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Archive for June, 2008

M. Del Zotto, M. Spanghero : headphonica.hplive008


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M. Del Zotto, M. Spanghero : headphonica.hplive008

to improvise is like making a statement without knowing the matter of your speech but the mood; “blind statement” that can be a strong assertion

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Thollem McDonas : Racing The Sun Chasing The Sun


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Thollem McDonas : Racing The Sun Chasing The Sun

cs 096 CD Creative Sources : Portugal

When one listens to Thollem McDonas’ keen-scented navigations of harmonic seas, every chord or flurry coming from his piano transports right back to a past time where learning to actually play an instrument was not an option if you wanted to become a musician. “Racing The Sun, Chasing The Sun” is wonderfully complicated – you could well get seasick if trying to thoroughly follow those monstrous digital precognitions – yet it has that talkative contrapuntal hyperalimentation, typical of Thollem’s most enthralling playing, which will force your body and soul to become a small part of it.

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yuaf . villa ockenburg


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yuaf . villa ockenburg

[larr16] : June 2008

Yolanda Uriz (flutes) and Angel Faraldo (live electronics) started playing together in January 2007. Since then, they have been exploring different ways to relate to each other through free improvisation. Currently, they are working in the creation of a bidirectional interactive system, where both could have the same possibilities to influence and control the other’s materials. Besides their work in duet, they collaborate frequently with other improvisers in trio and quartet settings (Lynn Cassiers, Orlando Aguilar…).

Yuaf son Yolanda Uriz (Navarra) y ngel Faraldo (Galicia). Su trabajo, fundamentado en la improvisacin, combina la riqueza tmbrica de las flautas de Yolanda con las posibilidades de transformacin de la electrnica manejada por ngel.

Presentamos el primero de sus trabajos direccionados hacia el registro: grabado en diversos das dentro de la Villa Ockenburg que da nombre al disco, con la compaa de la artista plstica Claudia Ignoto, es un trabajo que varia su habitual praxis para mostrarnos tres composiciones que utilizan su trabajo de improvisacin tan solo como base. Tres pistas majestuosas a la par que inquietantes, con un sonido brillante y repleto de matices en constante movimiento.

www.myspace.com/yuaf

1 villa ockenburg III 12:10

2 villa ockenburg II 06:19

3 villa ockenburg I 12:07

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Larraskito

larraskito@xedh.org

www.xedh.org/larraskito

www.myspace.com/larraskito

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LEZET : DIN


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LEZET : DIN

headphonica.hpcd021

1 LEZET__Din__01

2 LEZET__Din__02

3 LEZET__Din__03

4 LEZET__Din__04

5 LEZET__Din__05

6 LEZET__Din__06

7 LEZET__Din__07

8 LEZET__Din__08

9 LEZET__Din__09

10 LEZET__Din__10

11 miasmah

12 humour me

13 claptrap 7

14 my spurting days are long gone – ‘stroking luck’ mix

15 quaalude’s encore [Original Composition by Eric Schwartz]

track 07: a track done with Tracy Lee Summers, a French experimental musician/drummer from Paris, France.

track 14: feat. Chryst Phyr Blyr aka Christopher Blyr aka “On the Rim of the Wheel a Nail” aka “Industry Rivals”. He chose a track off my second album and made a remix.

track 15: a collaborative track, that is , a remix of a original track by Brooklyn-based classical composer Eric Schwartz who is so into prepared pianos and delicately delivered noise in his piano

performances.

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Miya Masaoka : While I was walking I heard a sound…


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Miya Masaoka : While I was walking I heard a sound…

For Three choirs and nine soloists spatialized in balconies.

Boy sopranos, male falsettos and operatic singers join forces in a total of three choirs and nine solosits consisting of one humdred and twenty singers. While I Was Walking, I Heard a Sound is scored for up to 42 voices and explores the boundaries of vocal art. It was recorded in a large, resonant cathedral with a natural 2.5 second reverberation.

Volti

Conductor, Robert Geary

San Francisco Choral Society

Ensemble of the Piedmont Choirs

Sound Color Ensemble: Kevin Baum

Dina Emmerson, Anne Hege, Cheryl Keller, Richard Mix, Tina Osinski, Amy X Neuberg, Gary Ruschman, Randall Wong

“It is unequivocally the most mesmerizing, haunting and wrenching piece of music I have heard in a long time…While I Was Walking is a non-negotiable item on my desert island list.”

-Margaret Leng Tan

Total time: 31:12

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Achnn : Round


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Achnn : Round

UMB107 Umbrella noize collective 25-05-2008

Achnn is a improvisation’s duo with objects, voices, toys, and computer.

All the tracks

“Sometimes the objects in our flat made some acrobatics, we recorded them.”

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1. Ronda de Plume ( 14,537 kb)

2. Dust’s Round ( 2,114 kb)

3. Riskus Circus ( 12,827 kb)

4. Volets de Cloches ( 2,425 kb)

5. Bernard’s Round ( 2,440 kb),

6. Avec ( 28,480 kb)

7. Toy’s Round ( 5,886 kb)

8. Fin de la Parade ( 6,281 kb)

Album Cover Art : Front Cover ( 11 kb)

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A Net-Label for Experimental Noize

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Chlorophyll_Fluxbunny : Universal Brain Splatter


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Chlorophyll_Fluxbunny : Universal Brain Splatter

earsheltering030

There he stood, in front of the colossal metal gate, waiting to enter. The fifty foot doors rapidly swung open. The vast jungle of darkness that lay ahead was intimidating. Yet, the darkness was yearning for him, testing him, tempting him, pulling him in. The thick fog of black caused him to feel fearful, but the yearning to explore into the unknown was too tempting to refuse.

With his first step past the gate he felt a cold, and he could not distinguish it between his emotions and the temperature. The cold was followed by a vicious shiver throughout his whole body.

The fear was too great. He quickly turned around to head back, only to find a thick darkness in front, behind, under, and beside him. He had already crossed a point beyond return. Now his only option was to wander through the darkness.

The air felt dirty. It felt as if it was stripped of its oxygen. Each breath was inhaled with hesitation, and exhaled with the fear of death. He did not know how long he had been wandering. It could have been minutes, hours, or days. Time didnt matter. At this point all that he felt was apathy. Movement felt pointless, so he sat down and thought.

Now that his movement had ceased, he could examine his surroundings, as infinitely simple as they seemed. His eyes gazed through the blackness, as if searching for an answer. After much concentration, he noticed small, infinitely faint white spheres.

Due to the contrast from the blackness, these simple figures filled him with excitement. As he continued to concentrate on the spheres, they became bolder and more defined, as if his eyes were adjusting to see them better. As he concentrated further, more figures began to appear. The spheres were becoming bolder and more densely packed. There were so many spheres, he was no longer able to keep track. The Fog of black that once dominated was beginning to be challenged by a swarming mass of white spheres.

The complexity was overwhelming to him. The white mass swarmed around him and roared in his ears, but the sensation was all in his head. It made no sound. The white mass was engulfing his very matter, engulfing his entire body. The swarm moved with such speed that his vision became a white chaos. He could not move. He could not breathe. He could not think. The many spheres were beginning to swarm into a densely packed single sphere. The denser the sphere was, the brighter it became. Eventually, the swarm became so dense that the movement became unnoticeable. All that was visible was a bright glowing entity. He discovered this to be a star.

He then noticed that what he was viewing was from an extremely far distance. There was no ground beneath him. He could not breathe and he did not need to breathe. All around him he could see stars and planets.

He was unable to move. He then discovered that if he concentrated on a mass in this space, then he could pull himself towards it, using his concentration as a form of movement. He made the decision to travel the universe and see as much as he could see. He zoomed through the cosmos at speeds inconceivable. Once again, he was searching. Searching the cosmos for an answer. He knew that destiny would land him where he needed to be. A place where intelligence exists.

Before he realized his movement had ceased, He found himself in a place he had never imagined. A place he had never even dreamed existed. To try to make any sense of where he was was pointless because it was all incomprehensible.

One thing he recognized that existed in his former world was motion. Dark figures of seemingly infinite complexity moved towards and away from him, vanishing and reappearing.

As before in the dark jungle, the darkness was the dominating element. Though where there was light, there was intense color. The colors were so densely placed that they would meld in and out of focus.

The aliens were beyond any conceivable idea of what an alien should look like. The creatures blended in and out of each other, separating and becoming one again. When these beings confronted him, his body would disappear and his brain would be directly bombarded with information that was again, incomprehensible. These creatures were attempting to communicate with him. An effort that was futile.

If a central emotion could be conjured from the vast spectrum, the dominating emotion feeling at the time was fear. Utter terror. Blood-curdling terror constricted itself around his heart to the point of bursting. He wanted to scream but couldnt. This alien world was evil to him. He could not distinguish between the ground beneath him and the landscape in front of him and the creatures that manifested. If this strange world of overwhelming complexity were to break down the components of his consciousness then his journey would not be able to continue. Slowly, this world was stripping him of all that he had once held on to. In this alien world, there was nothing he could comprehend that could pertain to himself. He had no comprehendible information to hold on to.

He then looked up. He could see the sky where he had once been, which seemed so long ago, and it was beautiful. He felt determined that he could escape this intolerable world and once again exist in Space. He concentrated on the sky and tried to separate himself from the alien world that was rendering him powerless. Eventually, as his concentration moved away from his surroundings and towards the cosmos, the alien world began to disappear. Finally, he had escaped the wretched alien world and was once again in Space.

Flying through the universe, his goal was to reach his next destination. The next plateau. His field of view was a consistent pattern of floating masses flying by him in a symmetrical tunnel. Then suddenly, the stars and planets he had been passing by were warped. They were all bending in to a single point. Coming closer and closer to this point, he began to realize the center was a black hole.

Eventually he moved very close to the black hole, but not close enough to be sucked in by its gravitational pull. If he were to approach the black hole to the point of no return, what would happen? Would he be torn to shreds? Would he disappear instantly? He would soon find out, because this was his last step. The final stage of his journey was this ominous swirling vortex in front of him.

As he moved slightly foreword, he no longer had to rely on his mental concentration as a form of movement. He released his tension and glided gracefully towards the center of the black hole.

With his eyes locked firmly on the center of the spinning vortex, he was getting closer and closer, while his speed was picking up consistently. Closer and closer he glided until soon, he was at its center. He was inside the black hole.

He was not ripped to shreds. In fact, he felt no pain at all and had no recognition of his body. All he knew was that he was still thinking. His vision existed only in his thought processes. It was the closest thing to a white empty nothing. Though there was clearly something. He could feel the powerful energy flowing through him. He had slipped into a place between space and time. He could not see himself. He was a part of the black hole. He was a piece of its entirety. He understood all of its components because he was now a part of this new universe. The black hole was an entity of star dust and all the components of everything that is anything. At last, he had reached the end of his journey. At last, as once a sole being in the universe, he was finally a part of this entity.

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Actis Furioso – 2 : World People


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Actis Furioso – 2 : World People

Actis Furioso – 2 is the latest of the many wild and amazing adventures which have taken Carlo Actis Dato around the world, from Japan to New Zealand, from Finland to Australia, from Marocco to Indonesia. For this new project, Actis has brought in extra musicians of extraordinary vitality to expand his famous quartet into a nonet. The group pull elements from many different styles, cultures, rhythms, dances, epocs and more, much more, to offer their listeners an explosion of emotions, energy, songs, dances and fun from places far and wide.

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Nichts vs Cursed Chimera – Le Petite Mort


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Nichts vs Cursed Chimera – Le Petite Mort

(ca144)

(June 25, 2008)

1 Flint 05:35

2 Altared 06:36

3 MCP 03:17

4 Carrion 03:58

5 Ajax 05:33

6 Hover 07:56

This is an EP Nichts and Cursed Chimera wrote back in 2007 has been dusted off and mastered at the L.A.M.P Mobile Studios in Seattle. A collaborative effect that features the fusion of hardware electronics and computer glitch programming. Nichts has been Backwards Record’s propaganda agent for the last eight years or so, releasing in 2005 “The Red Scare”. Establishing his ability to write moody instrumental music with Industrial strength beats, Nichts truly has no peers when it comes to squeezing the most out of broken drum machine, or a damaged synthesizer. He is notorious for taking broken instruments and creating music that shames similar artists using the most high tech gear and sophisticated studio equipment. Cursed Chimera, the Seattle via Anaheim terror noise blast artist that glitches with no compromises. He took the tape recordings of Nichts and ran them through the digital ringer. Mangling melodies and bitcrushing beats supplied by Nichts for Cursed Chimera’s delight, they both manage to make a Noise/Glitch/IDM album worth being hailed with the greats of Merzbow, Aphex Twin, and Skinny Puppy. I’m sure you’ll have little deaths over and over again listening to this powerful EP.

Nichts is Nik LaMontia

http://www.myspace.com/nichts01

http://www.myspace.com/backwardsrecords

Cursed Chimera is Benatos Thompson

http://www.myspace.com/djlamp

http://www.myspace.com/cchimera

Artwork By Maehymn

http://www.myspace.com/orphanofthesea

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Clinical Archives is independent netlabel for eclectic and ilogical electronic music.

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C.P. McDill – Introspection


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C.P. McDill – Introspection

[wh104]

1 Introspection

Introspection is a long-form ambient melodic (organ) drone composition by C.P. McDill (of Saluki Regicide, Djinnestan, etc). A nice all-purpose drone piece you can play quietly, loudly, or any way you please.

This is the fourth in a series of drone works which began with Foggy Dew (wh092) and Owl & Rooster (wh093). This has a warmer, bassier sound, and like its title suggests, seems quite well suited for inward journeying.

recorded & produced Spring 2008

by C.P. McDill

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Webbed Hand Records is an independent netlabel with a focus on strange works of audio art that defy tidy categories.

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alle neune: rheinlnder partieartie


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alle neune: rheinlnder partie

cs089

Sonically rich continuous sound work in minimal acoustic improvisations using percussive elements that are hit, struck, bowed, scratched, plugged and thrown. The duo present encounters from minimal interactive improvisation to glowing stringed environments to clattering minimalism or resonantly ringing worlds; a surprisingly wide sonic palette in distinct percussive and improvisational concepts. The opening “Vorderkranz, grosser Keil” is an amazing sound environment, never grating, but not simply meditative, 9 minutes of motion and progression in an ecstatic state, where guessing the source of the sound is half the fun. The variety and permutations of music that these two create taken together make a fascinating and sometimes intensely encompassing listen.

Wolfgang Schliemann – asorted percussion and found objects hit, bowed, scratched and thrown

Michael Vorveld – percussion and stringed instruments hit, bowed, scratched and plugged

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Glenn Bach : Brumal


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Glenn Bach : Brumal

sf-6008 : 23.06.08 : EP

Longtime Stasisfield contributor Glenn Bach’s latest release began as a live on-air performance at WNUR, 89.3FM in Chicago. While still utilizing his trademark field recordings as in performances of the past, Bach begins exploring new territories here including sample-based compositions and recordings of analog instruments. An introspective audible journey through shifting themes of winter, transition and relocation, Brumal ultimately glows warm and hearth-like.

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Stasisfield.com launched in April of 2002 and is dedicated to releasing challenging works of art which may not have the chance to find a home elsewhere.

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James Edmonds : night journey


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James Edmonds : night journey

rec06

night journey was made as an improvised sound piece using tuntable, objects, walkman, i-pod, cd-player, mixer. It is all tied together with the addition of a recording of rain falling in the backyard, giving it its slightly film-like quality. It is part of the nocturnal series which includes other sound pieces, aswell as paintings and photographs.

j-a-m-e-s- -e-d-m-o-n-d-s :

b. 1983, England.

Is a painter/filmaker/sound-recorder/music assembler working with improvisation, the recording mediums, accoustic environments, home-made household & bedroom music,virtual tourism and cumilative cultural memory!

plays with various sound projects including: duo with Richard Scott, duo with Mangrove Kipling.

Also appears as Chad Raviola in the band/art project Oil Rig Catering since 2001

OILRIGCATERING.COM/WAFFLECOTTON

James Edmonds. June_2008 contact feel free to copy and to copy and to copy

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Four Directional Doubt is a net-label dedicated to free noise and anti-music ANTI-Copyright | ANTI-Music.

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Wilder Gonzales Agreda : Se Tu Propio Totem


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Wilder Gonzales Agreda : Se Tu Propio Totem

[diso005] (June 7, 2008)

1 Lima Norte de Noche 2 09:31

2 Slow – Dive 01:38

3 Hacia el Maana 03:26

4 Con el Cerebro Izado 05:38

5 Quieres Mas Pastillas? 02:17

6 Inti – Ra 04:54

7 Adolescente Fucsia 02:46

8 Metropolis 02:47

9 Electronic Levitation (for Karlheinz Stockhausen) 02:47

10 Estrella Atmosferica 03:55

W. Gonzales Agreda : Se Tu Propio Totem

Se Tu Propio Totem es el quinto disco de la serie dinet de distribucion gratuita de audio de Discos Invisibles (Tijuana/Lima). este disco es producido por el artista sonoro experimental peruano Wilder Gonzales Agreda. happy downloading ! Discos Invisibles / 100% home made maybe more. 2008

Las vivencias reales o imaginarias ambas para el autor son equivalentes, ambas caracterizan su rutina- de un conspicuo amante de la psicodelia proveniente de la zona de Lima Norte en Per, se ven plasmadas en este lbum, el primero que Gonzales Agreda publica bajo su nombre civil para libre descarga en la Red. S Tu Propio Ttem es una suerte de manifiesto que conjuga tanto poesa como poltica: ms all de las connotaciones espirituales que sugiere el lbum generoso en abstracciones electrnicas, minimalismo y drones-, de lo que aqu se trata es de dejar caer la lluvia de colores en nosotros y luego salir trastocados completamente a cambiar como uno lo desee, esta soulless zone Alpha Stone dixit-.

info del disco:

producido por Wilder Gonzales Agreda en Lima-Peru, 2008

coverart: Jose Ignacio Lopez

url: http://www.myspace.com/wildergonzalesproject

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di-net.org is the online portal for free distribution of audio files created by discos invisibles.

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Simon Wickham-Smith : Love & Lamentation


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Simon Wickham-Smith : Love & Lamentation

P-21048-2

Simon Wickham-Smith was born on the south coast of England in February 1968 and graduated from Kings College, London in 1990 with a degree in English Literature. Whilst at university, he met Richard Youngs and from that meeting developed a friendship which has produced more recordings than he cares to remember. As a solo performer, he has played in Australia, Belgium, Finland, France, Holland, Lithuania, the UK and the US and his work has been released on labels in Australia, New Zealand, the UK, and the US. Not satisfied with making music, he has also been a Buddhist monk in the Tibetan tradition, and is also a translator and scholar of Mongolian and Tibetan literature.

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Pogus Productions features releases of Electronic, Electro-Acoustic, and Experimental music. Uncompromising, non-commercial, and definitely not for everyone (unfortunately), these releases are geared towards discerning listeners.

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Jimmy Behan – In the Sudden Distance


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Jimmy Behan – In the Sudden Distance

zym020

Jimmy Behan released his debut album ‘Days Are What We Live In’ in 2004 before taking time out to study for a Masters in Music & Media Technologies from Trinity College, where his thesis focused on the compositional possibilities of creative sampling techniques.

Currently, his work focuses on finding emotional connections between the physicality of sounds and their contexts. The physical characteristics of sounds (dynamics, texture and space) are explored via a range of processes before determining the emotional tone of a piece.

The ‘In the Sudden Distance EP’ attempts to capture that moment when the present suddenly becomes the past, rendering the passing of time as a sudden shift in perspective. Recorded around the time of a relocation to his home town after 16 years, it revolves around themes of change, memory and redemption.

With this concept work Jimmy brings Zymogen to a higher level in the exploration of electronic soundscapes.

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Crnicast 030: Pure


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Crnicast 030: Pure

31’26″, 72.0MB

Recorded live at Club Transmediale Festival in Berlin on January 29th 2008. The performance uses mainly sounds from Pures forthcoming studio album, to be released by Crnica later in 2008.

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Joe Frawley : A book of dreams


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Joe Frawley : A book of dreams

A book of dreams : Works for processed found sounds and piano

JFM-CD04 2008. Joe Frawley is proud to present A book of dreams: works for processed found sounds and piano, a subconscious Odyssey of surreal soundscapes, artfully blurring the boundary between music and sound art. Previously released as two separate EPs (Tangerine and The Hypnotist), the 12 tracks on this 50 minute compilation have been internationally acclaimed for their musical sensitivity, electronic ingenuity, and aesthetic innovation.

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Elian : and then one day it was over, just like that


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Elian : and then one day it was over, just like that

TRANS012

Net Release Date – June 2008

Codecs: mp3 [256kbs]

Physical in March 2009

Edition 50

“I have titled this new creation ‘and then one day it was over, just like that”…the title is derived from a Miles Davis autobiography I once read, in which he described kicking his heroin habit with that sentence. For me it represents an end to suffering…” mdf

The three tracks on the album were created using a variety of sources including synthesized saxophone and other brass instruments, a melody harp, acoustic guitar and many field recordings.

and then

one day

it was over, just like that

All tracks composed & recorded by Michael Duane Ferrell in April 2008, except some sound fragments which were recorded between 2006-2008

Elian website

http://www.elian-music.com/

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bremsstrahlung recordings is a not-for-profit-seeking organization which focuses on publishing egoless sound

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audio_z : breaking the waves


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audio_z : breaking the waves

zero 093

1 01_steady exposures

2 02_breaking the waves

3 03_voice-over silk-screen

4 04_down the lake

5 05_totemic

audio_z (Tautvydas Bajarkevi_ius) is a sound artist and curator from Vilnius, Lithuania.

breaking the waves is another journey through abstract flow of rhythms, cinematic soundscapes, minimalistic melodies, intertwining collages and dense ambiences, composed by Lithuanian sound artist audio_z.

www.myspace.com/audiozmusic

Cover photo by PB8 (Andrius Rugevi_ius)

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ZEROMOON = Mp3s | CDRs | CDs. Intelligent Noise Music. Drones&Pop. Free musique concrete. Black ambient metal. Field recordings + philosophy. Audio falafel.

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Thomas Buckner – New Music for Baritone & Chamber Ensemble


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Thomas Buckner – New Music for Baritone & Chamber Ensemble

s.e.m. ensemble

continuum

luminescence – annea lockwood

canto – tania leon

conceptuality/life – petr kotik

For 30 years Thomas Buckner has carved out a very special niche – that of a champion of the avant-garde. In concert halls throughout the world, his “baritone-mastery” has astonished both audiences and critics. He has an extraordinarily flexible voice; his experience and ability ranges from madrigals, lieder, opera, free improvisation, extended techniques, all the way to electronically processed wordless minimalist song. This wonderful new collection of works for baritone and chamber ensemble were all written specifically for Mr. Buckner.

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Mutable Music, the label of new music baritone Thomas Buckner, founder of the legendary 1750 Arch Records, will release recordings that promote creative contemporary music, with the hope and desire to expand its audience and repertoire.

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Jason Kahn + Gabriel Paiuk : Interrupcin


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Jason Kahn + Gabriel Paiuk : Interrupcin

homo028

JASON KAHN

(analog synthesizer)

GABRIEL PAIUK

(prepared piano)

i. Interrupcin 1

ii. Interrupcin 2

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konstruKt – Impro-Vis-Or Vol.1


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konstruKt – Impro-Vis-Or Vol.1

(ca138) (June 3, 2008)

1 Eastern Dialog 12:00

2 Still Warm 10:22

3 Distant Call Pt.1 04:12

4 Le Circle Rouge 03:39

5 Where Are You Now? 04:04

6 Distant Call Pt.2 06:59

7 The Roots 06:46

8 Beauty Is The Rare Thing (bonus track) 01:09

konstruKt was founded in 2007. The trios music brings the free improvisation, experimentation and a brief homage to the history of Avant-Garde Jazz and Contemporary Music together

In 2008, with the addition of Korhan Futacı (reeds/fx/voice), the band started to play in quartet form also. This release is their second on Clinical Archives which determines their unique blend of improvisations with their ability to konstruKt instant compositions

The band

Korhan Argden:

drums

zn Usta:

percussion

Umut ağlar:

guitar/electronics

Korhan Futacı

baritone, tenor & soprano saxophones/

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fx/ voice
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Clinical Archives is independent netlabel for eclectic and ilogical electronic music.

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A_dontigny : Geisteswissenschaften


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A_dontigny : Geisteswissenschaften

Composer: A_dontigny

Performers: A_dontigny Paul Dolden Diane Labrosse Jon Vaughn

mage: A_dontigny, Chantal Dumas, David Turgeon

Prix Opus 2006-07: Disque de lanne finaliste

Today, when we can eat Tex-Mex with chopsticks while listening to reggae and watching a YouTube rebroadcast of the Berlin Walls fall – i.e., when damn near everything presents itself as familiar its not a surprise that some of todays most ambitious art is going about trying to make the familiar strange. [...] Whatever charge of tastelessness or trademark violation may be attached to the artistic appropriation of the media environment in which we swim, the alternative to flinch, or tiptoe away into some ivory tower of irrelevance is far worse. (Foster Wallace, as plagiarized by Jonathan Lethem in The Ecstasy of Influence, Harpers Magazine, February 2007)

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Chiste : Musica Para la Galeria


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Chiste : Musica Para la Galeria

[diso004] – (June 10, 2008)

Musica Para la Galeria del proyecto chileno de electronica experimental Chiste es la cuarta entrega del sistema de distribucion gratuita de audio de Discos Invisibles (dinet). Discos Invisibles / 100% home made maybe more. Happy downloading !

1 Galeria Normal 05:17

2 Galeria Bestial 07:28

3 Galeria Bussy 01:48

4 Galeria Pyo 02:34

5 Galeria Centrica 02:39

6 Galeria Pretensiosa 02:17

7 Galeria Enterrada 02:36

8 Galeria Hipica 00:36

9 Galeria Telepata 00:28

10 Galeria Internacional 04:27

11 Galeria Con Vista al Mar 02:44

12 Galeria Exterminio 04:02

autor: Chiste (Mika Martini & Daniel Jeffs)

album: Msica para la galera.

ao: 2008

sello: DINET, Tijuana, Mxico.

Duracin: 36″56′

Para su correcta escucha, se recomienda en winamp e i-tunes,

activar la funcin “reproducir con fundido de 0 segundo”.

produced by / producido por:

chiste (mika martini & daniel jeffs).

recorded live at / grabado en vivo en:

ex-galera normal, barrio yungay, santiago.

www.pueblonuevo.cl/galerianormal.htm

edited and mastered by / editado y masterizado por:

mika martini en las oficinas centrales de pueblo nuevo.

santiago de chile, enero 2008.

artwork & photo / diseo y fotos: mika martini.

www.pueblonuevo.cl/chiste.htm

www.myspace.com/chistemusic

contact / contacto:

mikamartini@yahoo.com

djefmusic@yahoo.com

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