neutrality Contest, an international campaign to bring to European Citizens attention on the importance of these issues for the future of the Net.
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Chuch : We You Never Know
Dec 9th
The fifteenth release on Warm Data has now hit the virtual shelves and rounds up 2009âs prolific release schedule. âWe You Never Knowâ is a six track album of uncompromising guitar and effects improvisations by Chuch.
A relentless mind melting trip that begins with a paranoid and claustrophobic skulk through desolate and confined corridors before marching toward a caustic and apocalyptic nightmare and finally emerging gasping for air into what appears to be daylight?…….â
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Emerald Adrift : Alien Tongue
Nov 7th
âAlien Tongueâ presents two live performances by Emerald Adrift. The first piece, âHatchling,â was recorded during a live broadcast on the StillStream internet radio station on November 1, 2008. âAbandoned Amusement Park (Gone To Weeds)â was another live StillStream performance, broadcast on March 14, 2009.
We hope you enjoy these sonic curiosities, âsungâ in an alien tongueâŠ
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1 Hatchling
2 Abandoned amusement park
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Zondagmorgen : La fin du monde
Sep 21st
So, about 1 and 3/4 years ago, I finished a super long ambient track for my Zondagmorgen (remember this?!) project, entitled La Fin du Monde. My intentions, at the time, were to release it though IMP. That never happened, and it’s been sitting on my hard drive ever since. I pulled it out, on a whim, this morning and listened to it on the bus today. It’s actually better than I remember, so I thought I would send it your way to see if you would be interested in including it in as an upcoming JNN release.
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DâIncise – Les Lendemains Etendus
Jul 18th
There is no name mentioned for DâIncise from Geneva, Switzerland, but its basically one guy who started out in 2002, armed with a sampler. First in dub and electronica, but later on in more abstract music. Now he is part of the Audio Activity Collective, mostly a netlabel, but the release âLes Lendemains Etendusâ has a cover, so maybe its also available as a CDR. He samples acoustic musicians and creates his own pieces of music with that. Here it seems to be mostly a band named Diatribes, a free jazz group. I must say its hard to tell, which is what sound here, but in general he does quite a nice job. Nicely bumpy music, highly abstract, yet also dwelling heavily on rhythm, pitching thing up and down the scale. One problem however is that some of the pieces tend to sound similar. Variation is something that this release lacks a bit, and it would have worked better if DâIncise would have left off a couple of pieces and made a stronger 3?CDR release. Throughout not bad however.
Certainly a guy to approach for a remix, Iâd say. (FdW) Vital Weekly 686
2075
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Ayankoko : GPHTHLBSDXCTCPC
Apr 24th
A re-synthesis deconstruction sample-based patchwork of previous ayankoko’s releases, noise streams and sound pictures in a broken industrial atmosphere. Produced by ayankoko, june 2008.
Ayankoko is David Vilayleck’s solo project on sound art> A formerly guitar player with various background influences as jazz, electro, traditional music turned himself into an electronica ambient noise artist since 2004> Releases works through internet labels and use of creative commons license with hazardrecords, headphonica, dog-eared records, amp-recs, clinical archives, colin johnco records, tecnonucleo> Developing structures and tensions in the contemporary sound art landscape
http://www.myspace.com/ayankoko
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Takeshi Nakamura : Inferior Articles
Sep 25th
Electronica / Glitch / IDM
Nervous sizzling rythms
Crawling melodies
Precise ramdom Accidents
Deep / hypnotic / dark electronica
Grésillements rythmiques
Micro-dérapages synthétiques
Echos perçants
Construction incisive
MĂ©lodie/grouillement accidentelle et nerveuse
Une electro sombre et hypnotique.
“Une trĂšs bonne production. Sombre, intimiste… des structures rythmiques simples et trĂšs propres qui laissent donc beaucoup de place Ă des nappes melodiques souvent rĂ©duites Ă leur plus simple expression: la vibration de l’espace. Brillant.” octetzero
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Gintas K : Lengvai/60 x one minute audio colours…
Sep 11th
Gintas K
Lengvai/60 x one minute audio colours…
label: Cronica Electronica
ref: Cronica 024-2006
year: 2006
players: Gintas K
Exhaustive catalogue-like proposal featuring oscillator generated tracks of an overt horizontality, complexity and variety arrived at by means of phase/wave-type/tone-colour contrasts.
Exhaustiva propuesta de tipo catlogo con cortes generados por oscilador de clara horizontalidad, compejidad y variedad logradas mediante contrastes de fase, tipo de onda o color tonal.
m-1375
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The Undertow: undercurrents of Australian experimental music
Jun 4th
Compiled 2003-2004, this is a snapshot of the cream of the the current Australian experimental music scene, including exponants of field recording, electronica, drones, noise, improv and theory-based composition.
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