Ambient Fabric : R.E.S.E.T.
From noise to the sound… The Ambient Fabric tales tell us of borning sounds from the soul of universe.
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Archive for November, 2009
Martin Back : Seedlings +
Martin Back is a sound/media artist, musician/composer and sonic provocateur living and working in Santa Fe, New Mexico, USA. He studied film and video at the College of Santa under the tutelage of pioneering media theorist Gene Youngblood and media artist David Stout. He has studied experimental composition and sound art privately with composer David Dunn. Martin’s work is multiplicitous and makes use of drone, graphic and text scores, digital computers and software, custom analog electronics, field recordings, noise, custom instruments, and site specific performance. He performs often in various ensembles in New Mexico, including the Ancestral Groan Liberation Orchestra; the Soundpainting Orchestra of New Mexico; and The Transducers.
‘Cold Front’ is a work for aeolian guitar and drums. Four tracks of wind-powered drum and guitar were recorded and edited together without any manipulation other than editorial selections of pacing and time.
‘Seedlings’ explores heterosexual sex in metaphor of struggle, unity, opposition. Small timbre-particles of a one hour recording of sexual intercourse were processed using phase vocoding techniques and then edited together.
‘Paper Bag Piece’ is….a paper bag.
‘Study for Diaphonous Transforms……’ uses a single recording of my parakeets to further generate new timbres and accompaniments. This work is a sketch for a forthcoming 8 channel diffusion work.
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Hybrid Frequency : Seguridad Urbana
RECORDED AT VARIOUS CAFES DURING SPRING 2009
KORG DS-10 for Nintendo DS and intro recordings
In this album, I try to express my feelings towards the security in the buses in Bogota, Colombia (My native country ) .
It is also a protest against the politicians that are not doing anything to overcome this challenge in the city.
People in the recording are talking about the way they have been mugged in the buses and how they feel about it. Threatening and mugging passengers at knifepoint, muggers want to steal cellphones and personal belongings. Police tries to do the best , but it is not enough. This situation goes beyond only this and more to the social and political situation in Colombia.
A series of interviews with citizens of Bogota in Colombia are part of the intros in each track.
These are mere explanations about some muggings that have been happening in the mass transportation system of the city (buses).
The artist pretends to portray one face of the daily situations people have to face when commuting to work or home: Muggings at knife point, cell phones and personal belongings are snatched while traveling in the buses.
We the citizens of Bogota want the government to take action to this problem.
Contact:
http://www.myspace.com/hybridfrecuencynoise
http://www.myspace.com/hybridfrecuency
http://www.geocities.com/hybridfrecuency
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Bacillus : Collapse ep
Bacillus is Ian Simpson (electronics and tape edits)
Bacillus Bacillus is the solo project of Ian Simpson, a UK based improviser, sound artist and composer. All the work realised under this project uses electronics and sound manipulation as its textural medium. Some of the works are improvised and some use a graphic or text scores as their basis. Many use found sounds and field recordings. Some of the original source material has come from Ians very first experiments with tapes and electronics in the 1980âs . Although essentially a studio project there are occasional live performances.
Other projects featuring Ian are Noise Research, Fonik & Id of Mobius
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eue : 0×20
The search for symbiotic reasoning brings the need to drop dualisms and focus on the possibilities of aggregation.
Release date: January 1st 2010
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unDress Beton : Sat Du Pond
in comfort the iron of front or erupted wires vomit
but the luck of disciplines trust as no future furniture
or the loving far in an out diffuses are grew of lies
not of jar in a life day
the worst feel pasted it to the walls
what the son of bees must have sucked through truth
what “s” of us tough look a parents force
About undRess Beton
undRess Beton is Jaan Patterson.
info: forfurry, why not her? please email me
conditioners last longer though.
he studied so much, he can’t even spell right!
‘see which is your ‘I’ ‘watching’, come closer…’
there’s to say he’s been called the ‘son of doing’!
being forced- i delete me, not you! You’re welcome back too…
“I was born as never in Rtime before the sun became the moon as child’s eyes would undress her to beautiful Béton.Shiny bright dangerous vacuum stellar nothing was my crib.
flamed spirits covered screws tightened to burst into mirrored looks…”
www.myspace.com/electronicmusiklabel
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hector rey : linea maginot
La Línea Maginot fue un sistema de fortificaciones defensivas que construyó el estado francés de acuerdo a la idea del general André Maginot al terminar la Guerra Europea, en vistas a una posible futura invasión alemana. Una inversión millonaria para una gran infraestructura militar compuesta por cientos de galerías y espacios acondicionados para albergar un gran armamento. La defensa de la supuesta libertad ante la amenaza de la supuesta grandeza germánica. Una auténtica tensión entre utopías modernas. En el transcurso de la esperada Segunda Gran Guerra el ejército nazi cruzó la frontera belga y desde Béligca pudo entrar sin mayor problema en Francia, rodeando la Línea Maginot y cogiendo a los franceses en tanga de hilo. Hoy, en los últimos coletazos de la posmodernidad construída sobre las ruinas de aquellas utopías, siento una atracción íntima hacia los macroproyectos fracasados, prototipos de la modernidad, de la era de los grandes discursos. Héctor Rey.
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Savvas Mataxas : Inverz – Slow
Inverz is Thessaloniki-born Savvas Metaxas, who runs the excellent Granny Records stable. Influenced by the likes of Fennesz, Pan American, Alva Noto and My Bloody Valentine, Metaxas utilizes acoustic & electric guitars and an arsenal of pedal effects and field recordings, to create a sound rich in texture and panoramic in depth.
‘Slow’ is the third Inverz release to date, a suite of four meticulously crafted long-form compositions that transcend the standard notions of Ambient/Drone.
‘Everything In Order’ bathes in dreamy reverb, like Labradford or Chihei Hatakeyama at their most thoughtful. The title track tantalizingly weaves fretboard scratches, human breath and flickers of static round cut and spliced guitar recalling Fridge at their most experimental. The slide-rule attention to detail of both book ending pieces (‘Home End’ & ‘New Found Lands, New Found Sounds’, on the other hand, shows why Metaxas was hand-picked to collaborate with Greg Haines and perform with Machinefabriek.
A very fine piece of work indeed.
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Ryu Hankil : Becoming Typewriter
Ryu Hankil is one of the most interesting musicians from the scene that arose on South Korea recently. Coming from the indie pop and electro music, he concentrated on improvised music after a collaboration with korean noise duo Astronoise and attending a live concert by Otomo Yoshihide, Axel Dörner, Sachiko M and Taku Unami. Hankil uses clockworks as an instrument. He is interested in finding musical structures and so on in the vibration of objects.
tracks:
1. various accidents by vibrating speakers with 3 interconnected clockworks.
2. ominous motel room.
3. various accidents by vibrating speakers with interconnected mechanical clock parts.
credits :
3 clockworks, clock parts, 2 speakers and piezo pick up.
Performed and Recorded by Ryu Hankil @ motel Junhibin 2009.
Mastered by Hong Chulki.
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Thomas Thiery , Veres Szabolcs : Live at Szeged
Recorded live at IMPROV NIGHT at the 8th Super 8mm festival, in Szeged, Hungary, 2009.
THOMAS THIERY : Laptop, Modular patch PD, Micros
VERES SZABOLCS : Sampler, Kaoss pad
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Good Noise Bad Noise : Semiotic Clunker
Good Noise Bad Noise are a loose collective of improvising musicians, sound artists and video artists based in the North of the UK. They play a mixture of electroacoustic music and drone based free improvisation mixing processed field recordings and found sound with live instruments and live visuals.
The group was started by Shaun Blezard & John Hall as a laptop duo as a break from their respective solo projects (Shaun with Clutter & John with The Cardboard Lung after they had toured Cumbrian village halls as a duo in 2006. The village halls tour was part of FRED an arts invasion of Cumbria and involved the duo live processing sounds of the halls and their environs into electroacoustic improvisations.
The band have now grown into a multi-media collective and have played many festivals in the UK as well as just returning from their first tour of the US, where they co-headlined a tour with Atlanta based Duet For Theremin & Lap Steel
GNBN have released or have releases planned on Dokuro Records (Italy), Earth Monkey Productions (UK) & Electronic Musik (UK).
www.myspace.com/goodnoisebadnoise
‘Music that should be played on the radio……a stunning, stunning piece of work’ – Jeff Grainger, The Download Show on a Good Noise Bad Noise session for the show
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Lain , Thomas Thiery , Anton Mobin : Feuer Claude Reflux
Improvise sur une enceinte & enregistre le 3 septembre 2009 au house project Groni50, Wedding, Berlin.
Mixe sur deux enceintes & masterise le 13 septembre 2009 au Maizing studio, Paris.
LAIN : Nord modular, laptop, filtre analogique
THOMAS THIERY : Laptop, patch modulaire PD, micros
ANTON MOBIN : Axolotl, 556 buz machine
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Viva La Muerte : Castigo y Expiacion
Fernando Perales, musician, performer, writer, cinema critic and box trainer, he was born in Buenos Aires, Argentina, in 1971. He is one of the most important figures of the experimental music and avant garde scene of Buenos Aires, in Argentina.
During the second half of the nineties, he took part in the argentinian cult band Reynols, with whom he released more than 15 records and made dozens of participations in experimental and noise records labels from USA, Europe and Japan.
Nowadays, he forms part of the band UL, with an ex Reynols member, Alan Courtis, and the guitarrist Charly Zaragoza. UL is a guitar trio, with a non convencional formation, which uses composition and execution techniques, based on improvisation and in the non semantic difference between noise and musical sounds, in a traditional sense, without an armonic and melodic structure, focusing on working over the timbric and material aspect of sound and noise.
Simultaneously, he goes on with his solo Project named Viva La Muerte, with whom he released in April 2009 his first solo album ‘Necrofilia y Tradicion’ and soon he will release ‘Verguenza y Autocritica’ through Facon Records Label from Argentina.
Viva La Muerte, is a unipersonal orchestra, componed by guitars, tapes, contact mics, irons, garage tools, metal sheets and industrial matrix fallen into disuse, creating a mix of noise, drone and post industrial minimalism.
From 2004, he shared stages with Damo Suzuki (Can), Christof Kurzmann, (Austria), Guilherme Darisbo y Marcelo Armani (Brasil), Luis Toto Alvarez (Chile), Lasse Marhaug, John Hegre, Sir Dupermann, The Golden Serenades, Tore Honore BOE (Noruega), Tom Hovinbole y James Plotkin (USA), Bryan Day (USA), Anthony Milton, Phil Dadson y Sam Hamilton (Nueva Zelanda), Marcel Turkovsky (Alemania).
This is his first release on Electronic Musik
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piscis : K
“K “es un disco inspirado en los registros de transformaciones corporales realizados por Dalia Huerta Cano con el cual se desarrollo un documental llamado “Carne que Recuerda”
La directora invito a 3 músicos para la presentación y la composición de una pieza en vivo para la presentación de dicho documental.
“K “contiene fragmentos sonoros de gruñidos estomacales producidos por uno de los personajes del documental el cual se sometió a una cirugía bypass gástrico para perder peso los sonidos fueron registrados por Dalia Huerta.
Compuesto, manipulado y grabado por Arturo Ortega
http://www.myspace.com/piscismusica
http://carnequerecuerda.blogspot.com/
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V/A: Multisessions#002
Enregistre live a la Gare Experimentale (Paris), le 22 aout 2009
Diffuse en direct sur l’Eko des Garrigues 88.5 FM
et en stream sur KKWNE.
Les Multisessions sont des rencontres improvisees organisees par JKp.
G4Z : Laptop
AYATO : Guitare preparee, md
INFORME : Circuit analo-ferme
ANTON MOBIN : Micros, objets
TGBTS : Guitare preparee, vst
PLANETALDOL : Laptop
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V/A : expansion sonora
These pieces are presented in
Circuito Electrovisiones 2009
“Circuito Electrovisiones” is not a traditional festival but an “encounter”, and a wide one, as it is stated in its web page (www.electrovisiones.com). DJ “party” events are mixed with “serious” electroacoustic concerts and more. The criteria for the multichannel concert selection was a mixture of the quality of works, style and aesthetic contrast in between pieces and, finally, length. Aesthetic contrast in between pieces was an important element of criteria for the benefit of the audience.
1. Daniel Mayer (Austria) : L Lokale Orbits / Solo 3
2. Clara Maïda (France) : Ipso Facto
3. Tilmal Kuentzel (Germany) : Auscultare
4. Ryan Smith (USA) : No Marble
5. Mark Hannesson (Canada) : Hidden_intensions
6. Ruth Aguirre (Mexico) : inter0010me1010dia0011
Our appreciation to the Fonoteca Nacional, especially when Francisco Rivas for trusting and supporting Circuito Electrovisiones.
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Op.cit : The echosweel understation
No description available
tracklist:
01. Stoked Intro
02. Viceversa ver.3 fig.b
03. Lapelled (Vertigo)
04. The Sweel (Rubs)
05. Ktil (Distilled)
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TOY BIZARRE – KDI DCTB 216 [DATA#5]
Its been only two weeks that I reviewed the previous installment of this series and I noted that “to keep this series interesting and be a bit more different, change is necessary, I think.” Maybe Toy Bizarre is psychic? The fifth one is different. It opens with a looped voice that says ‘sun’, phased along Steve Reich’s ‘Come Out’ and then spoken word. It turns out that this fifth work is all about the human voice. I am sure there is some sort of connection to the weather being here, the word ‘sun’ in the opening piece is of course the best example, but also in the two other parts I seem to detect some connection to the weather. This piece is divided in three clearly distinctive parts, all dealing with looped voices and sparse electronic processing thereof. The phasing of the voice material is not unique but Toy Bizarre uses it in a highly effective manner. This is the big chance in style I was hoping for. Imaginative, strange, sound poetry alike, this is a great piece. Now I am even more curious as to what the rest will bring us. (FdW) Vital Weekly 705
di dctb 216 is a 12 mini-CD series published by kaon between 12th April, 2009 and 12th March, 2010. Each CD contains a 12 minutes sound piece, composed each month by Cédric Peyronnet : toy.bizarre – between March 2009 and February 2010, based on observations and data reported by Jude Anderson about 1 m² of the Atherton Gardens, City of Yarra (Melbourne, Australia) .
This project, is part of the “in-habit # 3 – one square metre” residence and inspired by Gilles Clément’s “Jardins Planétaires”. The project will be presented in its entirety in an installation/concert in February 2010 in Melbourne in collaboration with Australian sound artist Jacques Soddel , Jude Anderson, (Artistic Director of the In-Habit residency), as well as other In-Habit artists at Abbotsford Convent, and refer as well to the convent’s “French Meadow” site.
You can subscribe to the whole 12 CD series: more informations.
Subscribers will get an additional unpublished track on each CD of the series.
Distribution : Metamkine, Ferns Rec, Drone records
Jude Anderson – Artistic Director – Punctum
Since 1994 Jude has directed and produced over 45 productions and installations, many of which have been created and toured internationally. Productions she has directed and co-directed have been programmed by some of Europe’s major international festivals.
Jude has produced, directed and taught contemporary performance in Chile, U.S.A, Italy, and France. She returned to Australia in 2001 where she now lives and works in Castlemaine, Victoria. In 2004 she founded the live arts organisation Punctum for which she is Artistic Director. In 2007 she established Punctum’s Live Arts incubator where contemporary arts research and practice is supported and presented.
Jude is also currently developing an international cultural exchange and arts research program – In-Habit, in collaboration with regional, metropolitan and international artists, Punctum, and the Abbotsford Convent in Melbourne. “One Square Metre” is one of 11 works that constitute the In-Habit program.
Cédric Peyronnet
Cédric Peyronnet (aka toy.bizarre / ingeos) is a sound artist working since the ’90 around phonography (Field recordings, “sound hunting”…), soundscapes, using the principles of concrete, acousmatic, electroacoustic music.
His work, whose main theme is the exploration of places by sound recording, listening and sound sculpting, take form of compositions and sound pieces (CD, Vinyl … more than forty references published since the ‘90), concerts, sound screenings and sound installations.
His works on soundscapes led him to practice “sound mapping” and implement daily the principles of acoustic ecology. On that part, he is also working from time to time in schools, “teaching” kids (Well, and older…) about our “sound environment” and the importance of the ear.
2152
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Cage Cabarrett : Indeterminacy II
Cage Cabarrett (aka __________) explores notions of Indeterminacy in art. We are specifically interested in works that perform an unpredictable action through Aleatoricism, Indeterminacy and Intuitive Improvisation. We try to dissolve any fixed properties of music sound into a fluid process and break with the traditional control of the composer over the material. All sounds have equal value: sounds chosen by the composer, by the performer, and all the unforeseen and unpredictable sounds that surround us every day.
This is part II of a two album set.
www.myspace.com/electronicmusiklabel
Cage Cabarrett are:
Sigma = 10 aka Rubina Goi
RO = 28 aka Andre Faustino
Very Short Bio:
ElectroKraut/Experimental/Improvisation/Noise/Analogue/Fluxus
A Theremin, a Korg MS-20, a Korg KaossPad MK2, a Microkorg Vocoder, a Roland SH-201, a Korg electribe MSX, a X0XB0X, a Jomox T-Resonator, a Kenton Pro2000 MK II , a Buddha Machine, two mobile phones, old headphones as a microphone, an old radio, a dog, people
Each track is one unrepeatable LiveTake with no mixes or overdubs.
Releases:
* “Dynamic Random Access Memory (DRAM)” – in Manifesto (Various Performers) – FeedBack Loop Label —– December 2009
* “Covil Radiophonic Workshop” (EP) – XS-72 – XS Records —– January 2010
* “__________” (CD Album) – TurbiniCarpus Records —– January 2010
Thanks to: William Gilbert, Electronic Musik Label, Phalovich (feat. in 22102009 D + SubWay Music), Casa Ruim, Xico, Chiqui, Tio Oscar, Marujo, Tio LuÃis, Titi and that ……
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Cage Cabarrett : Indeterminacy I
Cage Cabarrett (aka __________) explores notions of Indeterminacy in art. We are specifically interested in works that perform an unpredictable action through Aleatoricism, Indeterminacy and Intuitive Improvisation. We try to dissolve any fixed properties of music sound into a fluid process and break with the traditional control of the composer over the material. All sounds have equal value: sounds chosen by the composer, by the performer, and all the unforeseen and unpredictable sounds that surround us every day.
This is part I of a two album set.
Cage Cabarrett are:
Sigma = 10 aka Rubina Goi
RO =28 aka Andre Faustino
Very Short Bio:
ElectroKraut/Experimental/Improvisation/Noise/Analogue/Fluxus
A Theremin, a Korg MS-20, a Korg KaossPad MK2, a Microkorg Vocoder, a Roland SH-201, a Korg electribe MSX, a X0XB0X, a Jomox T-Resonator, a Kenton Pro2000 MK II , a Buddha Machine, two mobile phones, old headphones as a microphone, an old radio, a dog, people
Each track is one unrepeatable LiveTake with no mixes or overdubs.
Releases:
* “Dynamic Random Access Memory (DRAM)” – in Manifesto (Various Performers) – FeedBack Loop Label —– December 2009
* “Covil Radiophonic Workshop” (EP) – XS-72 – XS Records —– January 2010
* “__________” (CD Album) – TurbiniCarpus Records —– January 2010
Thanks to: William Gilbert, Electronic Musik Label, Phalovich (feat. in 22102009 D + SubWay Music), Casa Ruim, Xico, Chiqui, Tio Oscar, Marujo, Tio LuÃis, Titi and that ……
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Joaquín Gutierrez Hadid : Vending machine
The ‘Vending machine’ is the first of a series of works regarding industrial design objects. These machines offer drinks, snacks and hot food. It is to remark that there’s no human intervention in this process besides the buyer’s. For that reason, a track was included with the manteinance services of one of the vending machines to make the whole process visible; the voices of the workers (responsible for the reloading of items inside the machine) including in this conversation the learning of one of them’s work.
The composition attempts to show not only the interaction space generated by a daily moment, but also an analisis of the object itself.
The material was recorded during the first months of 2009 when I started to attend the Urbanism Degree Course. Every morning, in between classes, I used to buy from these vending machines located at the third floor of the building, not crowded, silent and with imponent resonance and visual presence of the machines. This way, I started to bond with this machine on a daily basis.
Field recordings taken at College of Architecture, Design and Urbanism, Universidad de Buenos Aires.
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Joséphine Muller & Ian Linter : KHEOSTATIC
Composed improvisation, in three acts, around the magnificence of the Man, its origins and its exponential perception.
KHEOSTATIC is an improvised play with a total duration of about three hours trying in an encyclopaedic way to make a sound transcription of several elements which constitute the human reality, in its language, intellectuality and action. In the first part, now published, the human perception was condensed in sound signs of the avant-garde, concrete and electroacoustic, through the recourse to an immediate and proto-metaphysical language, in narrow correlation with the possible conceptuality of the matter and its relations with the spirit. The three KHEOSTATIC‘s parts will be live recorded at La Société de Curiosités, Paris.
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re:konstruKt : Sampler vol.4
Here we go again with re:konstruKt / sampler vol.4 which contains another four tracks from the catalog of istanbul’s online improvised music label re:konstruKt. The full albums are available through the iTunes USA/Japan/Canada/Europe and Amazon.com online stores.
01 – Volkan Terzioglu / Umut Caglar / Nilufer Akbayoglu / Amy Salsgiver – Variation On A Random Note – 6:12
(from the release “Nova” // re:013)
Volkan Terzioglu / alto sax
Umut Caglar / guitar, guitar synth
Nilufer Akbayoglu / keys
Amy Salsgiver / percussion
Recorded at Garaj Studio, istanbul / 2009
02 – Kevin Davis / Korhan Erel / Umut Caglar – IV – 4:46
(from the release “3/o” // re:014)
Kevin Davis / cello
Korhan Erel / analog & digital electronics
Umut Caglar / guitar
Recorded at Garaj Studio, istanbul / March 14th, 2009
03 – Selen Gulun – Uc – 6:44
(from the release “Selen Gulun” // re:015)
Selen Gulun – Piano
Recorded live at 22.07.09, Istanbul Bilgi University Kustepe Concert Hall / Recorded by Emre Deger Recording assistant, Onur Karagoz / Mixed at s.e.s studyosu by Serhat Ersoz & Oguzcan Sehiralti
04 – Limbo feat. Sevket Akinci & Dilek Gokcen Acay – III – 18:31
(from the release “Live!” // re:016)
Giray Gurkal (Guitars, Effects, Objects, Sounds)
Utku Tavil (Drums, Effects, Synths, Sounds)
Dilek Acay (Violin, Voice, Effects)
Sevket Akinci (Guitar, Objects, Sounds)
Recorded live! at PEYOTE February 2009
Contacts:
http://konstruk-t.com
http://sevketakinci.com
http://www.myspace.com/kevinwdavis
http://www.myspace.com/fromlimbo
http://www.myspace.com/gokcendilek
http://www.selengulun.com
http://www.myspace.com/amysalsgiver
http://www.myspace.com/nakbay
http://reverbnation.com/korhanerel
http://www.myspace.com/giraygurkal
http://rekonstrukt.com
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Bruno Moreigne : Anemos Vol. I
Amarijo, Pliau, Soulaire, vent austral, Traverse… all these winds, flows through the territory of Creuse in Limousin (France), and plays with the elements that are on their way (flora, fauna, water …).
Bruno Moreigne, an experienced and sensitive “sound-hunter”, captured during the past fifteen years the tiny nuances of winds “playing of” these elements, and offers us to listen to it through the 5 new “Anemos” sound pieces.
Bruno Moreigne, geriatrician and “sound hunter”, has already published on kaon 2 CD: « Bruits, sons, paroles et silences de la forêt » (1997) & « Locus Niger » (2004).
“Anemos”: 5 new “phonographies” on the theme of wind.
Gentioux-Pigerolles – Éoliennes.
Forêt de Chateauvert (Sur le Méridien de Paris).
Le Pic – Sapins, lande, vent sur pylone.
St-Goussaud, Le Puy de Jouër – Mélèses, voie romaine, cirque gallo-romain.
Vallée du Taurion : pont de Senoueix ; rigole du diable et résonances avec le vent ; gorges du Taurion et effet du vent à Thauron ; Châtelus-le-Marcheix : lac de barrage de l’Etroit vidangé, son du Taurion dans son lit d’origine.
Bourganeuf, gorges du Verger ; Vent dans un eucalyptus.
Sardent, hermitage de St-Pardoux.
St-Vaury, Roches, feuille de chêne vibrante au gré du vent
St-Vaury, sommet du Puy-des-Trois-Cornes – Forestiers ; jardin de St-Valéry, Fontaine et vent léger.
Bussière-Dunoise, les Brégères : vent d’automne dans les résineux.
Crozant, vallée de la Creuse – Vaguelettes au gré du vent, effets du vent dans la vallée.
Fresselines, confluence des deux Creuse – Vent faible, résonance de la vallée, sons transportés par le vent ; champs, insectes d’été et vent nul.
La Forêt-du-Temple – Vent d’automne.
Châtelus-Malvaleix, près de l’étang.
Toul-Ste-Croix – Effets du vent sur la rampe métallique de l’escalier de la tour ; vent dans la tour.
Enregistrement, mixage : Bruno Moreigne
(C) Bruno Moreigne, 2009 + (P) kaon, 2009
kaon – no09:2
Série de 5 mini-CDr (8cm – 20mn) – pochette 3 volets quadri.
Attention, chaque CD de la série est limité à 50 exemplaires.
Abonnement à la série, les 5 numéros, port compris :
23 € (France métropolitaine),
25,5 € (Europe, Suisse, DOM-TOM),
28 € (Reste du monde).
S’abonner
Each issue (1 CD, postpaid):
5,5 €(France métropolitaine),
6 € (Europe, Switzerland),
6,5 € (Rest of world).
Contact
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Oriol Rosell : EP1
minimal audio for minimal effect
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