rui gato : chaosmos EP

rui gato : chaosmos EP

tube009

Runtime: 35’45”

After some generic and proximity, let?s say ?audible?, works, Rui Gato returns with a piece divided into three movements. We ask that you do a complete listen of this EP, not because of commercial reasons ? we don?t ask for money ? or even of aesthetic imposition ones, but quite simply because of the Deleuzian way in which ‘Chaosmos EP’ is presented.

?M1? is nothing more than a landscape of silence, without self-imposed forms. It?s the beginning of the order in itself; it?s this un-organized state, the ?absolute zero? from where the whole piece starts evolving. ?M2 Extended? assures us that the order is not universal and pummels us to and from distinctive elements in its formal composition. ?M3 Final? is the end, the finish line, a proliferation of material signs that illuminates its unformed character, and even manages to approach chaos. A chaos of image/fragment/fracture/remain.

Musically speaking, the subtleties of dub-soaked disperse particles, fill up the last movement. The comprehension of this work cannot be achieved by accessing the origin, but by understanding the way all the events intertwine (M1+M2+M3) and build their own origins. Apprehend the plurality as a plurality implies that the effects of the unity must not be re-evaluated, in the same way that understanding the difference implies that the effects of the identity this work possess must not be re-evaluated. Superb! ? Bruno Barros

Download: http://modisti.com/ccount/click.php?id=291

_________________
Test Tube Netlabel (monocromatica)

C/O Pedro Leito

Rua Damio de Gis, 16 – 3 ESQ

1400-089 LX (Lisboa)

PORTUGAL

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Darren Copeland : Perd et retrouv

Darren Copeland

Perd et retrouv

label: Empreintes Digitales

ref: IMED 0683

players: Darren Copeland

The experience of sound spaces leads to an immersive conception where the dimensions are coherently explored by means of sound spatialization. The sounds respond to an inner logic, encompassing their development, timbre and spatial behaviour. Processed sound sources hint to classic pieces and meanwhile unveil a aesthetic interests that respond to the development of early tastes.

La experiencia de los espacios sonoros conduce a una concepcin inmersiva en la que las dimensiones se exploran mediante la espacializacin sonora. Los sonidos responden a una lgica interna, que abarca su desarrollo, timbre y comportamiento en el espacio. Las fuentes de sonido procesado aluden a piezas clsicas, al tiempo que revelan intereses estticos que responden al desarrollo de gustos tempranos.

m-1566

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Clinical Sounds – Vol.1

Various – Clinical Sounds – Vol.1

(ca015) (February 26, 2007)

Clinical experience, and also carried out practical researches show, that simultaneous use of two hearing aids allows to distinguish more precisely sounds and, that is especially important, better to understand speech even to people with serious loss of hearing of one ear and full deafness of another…

(from Binaural prosthetics)

*This citation has no attitude to the given compilation.

Author: Various

Date: 2007-02-26

Source: Cinical Archives

Keywords: ilogical, eclectic, noise, abstract, free improvisation, dark ambient, ambient, industrial, electronica, field recordings, glitch, microsound, montage, psychedelic, psy-trance, soundscape, sound art, strange, other, clinical

Creative Commons license: Attribution-Noncommercial-No Derivative Works 3.0

Notes

ca015 – Clinical Sounds – Vol.1 – (4 CD)

Tracklist CD 1:

101. Etat Des Stocks – Klassikkos – 4:22

Track “Klassikkos” it is taken from CD-album “cd08 – Etat Des Stocks – “archives”.

Etat Des Stocks is solo project of Patrick Parent.

http://users.skynet.be/redneon.html/

http://www.myspace.com/parentstocks

102. Toby Dammit – I Corpi Presentano Tracce Di Violenza Carnale – 4:30

Toby Dammit i corpi presentano tracce di violenza carnale.

Toby Dammit is : Emanuelle G. voice and noise.

posk_1975@@libero.it

http://www.myspace.com/tobydammit2

103. Zack Kouns – Isabella – 4:12

http://www.zackkouns.com/

http://www.myspace.com/zackkouns

104. L.A.M.P. – Procedure238 – 5:02

Procedure 238 is a sound of a patient (me) wheezing because his lungs are full of fluid and it makes breathing a bit difficult.

I recorded this while I was sick and later did some voice/shortwave radio work in it as well. I was also experimenting with some Japanese Folk singing (style, not the language of its native origin) and I thought it came together quite well. The High tones are a tibetian singing bowl that I sampled and used it for the melodic tones.

L.A.M.P is the solo project of Benjamin Thompson, and features ultra tight beats off set with unsual noises and black humor.

(Backwards NW)

http://www.backwardsrecords.com/lamp.htm

http://www.myspace.com/djlamp

Backwards NW is the noisy ecletic sister label of Backwards Records as a label we strive to release , promote and book musicians and artists that produce music without boundaries , this includes a wide range of unusual music including such “genres” as : Trashtronica , Glitch, NOISE, puesdo classical, XXXOTICA, nu/old jazz , in/out jazz, DDDM, break-core, Neo poetix, GLIP GLOP, dionysion polish jam rock , ethereal industrial etc etc.

http://www.backwardsrecords.com/nw.html

105. Peacemaker – The Holy Blood Of Angels – 4:02

“Please listen at top volume and with mindfulness for maximum transformational benefits.”

Peace is the victory!

http://www.myspace.com/peaceisthevictory

106. Fecalove – Erection I – 5:03

As for this track i used contact microphones , a cheap behringer mixer , some distortion pedals and field recordings on a train.

Fecalove – it’s just my first noise/experimental project , started around 6 years ago.

I released several cdrs , tapes and mp3s pretty much all around the world , both solo and collaborations with other fuckers .

This year i’ll probably have my first fecalove pro-cd release and an appearance in a split/collaboration vinyl on my label Turgid Animal.

http://www.freewebs.com/tisbor

107. The PsychoParanoidFlowerPowerElectroShitSong Company – Lost Battles – 6:17

The PsychoParanoidFlowerPowerElectroShitSongCompany: songs by Presto,Viard. Ben Pat Bone Presto of Larsen Lombriki and CV of his many auditory Hallucinations.

http://www.myspace.com/thepsychoparanoidflowerpowerelectroshitcompany

http://www.myspace.com/cvandhallucinations

http://www.myspace.com/larsenlombriki

108. Dizzonanz Domestic – American Or Traitor – A Fairy Tale By James W. Gerard – 7:11

http://www.myspace.com/dizzonanzdomestic

109. Buben – Pere – 4:21

“VLADISLAV BUBEN-musician,promoter,creator of some radio and art projects from Belarus. Vladislav represents TV show about alternative electronic music”Are you called electronics?”on local MTV(Belarus).7 yearsVlad represented radio show “The Lost World” (the oldest radio show in Belarus about extreme & alternative music.) Radio “Mir” 107.1 FM

Vladislav is main coordinator of.Lostworld webzine and label.

Buben creates some musician groups and projects in diferent styles.Some music projects–(Buben, Prus,Zeroism,Donald dark,Ego,Zhraja,Manstappz,Kein,Shamaniac,Over voltage,Bolshevik,ex Ambassador21,Perpetual deathic, Skvarka,Criminal chromosome,I me mine,Bachus,Panie Kahanku e.t.c.)”

Labels around the world released Vladislav Buben records-

Beergut recordings(U.K.), biv0uac(U.S.A.),Dreamlandrecordings (Australia),Tibproductions(Norway), Noise-joy(U.S.A.)

Roil noise(U.S.A),Marasm records(France),Audiotong(Poland),No Angels(Poland), Smellthestench(Australia),Sudden death records(Canada),Agressive guerilla records(Holland),Redstar budapestrecords(Hungary),PravDaDA org.(Holland),System hang(Singapoure),Black orchid(Chech),Dis production (Belarus),Invasion wrechords(Belarus),Zaftich research(U.S.A.),D.A.C.records(Ukraine)e.t.c.

http://www.buben-info.narod.ru

http://www.buben.altpro.net

110. CircumLiver – Il Sole Di Granada (remake 2006) – 3:24

CircumLiver (Circumcisus Liver)

CircumLiver it’s a solo project of Paolo – member of band “Triplomaltose” – from Trieste (Italy).

The band Triplomaltose has composed electronic and experimental sounds from year 1985 until the end of 90′s.

The CircumLiver project is begun in year 2005, the sound recalling particularly atmospheres already explored

of Triplomaltose.

see e.g. the tracks: “Il Sole di Granada” and “Pianeta Papalla” remake 2006 of the same by Triplomaltose 1992.

CircumLiver

http://www.soundclick.com/circumliver

http://www.myspace.com/circumliver

Triplomaltose

http://www.soundclick.com/triplomaltose

http://www.myspace.com/triplomaltose

111. Zaz Zetoun Mind – Ych’ehrt – (live act thought deadend 26.12.06) – 5:11

ZAZ ZETOUN MIND is a solo project by MONDRAGON EYE EYE EYE member of french ritual duet KHU.

www.myspace.com/zazzetounmind

112. Larsen Lombriki – Livin In A Jingle – 2:12

“From Communism to Jingle-ism. A Global Feeling”

the line-up:

mr. E. Spenazo: guitar, loops, samples

Ben Presto: guitar, bass, voice, samples, cut-up, arrangement

+uno: supervising

http://www.larsenlombriki.it/

http://www.myspace.com/larsenlombriki

Tracklist CD 2:

201. [-hyph-] – Realness 0.3.5 – 5:08

theme: illogical

constructed by Nicolas Wiese

berlin, 12/06 – 02/07

one of the first raw “test-”pieces for a new conceptual

group of works about the contradictions in hip hop.

while rap artists always insisted in “keeping it real”,

one of the major motivations behind many rappers’ careers

is to become someone else -

a rich and powerful person, making his peace with the

white dominated capitalistic society.

the rap artist’s “realness” is meant to qualify his

success as a strategy of independence, but the opposite

is the case -

hip hop becomes a highly artificial, totally decontextualized

entertainment commodity and a flattened myth system

in a game that is by no means controlled by

the hip hop artists themselves.

in REALNESS, i am constructing my own highly artificial

and dislocated sound clusters out of hip hop -

by only using acapella rap vocals as source material.

in this particular piece, a few percussive sounds are added,

generated from various prcoessed acoustic instruments.

Nicolas Wiese / b. 1976 / is a visual artist, sound artist,

graphic designer and improvising musician who currently lives in Berlin.

he studied communication design, illustration and communication

theory at the university of applied sciences in Hamburg.

apart from exhibitions, installations, audiovisual performances,

short film projects, improv concerts and interdisciplinary workshops

his activities include the small tape & cdr label AIC, which he

is running together with Oliver Peters ( EVAPORI )

and G.Grimm ( TOTSTELLEN )

the project [-hyph-] has been started in 2001.

www.0000-anti.info

www.myspace.com/nicolaswww

202. Sascha Neudeck – Kammstudie 1 – 6:44

I used some self-soldered synths for the source-audio-files. After little bit processing them, there we used

feeding a combfilter/sample-morphing-max/msp patch. With this patch I created in realtime the three “kammfilterstudien”.

Bio – Sascha Neudeck

lebt und arbeitet in wien.

macht musik seit seiner kindheit. sein job (biochemiker in

forschungsinstitut) machte ihn indirekt auf die mikroskopische seite von

klngen aufmerksam. dieses interesse veranlate ihn, sich intensiv mit

klangpartikeln und deren verarbeitung zu beschftigen.

dabei sind programme wie max/msp, audio sculpt und soundhack das werkzeug

mit dem er klnge auf miroskopischer ebene bearbeitet.

in letzter zeit werden auch selbstgebaute elektro-akoustische instrumente

und synthesizer modular miteinbezogen. zustzlich sammelt er aufnahmen mit

dem field-recorder, welche in die stcke eingeflochten werden.

ein wichtiges kriterium fr die auswahl der erzeugten oder verfremdeten

klnge und deren strukturierung ist die emotionelle wirkung der kreationen.

ein stck soll berhren, verfhren und fesseln.

http://www.sascha-neudeck.com/

203. . – Modulotron – 2:46

“time inside time”

http://www.myspace.com/rndprob

204. Syphilis Sauna – Vic The Virus – 4:55

“Vic knows that hes not much , a short slightly balding man in a rumpled overcoat he wonders how to replicate , he left his home so long ago and still no place to go , if only he could he find a way to replicate !”

“Syphilis Sauna is the solo project of Patrick Urn , concentrating mostly on extreme contrast between percieved beauty and harsh electronic sounds and beats Patrick Describes his music as “trashtronica”.

http://www.backwardsrecords.com/ss.htm

http://www.myspace.com/syphilissauna

Backwards NW is the noisy ecletic sister label of Backwards Records as a label we strive to release , promote and book musicians and artists that produce music without boundaries , this includes a wide range of unusual music including such “genres” as : Trashtronica , Glitch, NOISE, puesdo classical, XXXOTICA, nu/old jazz , in/out jazz, DDDM, break -core, Neo poetix, GLIP GLOP ,dionysion polish jam rock , ethereal industrial etc etc.

http://www.backwardsrecords.com/nw.html

205. Jon Eriksen – Debris – 6:08

Jon Eriksen (b.1976) is a visual artist and noise musician. His recent video works and installations deal with overdriven modes of expression in contemporary culture in general, and the subcultures and dialectics of extreme music and film in particular. His video works are made from found material; he utilizes short snippets from television and feature films and works with them in loops and cut-up sequences.

Eriksens’ latest works, Shadow you and I used to die here (2006), stems from an interest in the depiction of violence in film. Both works deals with a fluidity of sentiment, voyeurism and an urge to view death and horror up close. They both suggest an anonymity of kinds, where scenes of death are less about their individual plots and, in the end, more about our need for catharcic experiences and the voyeuristic implications of consuming cinematic bloodshed.

His videos have been screened in galleries, venues, and at festivals in Norway, Sweden, and the UK.

As a noise artist and musician Eriksen has since 1999 been playing improvised laptop sets at venues and galleries in Norway, Sweden, Finland, Germany, Austria and the USA. His music is eclectic and intense, and connects as much to harsh noise tradition as to extreme forms of electronica and electroacoustic music. His music has been released on several compilations and labels in Norway, Sweden, Russia, Holland, and Germany. Eriksen’s latest release is a split cd with Sten Ove Toft and Utarm on Roggbif Records. He is currently working on a full length album.

http://www.joneriksen.com/

206. Christian Galarreta – Canicula – 6:01

Algoritmic behaviors, high frecuencies and silence based in the process of insects sounds recorded in the Peruvian Jungle.

fecha: febrero 2007

Christian Galarreta: composer / performer of contemporary music and multidisciplinary artist. Born in Jan/03/1976, In Lima-Per. From very young has taken particular lessons of music in different specialities and studied piano and composition in the conservatory of Lima “Josafat Roel Pineda” by two year (1995-1996). In 1998, He take lessons of Digital Electronics at Systems Peruvian Institute (SISE), that familiarized him with the use of computers and with the constructions of electronic circuits. He is applying this knowledge in his music since 1995 until now. He have many releases and participate in many events of electronic art with his sound performance and sonorous instalations. In the present, he bases his work, in the process of digital/analog sound and silence in life sessions, using technical as the indution of error in the software/hardware, the elaboration of generative tools via programming or self made physicall intruments and the use of the sound at extremely low or high level, what characterizes their performances.

In this way he formed EVAMUSS and DIOSMEHAVIOLADO, some of the most active musical projects of the Peruvian experimental scene between 1995 and 2002. Also by those years he founded ALOARDI, a independent South American label / asociation with a total focus in the sound exploration, alternative investigation and the organization of multidisciplinary events. Some of that is ATATAW!!! ( a “radio” program on line with experimental character) and ALONET ( label on line to free download music and projects). These two last years Aloardi is co-organizer of the VAE international festival of electronic arts and SURADIO a project of South American artists live concerts via stream. At the moment Galarreta publish solo records and collaborations with a lot of artist and labels of all the world, also he have various stable projects like Tica (with Fabiola Vasquez), Chichi y Riko (with Gabirel Castillo), Azucena Cantrix (with Wilder Gonzales) and many others.

www.aloardi.net

www.myspace.com/christiangalarreta

www.myspace.com/ticaticatica

207. Piscis – Ghost Flower – 6:29

Piscis is experimental/alternative electronic project from Mexico.

http://www.myspace.com/piscismusica

http://www.amp-recs.com/

http://www.ruidemos.r8.org/

208. Nicolas Kinski – Tuesday 14h27 – 3:29

Artwork by Hannelore Brckner. Title: “Loneliness’

Song:

‘Tuesday, 14:27′ is all about feelings and emotions. It’s about boredom and triviality, about banality and the importance of it.

The setting: hanging about in a room, with comfortably little to do. Outside wet streets are almost empty. One watches literally nothing happening. Time passes. A straydog barks. The wind blows, rain falls relentlessly. It is cold. People hurry by, home- or where-everbound, exhaling their steamy breath that reaches circling towards the sky. The clock ticks. Silence falls. A distant radio plays forgotten tunes. God is nowhere. The world keeps on turning. You’re at a loss. It is 14:27 on a tuesday, one of the many.

Nicolas Kinski:

I am a German avant-garde artist whose aim it is to capture the fascination for the city of Berlin – or any terribly interesting city anywhere – in sounds that go way beyond the traditional songstructures. Though sober and repetitive, my songs are never logical, always – as the French so beautifully say – ‘contraire’. My music itself is like an itinerary of Berlin and an intense diary of my life at the same time. Hear and feel a bruised, crazed city at night, champagning with noises and voices on sidewalks, in underpasses, partybunkers, bridges, overcrowded streets, populated with the strangest people you’ll ever meet. Influences so profound, dark, gripping songs write themselves around them.

Band members:

Nicolas Kinski ( 1979) – voice & electronics

Kurt Mueller ( 1980) – percussion & noizz

Hannelore Brckner ( 1985) – artwork

nicolaskinski@hotmail.com

http://www.myspace.com/nicolaskinski

209.Stangebye/Paulsen – Bergen-Kristiansand – 6:44

the original work clocks in at 13:25 minutes, so it has been remixed and

worked down to 6:46 minutes.

Kristian Stangebye: plays MS-20. he is living in Bergen, Norway

Terje Paulsen: electroacoustics, is living in Kristiansand, Norway

In this project we were exploring the possibillities of improvising music

over the net, sharing soundfiles, with freedom to use or alter or even

delete each others contributions.

our two cities are 500km apart.

so, therefore the title: Bergen-Kristiansand.

Paulsen and Stangebye are also members of the Norwegian trio KONG KLANG.

http://www.myspace.com/kongklang

http://www.myspace.com/terjepaulsen

210. Corpomorto – Autoscopia – 5:53

We play improvised session maded with analog and digital stuff (but absolutely no software) and the tracks are usually untitled, but we’ve decided to make to this track “autoscopia” as title.

CORPOMORTO is a collaboration project between MRK and SweetColdDeath,

an italian combo who made impro-noise (no)music D.I.Y. arty cassette

records from Florence Italy

www.myspace.com/c0rp0m0rt0

211. Himmelkommando – Polar Night – 7:10

Himmelkommando – it is noise, free improvisation and empirical experiences with a sound and music.

http://www.myspace.com/himmelkommando

212. Leiche Rustikal – Skra – 5:23

music rutrabaz, recordet 2007, domagkateliers, munich, germany

www.leicherustikal.de

Tracklist CD 3:

301. Turmoil – Septic Turmoil – 7:13

Here is a song off of my new release “The World Is A Toilet”

Turmoil is a project i started 10 years ago. It is based on the manipulation of sound. the members of Turmoil are Tom Maggio and Holly Maggio we live in Florida the so called sunshine state. It is a hot miserable place to live but lots of inspiration for depressing music.

http://turmoil.4t.com/

302. Ouraken – Zhongma Fortress – 5:04

In the depths of Zhongma Fortress, an army cameraman is taping, not knowing anymore if the sound he hears comes from the outside or from his mind… To quiet his soul he seeks the Muga-mushin, the void where everything is transcended.

—

Ouraken is a dark ambient project from Switzerland. Its music explores the creepiest aspects of Japanese history converging in the concept of Dark Zen. Dark or Martial zen unites tension and serenity, violence and beauty. Humble everyday life and ultimate reality, the Relative and the Absolute, destruction and harmony. A harmony built for the only purpose of its own destruction.

www.ouraken.net

303. terje paulsen – Buhusregn – 10:46

BUHUSREGN is a fieldrecording of rain & wind, – transformed into bells & bass, in samplitude.”

“terje paulsen, born 1958, kristiansand, norway.

have always been very interested in music, soundart & art generelly.

i am an selftaught artist (graphics, painting, drawing & music).

played in rock / punk bands back in the 70′s.

i work with very simple tools: a cheap microphone, minidisc, objects & cheap piezos, acoustic guitar, 4 & 12 string bass, and some lovely flutes made by my good friend bernhard gnter. i have a simple soundcard, and can hardly use my pc…

i like improvising.”

I’m also playing in KONG KLANG.

http://www.myspace.com/terjepaulsen

http://www.myspace.com/kongklang

304. Time & Tide – Dark Window Flashing – 6:40

“Dark Window Flashing” was recorded specially to submit to the Clinical Archives Compilation during the live Full Moon improvisation session at the beginning of 2007. The track were recorded in a single take and the only editing that has been done is making them fade in/out

Time & Tide was formed in January 2005 by Erix van Pelt (Analogue Pagans), Jeroen Visscher (Analogue Pagans, Hellmouth, Nascent) and Vincent Schenck (Eretsua, Hellmouth, Nascent, Navel). Starting in that same January, Time & Tide played monthly Full Moon electro-acoustic improvisations throughout 2005. At the end of 2005 / early 2006 Time & Tide performed a small series of successful concerts. It was the also that they released their debut, the now sold out & deleted faire d’une Pierre deux coups EP.

In 2006 Time & Tide’s self-titled full length, consisting out of tracks created from the Full Moon sessions of 2005 was finalized. In November of 2006 their 3rd EP remnants was released.

In 2007 Time & Tide will return to the Full Moon sessions as well as focus on playing live again.

www.threeg.nl

www.myspace.com/timeandtideproject

305. Johann Wolfgang Pozoj – Brainwave Synchronizer – 10:52

Brainwave Synchronizer can produce files that, when listened to with stereo headphones, will put the listener into any desired state of awareness. For example, by listening to “brainwaved” files, you can achieve states such as deep sleep, theta meditation, or alpha relaxation. Because of the nature of this function, it only works on stereo waveform data, and to be effective, it must be listened to with stereo headphones.

The Brainwave Synchronizer function spatially locates the audio left and right, in a circular pattern over time. In order to spatially encode the signal, either the left or right channel is delayed so that the sounds will appear at each ear at different times, tricking the brain into thinking they are coming from either side. When this is done at frequencies of 3Hz and above, the brain will start synchronizing at the same frequency, increasing its output of Delta, Theta, Alpha, or Beta frequencies.

For example, after 5 minutes of listening to Theta waves, the listener will become slightly awake, if 30 seconds of alpha waves are generated, and then returned back to theta. The effect is sort of like shifting gears into different levels of awareness.

J.W. Pozoj is mystical symfocrust experiance. It works like a band with five steady members and few come-and-goes. Pozoj is a mystical animal that fled from people into the mountains. It came back into the time in 2002 A.D. The escape of Pozoj symbolizes tragedy. The first part of opus is concepted as trilogy: : Birth of Pozoj; Escape of Pozoj & Return of Pozoj. Pozoj doesn’t know what we are and what music is but he has left us here all alone to find out.

…IN DARKNESS WE SEE THE LIGHT

DARKO SIMUNOVIC- vocal, FILIP FABEK- guitar, MARKO BALABAN- guitar, DOMAGOJ SOIC- bas guitar, NICOLAS SINKOVIC- keyboard & electronic stuff, LUKA KOVAC- drums

http://www.myspace.com/jwpozoj

306. Mystified – Moon Bog Edit – 4:16

Mystified is an experienced electronica band. Genres include ambient, phonography, mellow noise and others. Mystified is actively creative and proud to appear on this compilation.

More information is here:

http://www.mystifiedmusic.com

307. Ronny Wrnes – Blue Effects – 3:21

Blue Effects is a brand new track, its a bit rough. I made this on my own using only one effect box, recording and mixing it on my laptop.

http://www.myspace.com/ronnywaernes

308. AUN – Emperor Arse Floot – 3:20

AUN is Martin Dumais one of the figureheads of the electronic scene montrealaise since its genesis. Recording and playing live since the mid 80′s. Half of award winning eclectic outfit LES JARDINIERS (2 adisqs Quebec grammys) with JF Charette (New Electric Dog). He largely contributed to the installation of the electronic music in Montreal and its diffusion internationally, while also working as a music producer for television and art expos. By 1992 he was commissionned by the Montreal St-Joseph Oratory to rework the music for their yearly easter presentation of ‘The Way of The Cross’. His Hautec label produced good number of the first works of some of the leaders of the current local scene: Akufen (with whome he recorded the 1996 album Juicebox), Deadbeat, Champion… An encyclopedic DJ with several residencies since 92 (Laika, Bily Kun…) including a 4 year stint at the mythical Foufounes lectriques. He also performed full machine and dj sets at festivals like Sonar, Mutek and internationally : UK, France, Argentina, Switzerland, Belgium, Germany. AUN is a return to his first love of deep melodic lush drones and sometimes harsh angular electro-ambient textures produced with digital, analogical hardware and guitars. This rich and provocative music will be performed live and out on cd form on ORAL records march 15th 2007

http://www.myspace.com/martindumais

309. Eretsua – Shipwrecked Cloud – 2:58

Shipwrecked Cloud was recorded on the 7th of July 2005.

Eretsua’s music oscillates between music and ambient with

percussion and melodies.

I sometimes also make noisier modern ambient.

http://www.eretsua.com

310. Domestic Turmoil – Aegri Somnia – 5:01

Domestic Turmoil is Tom Maggio of Turmoil and Caleb Jones of Dizzonanz Domestic the collaboration was done over the internet passing files back and forth,chopping them up and peicing them back togeather. These songs are of our first release “Paroxysm”

This is our myspace page:

http://www.myspace.com/domesticturmoil

311. Kanalkrank – Clinical 1 – 9:25

It’s a form of channel sickness, diving among the drone clouds.

The music is recorded as it is discovered.

http://myspace.com/kanalkrank

312. Tzunami Fancoil Orchestra – No Man’s Eyes – 5:34

TZUNAMI FANCOIL ORCHESTRA is a anonymous collective from the black heart of Florence .

We made (no)sounds for (no)scapes to obtain the perfect soundtrack for inevitable human disasters.

http://www.myspace.com/tzunamifancoilorchestra

Tracklist CD 4:

401. Noiz + Zilenth – Inzane – 5:26

N+Z (Fco. Alejandro Maldonado M.)

Is a very young musician who started playing with cheap electronic keyboards. He learned to play drums and percussion but has mainly opted to learn about music software. His first performance as N&Z was in Tijuana’s “el Callejon” bar, opening for C/A/T. He has since then shared the stage with Hocico and Epidemia. His focus is on the industrial noise genre but includes elements of classical and hindu music…

N+Z

, as part of his performance has several ways of introducing different elements into his music. It’s composed of several influences that goes from “Power Noise” to the most essential feelings, in composed and distorted melodies.

His first CD called “Noir Tag” will be released in October of 2006, it’s based in lyrical compositions, Hindu and Classical Music, and sound variations that can easily betray our mind. He arrived to Tijuana in 1993, obsessed with arts, at age 14 he took Plastic Arts classes. After 5 years of learning the most deep and intense art narrations, he focused on what he wanted to do the most; enjoying and having an interest in classical piano, he was interested in being able to create music until he found the way of doing it thru computers and computer software, and by interpreting musical notes he was able to learn and to manipulate digital instruments as well.

N+Z

, It’s a solo project. He has now 9 years as an artist and 5 years in the music business, he tries to express that not only in traditional music, but also in this kind it’s possible to interpret melodies that can get to the mind but also… to the heart.

noiz-zilenth@raidmusik.com

www.raidmusik.com

http://www.myspace.com/drozerg

402. Kuxaan-sum – Blizzarine Sundry – 8:15

Blizzarine Sundry:

On 12-21-2006 Denver, CO was hit with the first of 2 blizzards which shut the entire city down for days on end…

i was caught trying to get home that afternoon, could not see 3 feet in front of myself, walking down the abandoned city streets, the snow was well over knee high as several inches had accumulated within just a few hours….15 foot drifts surrounded me.

i was alone.the city was dead. no one was lurking. it was very peaceful.

Colorado was declared to be in a state of emergency and people were highly recommended not to leave their homes. three days passed before i emerged from my basement. Blizzarine Sundry was conceived.

it is the story of nature unleashed, peacefully falling, but with massive force.

–gabriel temeyosa–

http://www.kuxaan-sum.com

http://www.myspace.com/kuxaansum

http://www.backwardsrecords.com/

403. Musica-Ex-Machina – Ode To Eternity – 7:36

Musica-Ex-Machina is the electronic side of Pozoj and represents us as means through which the music speaks out. Musica-Ex-Machina is the birth of tragedy from the spirit of music which concerns everyone equaly regardless of someones subjective opinion or stands. It is substance of every heart, mind and soul and of course part of everything what is given in time. With music we get closer to the silence of time.

Krachermensch in der Krachzeit

Die Welt hat sich im Geist auflassen

Krachzeit in dem Krachermensch

Der Angstruf des Geistes durch uns erscheint.

http://www.myspace.com/musicaexmachina

404. Liquid Signal Distortion & Nihilist Tantrum – Tender Denial – 6:31

Nihilist Tantrum made the rythms and Liquid Signal Distortion made the noisefills. This collaboration of two Belgian projects was especially recorded at Hemel Centraal for Clinical Archives.

Nihilist Tantrum :

http://www.myspace.com/nihilisttantrum

Liquid Signal Distortion:

http://www.myspace.com/liquidsignaldistortion

405. Luminous – You Know What I Want – 4:18

“Luminous began in the late nineties as Tim Chaplin’s electronic/experimental project.”

http://www.timchaplin.com

http://www.myspace.com/timchaplinluminous

406. Wolfman Amadeus Mozart – Optimism Is A Treatable Disease – 1:32

Wolfman Amadeus Mozart is a asocial psudo-musician, pseudo-writer and pseudo-designer from Italy, member of the pseudo-artistic group “improponibile” (http://www.improponibile.com/)

Wolfman Amadeus Mozart is characterized by a broader snout and eyes more dorsally located than their cousins.

An average Wolfman Amadeus Mozart weight and length is 60 lbs. and 130 feet long.

His diet consisting mostly of food.

It is thought to have become extinct in the 20th century.

http://www.myspace.com/wolfmanamadeusmozart

407. Brainquake – 360Awareness – 5:12

“This track, build upon a simple sequence that expands and decreases tries to capture a world where all our senses are forced into a state of total awareness of our surroundings”

Name: Marc Ceulemans

Living in Belgium

brainquake is busy since 1988

active in lot’s of bands, in “Psych Krist Kastrator” amongst others

Running a smallscale CDR-label focussing on ambient, noise, electronica and experimental called “Thee Disciples Ov Penumbra”

http://www.myspace.com/brainquake

408. Urbanisation Obscure – Tracking Down The Consumer – 6:57

“There is no privacy…”

“Urbanisation Obscure means “dark urbanisation” (shorted UBE), and started approximately sometime during the autumn of 2005, with no earlier experience of making electronic art or music. UBE tries to give the listener different states of mind, feelings or atmospheres, withouth directly telling how to analyze it, how to listen to it, what to think about it. UBE is about consumption, greed, hate, lust, violence, culture, minority, power. Sometimes the mind gets more liquid, and pours over the edges, and goes outside the frames of reality.”

http://www.urbanisationobscurite.tk

http://www.myspace.com/urbanisationobscure

409. Lezet – El Ave Fea – 0:43

“El ave fea” slightly touches the issue of Maurice Maeterlinck’s “L’oiseau bleu (Blue Bird)”. Is life blue? Or do we live our lives in living colours? This comic relief of a track bristles past the Ultimate Question without actually solving anything or delving deeper into the abovementioned problem…”

http://www.myspace.com/LEZET1

http://lezet.blogspot.com

http://www.lezettheband.com

410. Narcosa – Todesspritze – 5:49

catharsis213@hotmail.com

http://www.myspace.com/narcosamutile

411. Djet – Eleventh Tablet – 7:09

Penultimate medicine…

Djet is the solo project of Alexander Lisovsky. Exists since 2002. The basic direction in creativity Djet is synthesis of various styles and directions in electronic, acoustic and noises to music. Connections rational with irrational, eclecticism and sound installation, soundart and soundscape are the basic clothes covering the main core – the rhythm. Style can be named as – electronic/synthesis experimentation.

http://www.myspace.com/alexdjet

412. Loafeye – March On And Sea – 4:06

http://www.myspace.com/loafeye

Download: http://modisti.com/ccount/click.php?id=293

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Clinical Archives is independent netlabel for eclectic and ilogical electronic music.

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Antonio Murga : El Club del Rifle

Antonio Murga

El Club del Rifle

label: Self-produced

ref: 001

players: Antonio Murga (multi-instrumentalist)

Featuring a more careful approach to similar, experimental pop materials, this release unfolds along the customary amount of tracks, if presenting a different perspective: a greater interest in a more minimalist aesthetics results in sparser textures, suddenly featuring empty spaces where there is room for contemplation and, almost, quietness.

Planteando un acercamiento cuidadoso a materiales pop similares, este trabajo se desarrolla a lo largo del acostumbrado nmero de cortes, aunque incluye perspectivas novedosas: el inters por una esttica ms minimal resulta en texturas menos densas, incluyendo espacios vacios donde cabe la contemplacin y casi se da lugar al sosiego.

m-1565

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@C : Study

@C

Study

label: Grain Of Sound

ref: Gos 20

players: P.Tudela, M. Carvalhais (composition)

Electronic work presenting various sources ?processed, concrete, generated- in a carefully unfolded sonic space where individual sounds make their appearance as the characters in a play ?their scenic movements, entrance and exit, responding to the score-. Somehow, research in sound sources can be traced back to its experimental origin, although the materials have been thoroughly pruned of any casual offshoots.

Trabajo de electrnica con diversas fuentes ?procesadas, concretas, generadas- en un espacio sonoro dibujado con cuidado donde los sonidos individuales hacen su entrada cual personajes teatrales ?su movimiento escnico, entradas y salidas, segn la partitura-. En cierto sentido, es posible remontarse al origen experimental de las fuentes sonoras, aunque stas se hayan sometido a una poda de cualquier brote casual.

m-1564

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Weasel Walter/Kevin Drumm/Fred Lonberg-Holm – Eruption

Weasel Walter/Kevin Drumm/Fred Lonberg-Holm – Eruption

(ugEXPLODE/X+Z=0)

78 minutes of studio recordings from the renegade “FREE GLAM” troupe featuring Weasel Walter, Rat Bastard, Misty Martinez, Nondor Nevai and special guest Om Myth! Perverse, intense, hyper-psychedelic stream-of-consciousness group improvisations channeled through futuristic production processes. This record is an intense trip – a mash-up of gut-wrenching instrumental onslaught and bizarre wordsmithy. This is the complete story of the Shave 2, finally available after almost 7 years.

Download: http://modisti.com/ccount/click.php?id=297

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Natasha Anderson : Spore

Natasha Anderson

Spore

label: Cajid Media

ref: Cajid 008 CD

players: Natasha Anderson (recorder, electronics)

In the line of previous releases, an exploration of the sonic possibilities of recorders as departure for abstract sound elaboration ?extended techniques take a step further along with sound processing- which, nevertheless, remains close to the original source. Concentrating on extremes, conveying an abstract quality to the materials, the sounds are carefully observed, approached as elements for subsequent collage techniques, disembodiment of original proportion and concoction of a new expressive palette. Previous instrumental research in woodwind gesture and contemporary music?s concern with complex textures can be traced.

Fiel a la lnea del sello, una exploracin de las posibilidades sonoras de la flauta dulce como inicio para una elaboracin sonora abstracta ?profundizacin en tcnicas ampliadas de la mano del procesado sonoro- que, no obstante, permanence en fiel a la fuente original. Concentrndose en los extremos, lo que confiere una cualidad abstracta a los materiales, los sonidos son observados con cuidado, vistos como elementos para posteriores tcnicas de collage, alejamiento de la proporcin original y elaboracin de una nueva paleta expresiva. La investigacin previa en la gestualidad de la madera y el inters contemporneo por texturas complejas pueden discernirse.

m-1563

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Henry Kuntz : Wayang Saxophony Shadow Saxaphone

Henry Kuntz

Wayang Saxophony Shadow Saxaphone

label: Humming Bird Records

ref: HB CD 6

players: Henry Kuntz (tenor sax)

The saxophone considered both as a resonator and source of sounds -extended mouthpiece clicks, vocal and fricative effects or continuous sounds that hesitate, moving back into the realm of its component elements- is later presented, through overlaying, as a complete polyphonic, seemly conceived in reverse order instrument.

El saxo visto como resonador y fuente sonora ?tcnicas ampliadas, chasquidos en boquilla, efectos vocales, fricativos o sonidos continuos que dudan, regresando al mbito de sus formantes- se presenta ms tarde, a travs de la superposicin de capas, como instrumento polifnico completo, aparentemente concebido en orden inverso.

m-1562

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Caddy/Soddell : Iland

Caddy/Soddell

Iland

label: Cajid Media

ref: Cajid 007 CD

players: Anthea Caddy (cello), Thembi Soddell (sampler)

An original reflection on the possibilities offered by a cello/sampler duo based on the relation of sound source and processing. Of a two-fold nature, the materials display both the radical gestures of experimental acoustic performance ?a harsh cello- recorded in various studio conditions and the overlaying of instrumental sound/noise from a textural perspective ?the various, carefully processed threads woven into a complex fabric-, while the glissandi, col legno and micro-intervals illustrate the influence of contemporary music?s concern with complex string sound masses.

Reflexin original sobre las posibilidades ofrecidas por un do de cello/sampler en cuanto a fuente sonora y procesado. De articulacin doble, los materiales despliegan el gesto de la ejecucin acstica experimental ?un cello duro- grabado en diversas condiciones de estudio y superposiciones de sonido/ruido instrumental desde un planteamiento textural ?los diversos hilos, procesados con cuidado, son tejidos en un complejo tapiz-, mientras que glissandos, col legno y micro-intervlica ilustran la influencia e inters de la contempornea por complejas masas sonoras en las cuerdas.

m-1561

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jvox – oxidized

jvox – oxidized

[tA_D_jvo2ed]

JVOX is back at tonatom and strikes again with his very own distinctive style. just like on his first release his music is on the one hand dominated by very straight electronic arrangements with crystal clear outlines and not only a little twist towards rhythmic structures but actually a rather danceable foundation. but on the other hand there are vast areas of soundeffects and melodies which can be found e.g. in the opener grey alert. and this track is exactly *not* the usual ambient mishmash this combination often leads to.

and so we are moving together with JVOX between stylized computer sounds, crispy beats and soundpaintings without mere repetition or standing still but reinventing himself and his style over and over again. and just en-passant JVOX delivers an ultra-feathery click’n'brzzt ambient hymn called alba which you will find crawling into your ear.

profile jvox

music, arrangements & cover artwork – joel tallent

Download: http://modisti.com/ccount/click.php?id=302

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tonAtom is a germany-based online-label for netaudio (elektro, ambient and experimental) and netvideo (netaudio music clips and experimental short films).

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Mike Hansen : At Every Point

Mike Hansen

At Every Point

label: Etude Records

ref: Etude010

players: Mike Hansen (prepared record player, guitar, percussion)

An adventure in language construction from a concrete outlook. Taken apart, the acoustic, electric, miked instrumental sources and prepared turntable samples provide the materials for a collage of abstract narrative motifs, idiomatic fragments, and colour masses that coexist like constitutive linguistic formants in their various stages of development.

Aventura en el mbito de la construccin lingstica desde una mirada concreta. Despiezadas, las fuentes acsticas, elctricas, microfonizadas y samples de tocadiscos preparados aportan los materiales para un colage de motivos narrativos, fragmentos idiomticos y masas de color que coexisten cual formantes lingsticos constitutivos en sus diversos estadios de desarrollo.

m-1560

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Minuit – Luto ibérico

Minuit – Luto ibrico

ac030

“My aim is to create a profound listening experience that can refresh your physical state by suggestion and transport your mind to these breathtaking places.”

Ambient noise and sound sources:

the forest rains & beach environments of Euskadi, the rivers and acoustic spaces from random rooms in Catalunya, the underground subway and train systems of Madrid and the heavy construction machinery plus waters of Perpiny.

Download: http://modisti.com/ccount/click.php?id=304

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Abdicate Cell is a netlabel dedicated mainly to experimental music. All started in 1998 in Barcelona (Spain) as a self recoding/publishing experiment.

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Günter/Friedl : Trans~

Gnter/Friedl

Trans~

label: Non Visual Objects

ref: NVO 006

players: Bernhard Gnter (Flute, cellotar, harmonicas), Heribert Friedl (Cymbalon)

Conceived as a moving background, a field recording provides vast colour masses where diverse materials ?in various degrees of abstraction- and drones are blended, backcloth and first plane moving in and out of focus like a bottomless seascape. Fusing concrete and electroacoustic perspectives, the outlook remains closely related to drone music, its aesthetic reminiscent of the latter?s vast dimension, although enhanced by the harshness of electroacoustic space desert abstraction.

Concebido como transfondo mvil, una grabacin de campo aporta vastas masas cromticas en las que se funden diversos materiales ?en diverso grado de abstraccin- fondo y primer plano dentro y fuera de foco cual paisaje marino sin fondo. Fundiendo perspectivas concretas y electroacsticas, la mirada permanence cercana a la msica pedal, su esttica recordando sus vastas dimensiones, si bien enriquecida por la dureza de la abstraccin desrtica propia del espacio electroacstico.

m-1559

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X-in : AL1 – ep

X-in : AL1 – ep

#ca014 2007-02-17

“Art has no sense but the emotions that it gives to our existence…”

About the project X-in:

X-in (Luigi Scotti)

This project is born with the attempt to analyze the drawer to logon ”sound-meat” by fall in the deepest human perceptions…

xinxin.luigi@gmail.com

http://www.myspace.com/xinmy

Download: http://modisti.com/ccount/click.php?id=307

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Richard Pinhas : Metatron

Richard Pinhas

Metatron

label: Cuneiform Records

ref: Rune 228/229

players: A. Paganotti (drums), P. Gauthier (mnimoog), A. Renaud (guitar), Ch. Oken JR. (Synth), Ph. Simon (violin), D. Batard (Bass), J. Schmidt (Laptop & loops), R. Pinhas (guitar, electronics and Metatronic process).

Heavily overlaid materials of instrumental origin weave a complex superimposition of semi transparent lace layers, resulting in a shifting game of oriental scented shadows that hint at phasing rhythmic traditions and gamelan timbre frameworks. Occasionally, the tracks present a more overt idiomatic envelope and harsher rock stances.

Densos estratos de materiales de origen instrumental tejen complejas superposiciones de tejidos semitransparentes, dando lugar a juegos de sombras cambiantes de aroma oriental con guios a tradiciones rtmicas del phasing y tmbricas gamelanescas. Los cortes presentan a veces formas mas idiomticas y planteamientos de rock ms duros.

m-1558

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lodemidiQuail – Analog bounty on the WAV DJ

lodemidiQuail – Analog bounty on the WAV DJ

ac029:

The uncomfortable sensation which you will soon experience in your shoulders is a symbol of hunger. If cemeteries refuse to treat toaster ovens as reassurances, then it is necessary that someone must demand domains that serve the function of facsimiles, or domains that cancel sociably the loves of eminence. At any cost, it is necessary to re-connect clarifications to memories. What the world needs is not charities against problems, but outrageous loves against automations which are argumentative, or just medieval… or maybe not

Meanwhile, you can enjoy this great recording.

Download: http://modisti.com/ccount/click.php?id=314

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Abdicate Cell is a netlabel dedicated mainly to experimental music. All started in 1998 in Barcelona (Spain) as a self recoding/publishing experiment.

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MCarvalhais & Return Dj Crnica

Cronicaster

MCarvalhais & Return Dj Crnica

018

A Crnica-only set recorded at the School of Arts from the University of Porto (FBAUP), January 11, 2007.

Including composition by: Autodigest (Essays on Radio: 021), The Beautiful Schizophonic (Product 6: 023 & Essays on Radio: 021), Cncer (Product 3: 011), Gintas K (Lengvai / 60 x one minute audio colours of 2kHz sound: 024), Heimir Bjrglffson & Jonas Ohlsson (King Glitch: 018 & Essays on Radio: 021), Heitor Alvelos (Essays on Radio: 021), James Eck Rippie & Paulo Raposo (Product 6: 023), O.Blaat w/ Kaffe Matthews (Two Novels: Gaze / In the Cochlea: 012), Paulo Raposo & Marc Behrens (Further Consequences of Reinterpretation: 008), Pawel Grabowski (Product 6: 023), Pedro Tudela (On Paper: 005), Stephan Mathieu & Janek Schaefer (Hidden Name: 027).

Download: http://modisti.com/ccount/click.php?id=315

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David Papapostolou : One and two

David Papapostolou

One and two

label: Self-produced

ref:

players: David Papapostolou (guitar, Cello, Soprano sax)

One-man-band, antiphonally conceived project. Immersed in listening the response to environment and materials takes on an extremely horizontal view, minimally reacting to subtle overtone partials blown up by a microscopic regard. The layers rely on the abstract character of noise, drawing landscapes where dimensions and texture reign.

Proyecto individual, concebido en forma antifonal. Inmerso en la escucha, respuesta y materiales adoptan una postura harto horizontal, reaccionando minimamente a sutiles parciales armnicos ampliados al microscopio. Las capas recurren al carcter abstracto del ruido, dibujando paisajes donde predominan la dimensin y la textura.

m-1557

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Ideell / Grunn

Ideell / Grunn

[mir023] II-07

Behind Ideell is 16 year old Alexander Eldefors, from re, Sweden. Grunn is his first ep, but it has been lying on my harddrive collecting dust so long that Alexander managed to record and release a beautiful mini-album since I got the ep. To me Grunn sounds like summer nights, the sun slowly starts so set with “Someone had a thought, I know who”. When “So beautiful outside, so sad inside” comes along, we can clearly see the stars. The nights ends with “Happy ending”, the sound of the sun rising up again. A perfect soundtrack for sleepless nights when you just sit, waiting for the day to come.

Download: http://modisti.com/ccount/click.php?id=319

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Mirakelmusik is a netlabel which will release mainly non-conventional music, like ambient, some electronica, glitch, noise. We use a creative commons license for our releases.

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Luther Thomas Quartet : Finally! Total unity in 3 phases

Luther Thomas Quartet

Finally! Total unity in 3 phases

label: Ayler Records

ref: AylDL-041

players: Luther Thomas (alto sax), Jeffrey Hayden Shurdut (guitar, amp, drums), Ed Chang (Computer, home made reeds, tenor sax), Motoko Shimizu (toys, recorder, voice).

Applied in separate layers, the materials -idiomatic sax, acoustic percussion, trouve noise, extended guitar, taped samples, voice- propose a series of sound collages approached from a fresh, collectively improvised sance making a strong claim in favour of an independent coexistence where shifting cubist perspectives speak volumes.

Aplicados en capas sucesivas, los materiales ?saxo idiomtico, percusin acstica, ruido encontrado, guitarra ampliada, samples en cinta, voz- plantean diversos colages sonoros desde una perspectiva fresca, improvisada en grupo con especial hincapi en una coexistencia donde las cambiantes perspectivas cubistas resultan elocuentes.

m-1556

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Die Striche – Schlafe ein

Die Striche – Schlafe ein

P #011

The era of the world’s humanitarian-oriented order is dramatically closing to it’s end in front of our eyes.

The question of reforming the views about further development of the living matter on our planet is to be discussed now. A time has come for a new society, which evolved to replace the old one. We are talking about socialization of the mind.

About a new society, where the leading role is given not to the living being, which becomes just a production facility, but for the actual unit of the noosphere, the units of the thought. We resolutely deny the abstraction of the term “thought”.

Now it’s not just a word, meaning the phenomenon unseen by man & acknowledged in being only by it’s material effects, but a complex concept meaning a new type of matter, & a living & reasonable matter, which holds the future of the very concept of our civilization.

The concerts of the formation are held only in the presence of the musicians themselves, which symbolizes the integrity of the noosphere, hence the music played becomes a part of the WHOLE noosphere at once, wherever would it be performed, thus the participation of the listener in his flesh is derided as a vestige of the past.

I see the art as a matter as the phenomenon of totalitarian nature where the watcher/the listener/the reader is not given votes able to change something.

2007 Die Striche

2007 Protoplazma

p011

Download: http://modisti.com/ccount/click.php?id=321

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William C Harrington : Urban Electronic Music

William C Harrington

Urban Electronic Music

label: Urban Electronic Music

ref:

players: William C Harrington (electronics, soprano), Jilli Dart (guitar, sitar, effects)

Harsh, electric guitar walls of sound. Magnified side-product noise becomes a partially demolished sound mass, excessive and yet teeming with microscopic changes within constant, deafening envelopes. Occasionally, the simple outlook gives way to complex overlays that express their statements in an equally forceful manner.

Muros de sonido de spera guitarra elctrica. Ampliado, el ruido resultante se convierte en masa sonora parcialmente derruida, excesiva pero poblada de cambios microscpicos en envoltorios constantes, ensordecedores. La apariencia sencilla a veces da paso a complejas superposiciones expresadas de forma igualmente insistente.

m-1555

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Roberto Rodrigo : Formas bsicas

Roberto Rodrigo : Formas bsicas

montgo 001

Abstract,digital minimalism, made basically from sine waves, pink noise. Improvisation is a very important factor to generate and manipulate sounds. Seven long improvistions and nine short edits from algorithmically produced sounds.

Number of tracks:16

Lenght: 74 min.

Cover: Jos M.Rodrigo

Download: http://modisti.com/ccount/click.php?id=322

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montgo records is born with the intention of promoving and releasing quality experimental music and serve as a platform for experimental creators to collaborate.

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Mathias Delplanque : Ma Chambre quand je n?y suis pas [Montral]

Mathias Delplanque

Ma Chambre quand je n?y suis pas [Montral]

label: Mondes Elliptiques

ref: E.Q.05.02

players: Mathias Delplanque

Concerned with the spatial/architectural, this sound art project uses the recording of empty spaces -later processed- as materials for the development of the work. Various fragments are superimposed, constantly revolving around a shared axis, variation resulting from their length-induced phase shift. The outcome presents an oddly static character, an impression of permanence in the face of constant change, which contributes to the installative character of the project.

Centrado en el aspecto espacial/arquitectnico, este proyecto de arte sonoro emplea la grabacin de espacios vacios ?procesados ms tarde- como material para desarrollar el trabajo. La superposicin de diversos fragmentos, girando constantemente en torno a un eje comn, encuentra la variacin gracias a cambios de fase debidos a longitudes diversas. El resultado parece extraamente esttico, una sensacin de permanencia ante el cambio constante, lo que acenta el carcter instalativo del proyecto.

m-1554

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Fulcher/Standon/Brandt/Anderson : Conspiracy of Equals

Fulcher/Standon/Brandt/Anderson

Conspiracy of Equals

label: Leo Records

ref: CD LR 479

players: Harry S. Fulcher (saxes, clarinet), Aaron Standon (guitar, alto), Pete Brandt (Bass), Marco Anderson (drums)

Revisited, jazz serves as a departure point for various developments: slowly unfolded sound cloths made up of faded strokes; harmonic and rhythmic approaches cause the various fibres of a common narrative to stand clearly apart. The aesthetic origin of the materials similarly presents a wide range of influences (whether funk, jazz, rock, techno, free?) while the discourse alternates between an occasionally constant rhythm-section and the dilution of traditional roles and the shared sonic space contributes to blend the various approaches.

Revisitado, el jazz sirve como punto de partida de diversos desarrollos: tejidos sonoros desplegados lentamente, mediante trazos que se desvanecen: planteamientos armnicos y rtmicos hacen que las fibras de narrativas compartidas, destaquen con claridad. El origen esttico de los materiales tambin presenta una amplia paleta (ya sea funk, jazz, rock, techno, free?) mientras el discurso alterna entre una seccin rtmica constante y la dilucin de los papeles tradicionales y el espacio sonoro compartido contribuye a fusionar los diversos planteamientos.

m-1553

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