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Archive for August, 2005

Achim Kaufmann : Solo Piano


Achim Kaufmann : Solo Piano

 

Achim Kaufmann

Solo Piano

label: Leo Records

ref: CD LR 409

year: 2004

players: Achim Kaufman

Free improvisation solo piano album with a vast array of concerns:

sophisticated, fast, technically demanding or expanding ideas, tone

colour gradations by means of preparations or explorations of

extremes. Superimposed textures present an underlying concept related

to orchestration or alternatively to painting?s veiling transparency.

lbum de improvisacin libre al piano que cubre un amplio abanico de

temas: ideas sofisticadas, rpidas, exigentes o innovadoras a nivel

tcnico, gradaciones del color sonoro mediante preparacin

instrumental o exploracin de extremos. Texturas superpuestas hablan

un idioma comn a la orquestacin y a la transparencia pictrica.

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Floppy :


Floppy :

 

Floppy



label: Testing Ground

ref: TEST017

year: 2005

players: Andras Katai

A prelude with concrte sounds, speech collages of strong political

content and mediatic allusion give way to a true content of overt if

blurred techno grooves. Featuring occasional hints to phasing, cycle

dismantling or dej vus, overtly module sounds are boldly displayed

in a track construction somewhat indebted to TV thriller atmospheres.

Un preludio con sonidos concretos, colages de habla de fuerte

contenido poltico y alusin meditica da paso a un contenido de

claro, aunque borroso, corte tecno. Con ocasionales alusiones al

phasing, ruptura de ciclos o dej vus, los evidentes sonidos

modulares se despliegan sin pudor en construcciones emparentadas con

el thriller TV.

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Dörner/Hayward : Face in the mirror


Dörner/Hayward : Face in the mirror

 

Drner/Hayward

Face in the mirror

label: AbsinthRecords

ref: AbsinthRecords 005

year: 2001

players: Axel Drner, Robin Hayward

A stark space is progressively delineated by means of varying layers.

Along different depths, playing with light and transparency,

emptiness is progressively embodied. On its way back from electronic

listening, acoustic sources are seen as linguistic noise much as

experimental improvisation provides a vocabulary for compositional

concepts.

Un espacio desnudo se delinea progresivamente con varias capas. El

vaco va tomando cuerpo mediante juegos de luz y transparencia a

diversas profundidades. A su regreso de la escucha electrnica, las

fuentes acsticas se ven como ruido lingstico al igual que la

experimentacin improvisada ofrece materiales para los conceptos

compositivos.

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Rick Helzer : Face in the mirror


Rick Helzer : Face in the mirror

 

Rick Helzer

Face in the mirror

label: Nine Winds

ref: NWCD0248

year: 2004

players: Various

Self portrait in jazz featuring the musical streaks of his work,

whether compositional, arragemental or conceptual. Different concerns

-nimble interplay and sophisticated time and harmonies modulations,

asymmetrical rhythms and symmetrical harmonies, tributes to overt

influences or brief spells in the realm of free- are presented in a

measured way.

Autorretrato jazzstico ilustrando diversas facetas de su obra;

compositivas, arreglsticas o conceptuales. Diversos intereses ?gil

interplay y sofisticadas modulaciones de pulso y armona, ritmos

asimtricos y armonas simtricas, homenajes a influencias evidentes

o breves intervalos en el mbito del free- presentados con mesura.

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SFQ : Four Compositions


SFQ : Four Compositions

 

SFQ

Four Compositions

label: Red Toucan Records

ref: RT 9326

year: 2004

players: Gail Brand, Alex Maguire, Steve Noble, Simon H Fell, Alex

Ward, Guy Llewellyn, Mark Sanders

Featuring concrte snapshots acoustically portrayed, post-serialist

contemporary music linguistic developments with standard jazz

fragments, and free improvisational overtly soaked-in-noise textures,

this carefully performed, documented and researched work miraculously

presents an exception to an under-funded musical environment.

Instantneas concretas retratadas acsticamente, desarrollos

lingsticos propios de la msica contempornea post-serialista con

fragmentos jazzsticos standard y texturas de improvisacin libre

claramente empapadas en ruido, esta obra cuidadosamente ejecutada e

investigada supone una excepcin a un entorno musical

infrasubvencionado.

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Westbrook/Westbrook : Art Wolf


Westbrook/Westbrook : Art Wolf

 

Westbrook/Westbrook

Art Wolf

label: Altrisuoni

ref: AS 186

year: 2005

players: Kate Westbrook, Mike Westbrook, Pete Whyman, Chris Biscoe,

Jon Hiseman

Around Swiss painter Caspar Wolf a careful balance between intimate

chamber compositions ? of contemporary jazz and poetry-, and

exquisitely arranged tracks in a modern language fusing a jazz large

ensemble arrangemental background and free improvisation,

astonishingly achieved with a small if orchestral in sound ensemble.

En torno al pintor Suizo Caspar Wolf, un cuidadoso equilibrio entre

composiciones camersticas ?de jazz contemporneo y poesa- y

exquisitos cortes arreglados en un lenguaje moderno que fusiona el

bagaje de arreglos para ensemble de jazz y libre improvisacin;

increble logro con el sonido de un grupo pequeo aunque orquestal.

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O’Leary/Maneri/Peterson : Self-Luminous


O’Leary/Maneri/Peterson : Self-Luminous

 

O?Leary/Maneri/Peterson

Self-Luminous

label: Leo Records

ref: CD LR 426

year: 2005

players: Mark O?Leary, Mat Maneri, Randy Peterson

Dwelling in the twilight zone of subtly phrased stances, this trio

takes us on an almost silent, lyrical journey along a grid of

contemporary chamber jazz language. Of a blurred quality, the sound

texture fades in and out of sight, its subtle complexity of casual

appearance resting on a masterful interaction with intricate,

extended harmonic textures.

Afincado en un umbral de frases sutiles, el tro nos adentra en el

terreno casi silencioso, lrico, tramado de lenguaje camerstico, de

jazz contemporneo. De aspecto borroso, la textura sonora se diluye y

reaparece ante la vista, su sutil complejidad de apariencia casual

descansa en una lograda interaccin dentro de texturas armnicas

ampliadas.

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Fjernsyn Fjernsyn : Fjernsyn Fjernsyn


Fjernsyn Fjernsyn : Fjernsyn Fjernsyn

 

Fjernsyn Fjernsyn

Fjernsyn Fjernsyn

label: Ninth World Music

ref: NWM 032 CD

year: 2004

players: Johannes Lund, Tobias Fuglsang Mynborg, Andreas Fhrer, Toke

Tietze Mortensen

An electric jazz-punk quartet bridging the shores of free

improvisation and song form. Radical, solipsist aesthetical collages

taken to extremes, where electric guitar noise-walls siege sax

lyricism, ballads display a stark low-fi beauty, songs rock straight

or experimental free improvisation overtly state their hilarious lack

of self-consciousness.

Cuarteto elctrico de jazz-punk que une el mbito de la improvisacin

libre y las canciones. Colages radicales, solipsistas, llevados al

extremo, donde muros de ruido de guitarra elctrica sitian el lirismo

del saxo, las baladas despliegan una belleza desnuda low-fi, el rock

es rock o la improvisacin libre afirma su hilarante falta de

prejuicios.

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Emily Hay : Like Minds


Emily Hay : Like Minds

 

Emily Hay

Like Minds

label: pfMentum

ref: pfMentumCD022

year: 2005

players: Various

Eclectically wading among free improvisation, contemporary music or

rock waters, the tracks present different line-ups and approaches.

Acoustic instruments visit noise, remain close to linguistically

contemporary extended techniques or adventure into the realm of free

improvisation, occasionally featuring electronics or field recordings.

Movimiento eclctico por la improvisacin, la contempornea o el

rock. Los cortes presentan diversas formaciones o planteamientos.

Instrumentos acsticos inmersos en ruido, cercanos a tcnicas

ampliadas de ascendencia contempornea o entrando en el mbito de la

improvisacin, a veces con usos de electrnica o grabaciones de campo.

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Hubbub : HOIB


Hubbub : HOIB

 

Hubbub

HOIB

label: Matchless Recordings

ref: MRCD60

year: 2004

players: Frederic Blondy, Bertrand Denzler, Jean-Luc Guionet, Jean-

Sebastien Mariage, Edward Perraud

Acoustic free improvisation on the outskirts of noise. Experiments in

electro acoustic noise approached from extended instrumental

techniques and miking are woven by shared interaction. Slow unfolding

of events in long pieces, seen from a textural, atmospheric

perspective places the work in the wake of an improvisational tradition.

Improvisacin libre acstica en la periferia del ruido. Experimentos

electroacsticos con ruido vistos desde tcnicas instrumentales

ampliadas y microfonzacin tejidos mediante la interaccin

compartida. Lento despliegue en piezas largas, desde una perspectiva

de texturas, atmosfrica, que sita la obra en la estela de una clara

tradicin improvisatoria.

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Grillo/Sebille : Momento


Grillo/Sebille : Momento

 

Grillo/Sebille

Momento

label: Cesare

ref: Cesare 04/01/1

year: 2001

players: Alex Grillo, Christian Sebille

A real time dialogue between acoustic instrument and live electronics

(computer) in which the instrumental sounds function as source

inspiration, its timbre providing an overall tone and its various

technical concerns providing a structure to the work as whole, and

where the order of the factors ?production-processing- remains constant.

Dilogo en tiempo real entre instrumento acstico y electrnica en

vivo (ordenador) donde los sonidos instrumentales son la fuente de

inspiracin, su timbre convertido en color global y los diversos

intereses tcnicos ofrecen una estructura para el conjunto de la obra

y donde el orden de los factores ?produccin-procesado- permanece

constante.

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Tietchens/Lee Myers : Flussdicthe


Tietchens/Lee Myers : Flussdicthe

 

Tietchens/Lee Myers

Flussdicthe

label: disco-bruit

ref: eP2

year: 2001

players: Asmus Tietchens, David Lee Myers

Electronic work created in phases, collaboratively fusing the source

research and the compositional. Electronic textures are built in a

constantly moving circular fashion of accreting complexity. Distanced

from materials, abstraction is elegantly taken beyond source

etymology where it engages in polite conversation with the purely

electronic.

Obra electrnica creadas en diversos estadios, fundiendo en

colaboracin la bsqueda de fuentes y la composicin. Las texturas

electrnicas se construyen en un giro circular constante de creciente

complejidad. Alejada de los materiales, la abstraccin se aleja

elegante allende su etimologa original donde conversa con lo

puramente electrnico.

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Davies/Davies/Durrant/Wastell : London Strings


Davies/Davies/Durrant/Wastell : London Strings

 

Davies/Davies/Durrant/Wastell

London Strings

label: Absinthrecords

ref: absinthRecords 004

year: 2004

players: Phil Durrant, Mark Wastell, Rhodri Davies, Angharad Davies

Angharard Davies

Approaching the vastness of harmonics from static stances the

microscopic world of materials is revealed. But the constant

horizontal long bow strokes rather than ruling out gesture with their

calmness, transform contained intensity into a multi layered stream

of drones, much like the slow turning of a suspended glass prism

under the sun.

Acercndose a la vastedad de los armnicos desde planteamientos

estticos, el mundo microscpico de los materiales aparece. Los

trazos horizontales, constantes del arco no prescinden del gesto con

su quietud, sino que transforman la intensidad contenida en

corrientes de pedales superpuestos, como el lento girar de un cristal

suspendido al sol.

Phil Durrant

Devoid of attack, continuous string sounds question the direction of

movement. We cannot pretend there is no kinetic sense? and for a

magic endless moment we wonder whether it is the frame or the

landscape that travels. Chordal possibilities are unburied from their

unlikely source and their tone varies along with the static journey?s

progress.

Sin ataque, sonidos continuos de las cuerdas cuestionan la direccin

del movimiento. No cabe pensar que no hay direccin de movimiento? y

por un momento mgico, interminable, nos preguntamos si es el marco o

el paisaje el que viaja. Posibilidades de acordes emergen de su

dudosa fuente y el tono cambia con el progreso del viaje esttico.

Rhodri Davies

Concrte observation of the harp approaching its possibilities as

sound source. Sound patterns observed as they evolve in their varying

harmonic configuration, changing points of departure from the sound

board, evolving envelops amplified and modulated of attached metal. A

concern with the slow, almost immobile, of electronic ascendancy.

Mirada concreta del arpa que explora sus posibilidades como fuente

ruidista. Patrones sonoros vistos segn evolucionan en cambiante

configuracin armnica, mudando puntos de partida en la caja de

resonancia, desplegando envolventes amplificadas y moduladas por el

metal. Inters por lo lento, casi inmvil, de ascendencia electrnica.

Mark Wastell

Concerned with the simplicity of outlook this piece presents an empty

appearance akin to meditation. Quiet nocturnal drops unveil the

reverberation over the surface of a membrane. Pulse follows its own

course, in its own time rather than externally decided, ruffling the

pond?s surface and occasionally wrinkling the reflection.

Preocupado por la simplicidad de la mirada, esta pieza plantea una

apariencia vaca, afn a la meditacin. Calladas gotas nocturnas

desvelan la reverberacin en la superficie de una membrana. El pulso

sigue su propio curso, ms a su tiempo que segn criterios externos,

agitando la superficie del estanque y ocasionalmente arrugando el

reflejo.

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Takase/von Slippenbach/Illvibe : Lok 03


Takase/von Slippenbach/Illvibe : Lok 03

 

Takase/von Slippenbach/Illvibe

Lok 03

label: Leo Records

ref: CD LR 427

year: 2004

players: Aki Takase, Alex von Schlippenbach, DJ Illvibe

Recreating their various destinations by way of pop-art like collages

often captured with merciless humour, a striking story of the

encounter between fellow travellers pooling their musical

backgrounds: the tale of acoustic, improvised instruments with

experimental electronic Djeeing and the adventures they lived as

their journey unfolded.

Recreando los diversos destinos, a modo de colages pop-art, a menudo

capturados con humor irredento, una chocante historia del encuentro

entre compaeros de viaje que unen sus bagajes musicales -cuentos de

instrumentos acsticos, improvisados con Djeeing de electrnica

experimental- y las aventuras que vivieron juntos en su viaje.

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Fred Frith : Allies


Fred Frith : Allies

 

Fred Frith

Allies

label: Recommended/ Fred Records

ref: ReR/FRO 07

year: 1995/2004

players: Fred Frith, Joey Baron, George Cartwright, Tom Cora

A carefully orchestrated work originally commissioned for a dance

project, in which the interpreters guarantee a distancing from any

possible rigidity. A deep concern with rhythm, approached both from

phasing concerns and powerfully laid groves, coexists with a multi

stylistic outlook providing an original collage aesthetic of strong

contours.

Cuidadosa orquestacin de esta obra, en origen un encargo para danza,

donde los intrpretes se distancian de cualquier rigidez posible. Un

gran inters por el ritmo, visto tanto desde los confines del phasing

como con ritmos contundentes, coexiste con ideas multi-estilsticas

que plantea una original esttica de colage de marcados perfiles.

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Frank Gratowsky Projekt : Loft Exil V


Frank Gratowsky Projekt : Loft Exil V

 

Frank Gratowsky Projekt

Loft Exil V

label: Leo Records

ref: CD LR 410/11

year: 2004

players: Various

By way of celebration, 2 CD project presenting a double quartet with

musicians of diverse extraction. Nimbly moving in and out from

expanded idiomatic roles and free improvised experiments -

simultaneous soloing, collective textures, tempi accretions,

backgrounds interaction- the work thrives on this carefully built

bridge between worlds.

A modo de celebracin, 2 CD que presentan un doble cuarteto con

msicos de diversa procedencia. gil entrada y salida de los roles

idiomticos ampliados y experimentos de improvisacin libre ?solos

simultneos, texturas colectivas, superposiciones de pulsos,

interaccin de fondo- donde destaca la labor de creacin de puentes

entre mundos.

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Anthony Braxton : Ninetet Vol. 3


Anthony Braxton : Ninetet Vol. 3

 

Anthony Braxton

Ninetet Vol. 3

label: Leo Records

ref: CD LR 420/21

year: 2005

players: Various

Continuing the author?s compositional concerns a double CD presenting

works for ninetet from 1997. Moving to the foreground, the loose

weave of extended harmonic counterpoints progressively dissolves into

simultaneous free soloing, playing with the transparency of the six

reeds? veils with great subtlety of timbre and dynamics.

Siguiendo con los intereses compositivos del autor, un doble CD con

obras de 1997 para noneto. Saltando al primer plano, el tejido suelto

del contrapunto armnico ampliado se disuelve progresivamente en

solos free simultneos, jugando con la transparencia de los seis

velos de los instrumentos de viento con gran sutileza de timbres y

dinmicas.

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Schaller/Jordan : Carmen & Mister CAJ


Schaller/Jordan : Carmen & Mister CAJ

 

Schaller/Jordan

Carmen & Mister CAJ

label: Altri Suoni

ref: AS 167

year: 2004

players: Christine Schaller, Claude Jordan

Modern folk musical journey starting in trance compositions inspired

in tribal polyphonies used as rhythmic layer for improvisations.

Favouring rhythmic complexity over melodic sophistication, electronic

processing becomes a variation resource. Other tracks visit eastern

destinations, dance covers of jazz standards or classical melodies.

Recorrido musical por el folk moderno que parte de composiciones tipo

trance, inspiradas en polifonas tribales a modo de sustratos para la

improvisacin. El procesado electrnico, prefiriendo la complejidad

rtmica a la meldica, es fuente de variacin; otros cortes visitan

destinos orientales, versiones dance de standards de jazz o melodas

clsicas.

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Braxton/Szabados/Tarasov : Triotone


Braxton/Szabados/Tarasov : Triotone

 

Braxton/Szabados/Tarasov

Triotone

label: Leo Records

ref: CD LR 416

year: 2004

players: Anthony Braxton, Gyrgy Sbados, Vladimir Tarasov

An encounter between musicians blending their background in

improvisation and composition, this album features the intensity of

highly dynamic free cast in a knowledge derived from an involvement

in contemporary music, modal melodic construction, and a warm

interplay if scented with unusual tints. Like a late Circle.

Encuentro entre msicos que funden sus bagajes en improvisacin y

composicin, el lbum presenta la intensidad de un free muy dinmico

expresado mediante la experiencia de tocar msica contempornea,

construcciones meldicas modales y un caluroso interplay, teido no

obstante de colores inusuales. Como un Circle tardo.

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Vinny Golia : Music for Like Instruments


Vinny Golia : Music for Like Instruments

 

Vinny Golia

Music for Like Instruments

label: Nine Winds

ref: NWCD0269

year: 2004

players: Vinny Golia, Ellen Burr, Jennifer Roth, Fawntice McCain

A study on one of the wind instruments branches. A compositional

approach where a series of nimbly orchestrated chamber pieces for

flute quartet finds a comfortable balance between the written and the

improvised. Extended techniques, early serialist harmonies,

occasional jazz phrasings, weave into suggestively expressive

textures.

Estudio de una de las ramas de los instrumentos de viento.

Propuesta compositiva que plantea un equilibrio entre escritura e

improvisacin en una serie de piezas de cmara hbilmente orquestadas

para cuarteto de flautas. Las tcnicas ampliadas, armonas del primer

serialismo y ocasionales fraseos jazzsticos tejen texturas de

sugerente expresin.

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Zbigniew Karkowski : Consciously Unconscious Unconsciously C


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Clarinet Trio : Ballads and Related Objects


Clarinet Trio : Ballads and Related Objects

 

Clarinet Trio

Ballads and Related Objects

label: Leo Records

ref: CD LR 415

year: 2004

players: Gebhard Ullmann: bass clarinet, Jurgen Kupke: clarinet,

Michael Thieke: altoclarinet and clarinet.

Subtle use of volumes, along with a microscopic attention to sound

create amazingly delicate backcloths to the pieces. Timbre is

contemplated both in its diversity and identity, leading to sharply

contrasting lines or to virtual fusions. Inclined to rhythmic

structure, the pieces develop counterpoint frameworks, swing textures

or ostinati walls.

El sutil uso de volmenes junto a una atencin microscpica al sonido

crea fondos increblemente delicados para las piezas. El timbre se

contempla en su diversidad e identidad, llevando a lneas

contrastantes o fusiones virtuales. Tendentes a construir ritmos, las

piezas desarrollan marcos de contrapunto, texturas swing u ostinati.

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O’Leary / Maneri / Shipp : Chamber Trio


O’Leary / Maneri / Shipp : Chamber Trio

 

O?Leary / Maneri / Shipp

Chamber Trio

label: Leo Records

ref: CD LR 425

year: 2005

players: Mark O?Leary, Mat Maneri, Matthew Shipp

Chamber pieces by an unusual violin, piano and electric guitar trio.

Intimate images amazingly woven with this original instrumentation

alternate with sharply contrasting approaches, diverging in timbre

and language and creating unrelated layers through extremely

contrasting collages of a thoroughly consistent if clashing interaction.

Piezas de cmara a cargo de una formacin inusual de violn, piano y

guitarra elctrica. Imgenes ntimas, tejidas por esta original

instrumentacin, alternan con posturas de marcado contraste,

divergentes en timbre y lenguaje y creando capas disociadas a travs

de colages de marcado contraste con una interaccin coherente aunque

en conflicto.

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Chessex / Haller / Papenheim : Kainkwatett


Chessex / Haller / Papenheim : Kainkwatett

 

Chessex / Haller / Papenheim

Kainkwatett

label: Schraum

ref: Schraum 1

year: 2004

players: Antoine Chessex – saxophone, Axel Haller – bass, Torsten

Papenheim – guitar

Departing from free improvisation, this trio takes interplay towards

abstract noise, leaving behind instrumental roles, blurring the edges

of material sources from diverse perspectives. The tracks alternate

between brittle, fast-moving passages, denser, textural spaces or

close-up observation often woven from reflections on interactive

possibilities.

Partiendo de la improvisacin libre este tro lleva la interaccin

hacia el ruido abstracto, dejando atrs papeles instrumentales,

desdibujando el perfil de recursos materiales desde perspectivas

diversas. Los cortes van desde veloces pasajes frgiles, espacios de

texturas de tipo ms denso o primeros planos tejidos de reflexiones

sobre la interaccin.

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Collective 4tet : Moving Along


Collective 4tet : Moving Along

 

Collective 4tet

Moving Along

label: Leo Records

ref: CD LR 418

year: 2004

players: Heinz Geisser – percussion, Mark Hennen – piano, Jeff Hoyer

- trombone, William Parker – bassviolin

Spreading the envelop through extended instrumental techniques, the

results stem from an exquisite distillation of the linguistic:

simultaneous explorations, timbre and sound space approached from a

contemporary compositional outlook and original reflections on

improvisation serve to illustrate the emergence of a collectively

conceived language.

Ampliando el continente mediante tcnicas instrumentales, los

resultados emergen de un exquisito destilado lingstico:

exploraciones simultneas, acercamiento al timbre y espacio sonoro

desde una postura compositiva contempornea y reflexiones originales

en la improvisacin, que ilustran la emergencia de un lenguaje

concebido en comn.

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