Posts tagged Dark Ambient

Koji Okamoto . Wanders deep waters


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Have you ever wandered the depths of the oceans, felt the cold dark voids. Koji Okamoto takes you by the hand and goes deep beyond the oceanfloors and uncovers a world of darkness. No diving gear nor decompression time necessary.

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The Silence Bureau


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This album contains minimalistic noise, avant-garde synthesizer, guitar, and piano experiments recorded from 2007 to the present year. Sound collages of varied textures and moods, overall this album will challenge listeners to reconsider the nature of ‘music’.

Jeff Fowler aka The Silence Bureau

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Phillip Wilkerson : Secret


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Dark ambient and experimental tracks, field recordings, and drones.

Phillip Wilkerson creates ambient and experimental music. His work has appeared on a number of netlabels. This is is fourth release for Clinical Archives.

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subterminal : filled with light


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With eyes wide open.
Like in a reawakening. A strange awake that repeats itself every night; every passing day, or so it seems. Like a virtual experience; or maybe not. Maybe it is just a normal but scary awakening. … “Filled With Light”.

“Filled With Light” awakens us in two different ways. The first, because it is only an EP which is part of an album yet to be released; the second, because in that album, poetry, a core element always present in Subterminal’s work, makes an eulogy to digital life. “Filled With Light” is like a trailer of a full movie that we anticipate; a summary with a beginning middle and end. For now, the awakening is what matters most and “Filled With Light” awakes; awakes us.

In that slow awake, “With You” introduces us to the theme, to the electronic principle that conducts the EP. However, “Filled With Light” is the track that captures our attention; because of the movement; the layers of sound; the excellent alto viola played by Tiago Morgado. There is a slight techno-industrial mood coloring Leonardo Rosado’s words, the man behind Subterminal. At last, “For the First Time” definitely introduces us to what’s coming. A confrontation with a different reality; or, an almost-reality. “For the First Time” introduces us to a confrontation between poetry and technology, created by dense sound ambiences, images, differing in rhythm and form. They are different lines of the same life; parallel or perpendicular. The exhaustion of conflict.

“Filled With Light” was composed and played almost entirely with an iPhone, with some extra sounds from other objects. After “Alumina” and “Insight”, released in 2009, the reawakening of Subterminal is of happiness. “Filled With Light” is a great step forward when comparing with prior releases, which leads to the expectation of a very interesting conceptual album. Coupled with the refinement of his personal electronic universe, the author added a better voice treatment. The production of the EP was made by Tiago Morgado.

… to keep the eyes wide open.

Press Review by Rui Dinis, A Trompa

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NRYY – Melancholy in the dark


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N.R.Y.Y. (noise re yacky) has started again since 2008. The musical style is Experimental, including dark ambient, drone, harsh noise, Noise of Orient and metal. I think the method of doing communications that my ambient music is people all over the world. Please experience my philosophy and music. I want to compete with you if interested in me. For instance (split and compilation), Please do contact by all means.

More info and contact:
http://www.myspace.com/nryy
http://nryy.web.fc2.com/

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Lisle Ellis and Marcos Fernandes : Live at Quiet


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Recorded live at Quiet, Long Beach, CA, 10 May 2003.

Lisle Ellis and Marcos Fernandes have collaborated on numerous projects on stage and in the studio over the past decade. mrlectronic merged experimental electronica and improvisation to create pulsebeat soundscapes rich in timbre and texture. The trio (with Robert Montoya) performed at Spring Reverb (San Diego/Tijuana), CPEACH (Eureka), Edgetone Summit (San Francisco), Line Space Line (LA) and NWEAMO (SD). Recordings include We Are with Emily Hay, Ellen Weller’s Spirits, Little Dreams and Improvisations, Trummerflora’s Rubble 1 and 2 as well as Fernandes’ Hybrid Vigor.

Active from April to September 2003, the house concert series Quiet featured lowercase, minimal, and otherwise low-impact sound and music. Composers and musicians included Glenn Bach, Jeremy Drake, Lisle Ellis, Marcos Fernandes, j.frede, Vinny Golia Quartet, Haco, Chris Heenan, Steuart Liebig, David Nadal, Matt Pogue, Jeffrey Roden, Steve Roden, Josh Russell, g.e. stinson, and Aaron Ximm.

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Infetu – Sentience


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[enrmp212]

Return of our dark ambient release artist Infetu with a short EP of salvaged tracks originally aimed for a longer album release, which got canceled due to destroyed studio. If you like his work as much as we do, please go to his artist webpage and donate something to help him rebuild his studio.

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Jazznoize : Iberia


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[rdm097] (May 23, 2009)

Primer volumen de una obra de envergadura en torno al concepto de Iberia (territorio que ocupan actualmente España y Portugal). Presenta una palpitante secuenciación alineal de pistas que avanza por desgarraduras, recogiendo huellas, trazas, pisadas, caminos, vuelos y encuentros místicos y siniestros a lo largo de un presente peninsular que lleva a cuestas una ardiente historia política, filosófica y cultural. Las cualidades sonoras de cada uno de los diez temas incluidos en este hondo recorrido despuntan por la rudeza, espiritualidad y solidez expresivas, en medio de un excelente trabajo textural. Jazznoize somete las fuentes -en un noventa por ciento grabaciones de campo- a una gran variedad de manipulaciones, ofreciendo sobre todo ruidismo, dark ambient, distorsión, sigilo y sonidos gruesos delicadamente industriales, que brotan de unas mezclas y edición extremas de los registros, o bien, de la plasmación sin tratamiento alguno. Un marcado eclecticismo compositivo que abre los sentidos a paisajes de un extraño y confinado magnetismo, tenso y áurico, y que alcanza una profunda visión de la tierra, del tiempo y del acontecer impreso en todos los seres vivos o inertes. Son las señales que estructuran este entramado de superficies, en un conglomerado de piezas compuestas entre 2005 y 2009. Una creación tan solemne sonoramente como íntima en su disfrute, del hecho real al abismo sensorial.

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