Greg Surges : untitled 2006-2009

The recordings on this release are the result of a series of custom software instruments that blur the line between improvisation and composition. Instead of attempting to be an “all-purpose” improvisational tool, each piece has a different set of constraints that encourage a specific performance style and give each instrument a distinct musical character from performance to performance. The recordings are all single takes, with editing limited to trimming silences. Almost all of the sounds are synthesized in real-time, the only samples heard are the percussion sounds in Cytoarchitecture and the pre-recorded material in Gates (No. 3).

The Gates pieces all apply gating and processing to complex source material. Gates (No. 1) uses a digital feedback network as source material to provide a dynamic source for various types of rhythmic gating and modulation. Gates (No. 2) takes a similar concept, but instead uses microphonic feedback from an 8-channel surround system and passes it through filters and phase-shifts to create the pulsing textures heard. Gates (No. 3) replaces the feedback with recordings of found sounds and unfinished electronic works. The recordings are gated and pass through a complex processing network and swirl around the listener in 3D Ambisonic space.

Cytoarchitecture derives from a project involving networked laptop improvisation, and seeks to create a digital improvising ensemble. The six unique sound modules exchange information about the pitches, rhythms, and gestures they produce – creating a sense of “listening”. This information is used differently by each module to inform its performance. The performer controls relationships within the ensemble, as well as the specific roles each module plays at a given time.

Morphologies takes the information-passing idea and extends it into the realm of motive, while also creating a slightly more tranquil sound-world. The piece is constructed from networks of cellular automata-like nodes, which receive, change, sonify, and output musical motives. Sonic density, synthesis algorithms, and post-processing are all under the control of the performer.

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Kemoss : Closed sytem 2

db051 2007

“it’s a piece that came out of repeated remixes by myself, and a guy called mossman aka http://www.audioaubergine.com/ aka chas mollet, it wasn’t live improv but it was bourne out of reaction to one another interpretation.”

psignal[AT]s900[DOT]net
http://psignal.com
http://unclassedmedia.com : the music I sell
http://s900.net: a proud member
http://kemadrin.net : my blog

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v4w.enkoAiropen : Airopen

v4w.enkoAiropen : Airopen

db048 . 2008

Sound project of Evgeniy Vaschenko. Started in 2007 as live

electronics. Sound stream is being realised in real time by

manipulating of self programmed algorithms. Parts of algorithms have

simple form and are correlated one with another by simple rules.

http://www.myspace.com/v4wenk0

http://www.evgeniyvaschenko.com/

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Kuzb : Returning from the Ocean

Kuzb : returning from the ocean

“Deux plages d’impro guitare acoustique/guitare electrique. Comme toujours, nous n’avons rien retouch, tout est entierement improvis et captur en une seule prise.”

KUZ.B

100% improvised.

http://kuz.b.free.fr

http://myspace.com/kuzb

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Etienne Michelet : Internal video

Etienne Michelet : Internal video

“L’image de la vido est volontairement saccade, j’ai ici cherch crer un lien trs troit entre la reprsentation visuelle et la bande sonore. La tte du cygne qui disparat dans l’eau traduit encore l’ide d’introspection, et forme des vibrations la surface…le cou du cygne s’apparente un instrument du souffle…” Etienne Michelet

“Mentalement, je parcours la bouteille de Klein. Une surface continue et fluide o intrieur et extrieur se confondent et se transforment. Un paysage clos sur lui-mme, une topographie hybride, une figure compacte et infinie. Mentalement, je parcours la bouteille de Klein. Tout mon esprit se concentre pour imaginer cette promenade trange. Songeur et absent.” Philippe Zulaica

Etienne Michelet:

http://www.lanouvelledegelee.com

contact : etiennemichelet[AT]hotmail[DOT]fr

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SSH Visor : Bright Green

SSH Visor . Bright Green

db046 . 2008

tracks (320 kbps MP3) :

01 _ Spectre sceptre

02 _ Ohne Umschweife

03 _ Hellgrn

04 _ Acid

SSH Visor, started in early 2007, is the least half-assed, fullest-realized laptop-based music project of Austrian bedroom musician C.A. Sinclair so far.

Visor draws inspiration from a number of genres, including all kinds of experimental electronica and electroacoustica (new and old), but also from Krautrock, Free Jazz (particularly Sun Ra) and all kinds of other “out there” music.

http://www.myspace.com/visormuzack

contact : chr.sinclair[AT]gmail.com

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Etienne Michelet : Internal

Etienne Michelet . Internal

db045 . 2008

tracks (320 kbps MP3) :

01 _ Ouverture to internal

02 _ Internal ensemble

“l’ouverture, comme un glissement vers le sujet de la pice qui est l’immersion, ou l’internement, c’est dire l’coute du vritable mcanisme interne. Je veux donner entendre un concept d’introspection total, ou une manire de sortir du monde un temps, pour mieux y revenir.”

contact : etiennemichelet[AT]hotmail[DOT]fr

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Achnn : La tactique du quotidien

Achnn : La tactique du quotidien

db044 . 2008

“Improvisations organised in a classico-dramatical way.”

tracks (320 kbps MP3) :

01 _ Approchure

02 _ La franchisse

03 _ Gerboussure

04 _ Un doux moment de mivritude

http://h-and-n.blogspot.com/

contact: headphonerandthenurse[AT]yahoo[DOT]fr

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Aeternium : Experiments in RanDom

Aeternium : Experiments in RanDom

db043 . 2008

tracks (320 kbps MP3) :

01 _ Meitrios Wal

02 _ Bramx Gralief

03 _ Ooks Kleesd

04 _ Fegruh Dro Hliasj

Chaos Theory applied in music. Everything in the Universe is random, our thoughts are also random, what you hear is RanDom. Randomizing to the extreme: rhythms, scales, notes, sounds, noises, filters, even the tracks length. Live performances made using untuned guitar, plastic tube, drum battery, a working tv screen ( almost scratched it! ) and some other things. Tone generators used for noises. More than 50 recorded tracks having various lengths mixed together in a more or less random way.

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LenQuartet : The Music of the First July

LenQuartet : The Music of the First July’s Day

db042 . 2007

tracks (320 kbps MP3) :

01 _ DK,VM,IB

02 _ DK,VM,IB

03 _ DK,VM,IB

04 _ DK,VM,IB

05 _ DK,IB

06 _ VM,MP

07 _ DK,VM

08 _ VM,IB

09 _ DK,VM,IB,MP

10 _ DK,VM,IB,MP

11 _ DK,MP + VM,IB

12 _ DK,VM,IB,MP

13 _ DK,VM,IB,MP

Dedication to “Sh”

This project arose spontaneously in the summer of 2007 on the celebration of anniversary of St.-Petersburg cultural center “Pushkinskaya, 10″. This quartet is in fact a double duet of two young saxophonists Ilia Belorukov and Maxim Pozin and two inveterate avantgardists Vlad Makarov and Dmitriy Kakhovskiy, both playing cellos. The sound turned out to be incredibly deep and the texture is solid because of the diffusion of the winds and the strings. Just like a nightmare of Dmitriy Shostakovich! The music takes you away to the world of endless “sssss”, schoenberg, shostakovich, schnittke, stockhausen, just to the capital “Sh” – like a metaphor of New music. In this “Sh” the tradition meets innovation.

The title “Leningrad quartet” isn’t accidental. In olden days a quartet like this couldn’t exist, but it was wanted. In order of that this paradoxical title appeared invented by Leningrad resident Kakhovskiy.

Talking about this music would be just like dancing about architecture and so it could be said: stentorian bells of baritone saxophones are getting tied from doubled, infinitely multiplied cello fiddlesticks…

Dmitriy Kakhovskiy – cello

Vladislav Makarov – cello

Ilia Belorukov – alto & baritone saxophones, fluteophone

Maxim Pozin – alto & prepared alto saxophones, clarinet, pocket organ

Recorded at 703 Gallery on 1 July 2007

Mixed & Mastered by Dmitriy Kakhovskiy

Photos by Savva Bogatyrev, Cover Art by Ilia Belorukov

Un merveilleux travail d’improvisation, subtile et complexe… une musique organique, vivante et imprvisible… un son d’une rare qualit. Sans doute l’un des meilleurs albums publis sur Digitalbiotope!

www.myspace.com/belorukov

www.letov.ru/makarov

contact : belorukovmusic[AT]gmail[DOT]com

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El Elrington : innumerate

El Elrington : innumerate

db041 . 2007

tracks (VBR mp3) :

01_existence not light

02_undefunct

solo improvised tenor sax pieces

contact : undefunct[AT]shaw[DOT]ca

Download

part 1

part 2

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zect bu : 1act

zect bu : 1act

db040 . 2006

tracks (VBR mp3) :

01_buc-act

02_camb-act

03_ent-act

04_key-act

05_low-act

06_nu-act

07_strikt-actII

08_trap-act

electroacoustic, experimental, rhythmic, dark, textures

Download: http://modisti.com/ccount/click.php?id=1171

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Jebel Chamber Orchestra (jco) : like a monkey without the cuckoo clock

Jebel Chamber Orchestra (jco) : like a monkey without the cuckoo clock

db039 . 2007

tracks (320kbps mp3) :

01 nightshift on monkey street

02 happy to meet you, cuckoo clock

03 love boils in cages

04 cleaning the pendulum

05 5 tickets to cuckoo bus, please!

06 our monkey says goodbye to cuckoo clock in a russian…

jco are:

_John Fisher:

vocals, baggerhorn mk I & mk II, french horn, various shawm-like instruments

http://www.bagger288.com

_Patrick Sheng:

alto and tenor sax, trombone, vocals, chinese yo-yo

_Justin Lazarus:

baggerhorn mk I

_Felix Petrescu & Valentin Toma (Makunouchi Bento):

prepared piano, vocals, bontempi organ turned off, gardening tools, cardboard boxes, misc.

http://makunouchibento.inpuj.net

http://myspace.com/makunouchibento

photo&graphic works by makunouchi bento

(c) Jebel Chamber Orchestra, 2008

Download: http://modisti.com/ccount/click.php?id=1169

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Artwork (.zip)

Extra artwork by http://wirestory.blogspot.com (.zip)

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Bagger 288 : 4_10b + 6_29

Bagger 288 : 4_10b + 6_29

db036 . 2007

1_4_10b

2_6_29

tracks (256kbps mp3) :

“We are a duo–with one player on guitar/electronics (John Farrell),and one player on computers/midi/keyboard (John Fisher)”

Download: http://modisti.com/ccount/click.php?id=1141

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Francesco Rosati : Improvisation I

Francesco Rosati : Improvisation I

db035 . 2007

1_Air_I

2_Flex_II

3_Fractures_II

4_Honegumi_III

5_Incontri_I

6_Drainpipe_IV

7_Avail_I

“Improvisation I is a collection of electroacoustic-acousmatic

improvisations realized processing field recordings, sounds of metal and wooden objects,

and string instruments like uke and classic guitar.

The tracks are made using my own custom MaxMSP patch called

granular.composer.”

Download: http://modisti.com/ccount/click.php?id=821





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IZARZUGAZA+KAKOFUNK+TUSURI+XEDH : Bilekidu

IZARZUGAZA+KAKOFUNK+TUSURI+XEDH : Bilekidu

db033 . 2007

tracks (VBR mp3) :

1_Sugiriais

2_Cafe flesh

3_Bilekidu

Utilizing the improvisation as vertebral axis in the creative process, this recording winds the lands of the experimental music, sometimes dark and occlusive, sometimes organic and noisy. Only intuition guides the way. These four basque sound-artists situate us in a futuristic landscape of seductive unknowledge, the beauty of the bizarre.

Download: http://modisti.com/ccount/click.php?id=806

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Clan : Venerd 17 improvisation

Clan : Venerd 17 improvisation

db031 . recorded live 2006/11/17

Marco Clivati: Minimal Drumset

Alberto Prezzati: Concrete Improvisation

Marco Riva: Ghosts Guitars

“We started playing together at the beginning of 2005. At that time we were influenced by rock music but improvisation has always been our key to work together. The “project tape” was born because when we started playing we had a really poor equipment (karaoke cheap mic for the drum, little 4 track mixer, a tired PC, and a tape recorder). We used to jam for hours and then we selected the best material to put out, mainly on slsk. Now we have increased our equipment and enlarged our influences: the drummer switched on selected percussions, cymbals and home made instruments, Alberto is more focused on Electronic composition and improvisation, the guitarists uses 2 or more guitars sometimes played with various objects. Clivati’s influences goes from radical, non-idiomatic improvisation to the NY Avantgarde School as well as Ethnic percussion music and jazz; Alberto is a lover of musique concrete as well as all the others modern composers, the guitarist have no particular influences (he’s just too lazy to think about it…). So, now we still work as an improvising trio with electronics, percussions, and guitars. There’s also the CLAN DUO with percussions and live electronics. We do compose our music useing new and old tecniques. We are developing a lot of different ways to play music, to compose music and to hear it. This year we’re goin to release some albums. One is going to come out for CS recordings and maybe another one for a cd-r label. We’re also looking for gigs and installations. Some future projects are a Taol (table) full of homemade instruments (acoustics and electronics) that will allow us to create our own sounds and to use it for live shows”

Download: http://modisti.com/ccount/click.php?id=790





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Clan : Venerd 17 improvisation

Clan : Venerd 17 improvisation

db031 . 2006

tracks (192kbps mp3) :

1_improvisation 1

2_improvisation 2

3_improvisation 3

4_improvisation 4

5_improvisation 5

6_improvisation 6

recorded live 2006/11/17

“We started playing together at the beginning of 2005. At that time we were influenced by rock music but improvisation has always been our key to work together. The “project tape” was born because when we started playing we had a really poor equipment (karaoke cheap mic for the drum, little 4 track mixer, a tired PC, and a tape recorder). We used to jam for hours and then we selected the best material to put out, mainly on slsk. Now we have increased our equipment and enlarged our influences: the drummer switched on selected percussions, cymbals and home made instruments, Alberto is more focused on Electronic composition and improvisation, the guitarists uses 2 or more guitars sometimes played with various objects. Clivati’s influences goes from radical, non-idiomatic improvisation to the NY Avantgarde School as well as Ethnic percussion music and jazz; Alberto is a lover of musique concrete as well as all the others modern composers, the guitarist have no particular influences (he’s just too lazy to think about it…). So, now we still work as an improvising trio with electronics, percussions, and guitars. There’s also the CLAN DUO with percussions and live electronics. We do compose our music useing new and old tecniques. We are developing a lot of different ways to play music, to compose music and to hear it. This year we’re goin to release some albums. One is going to come out for CS recordings and maybe another one for a cd-r label. We’re also looking for gigs and installations. Some future projects are a Taol (table) full of homemade instruments (acoustics and electronics) that will allow us to create our own sounds and to use it for live shows”

Clan website

Clan at Myspace

contact : albertoprezzati[AT]clanmusic[DOT]it

Download: http://modisti.com/ccount/click.php?id=67

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Kuz.B : Wenesday By Bus

Kuz.B : Wenesday By Bus

db030 . 2006

recorded live 08/Oct/2006 in Maastricht (neederlands) for the 2006 edition of the placard festival . no post editing was done on the audio material. many thanks to Harold Schellinx

“Placard is a headphone concert festival, playing with concentration, intimacy,time warp,and teleportation.This year it goes on for 97 days non stop, in different cities. It functions under a mode of open program,open for headphone rooms to create performance spaces where performers are welcomed to perform. Both the headphoneroom ‘owner’ and the performers use the inscription site to self organize the global program. The placard ‘owner’ receives in his room performers who have submitted a inscription via the site , and streams the shows to the other headphonerooms either passive listeners or waiting to perform.The site is designed to simplify communication inbetween the performers and the organizers, using automatic emails notifying of incomming inscriptions , accepted deplaced or refused perfomances ; also notifying performers of the creation of headphonerooms in their city.”

About Kuz.B

contact : kuz.b[AT]free.fr

Download: http://modisti.com/ccount/click.php?id=168

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The Tilt : Sotavento

The Tilt : Sotavento

db029 . 2006

Download: http://modisti.com/ccount/click.php?id=185

“Sotavento is an artistic sound abstraction of the passionate and endless relationship between millions of trees and one single, inexorable wind, a wind that we all share. We establish an Internet-based, real-time movement communication between moving trees located in different countries. The trees’ “dance” is tracked down by two dual-axis accelerometers, each fixed to the tip of a branch. We use the complex branch movements to generate or to trigger sounds. In this installation a tree is a self-replicant sound maker of its own dance. The audience can perceive the relation between the “dance” of the tree and the music it produces. Even is there is no wind, the tree in Mexico can “ask” (via Internet) for movements to a tree in Italy and generate its sounds with this information. The sounds are to be listened thanks to a set of four speakers installed around the tree.”

More about Sotavento…

Comment by Digitalbiotope.net :

“Sotavento comprehends a global landscape, an hyper-garden, a space in short-circuit. It is an ecology of resources that establish new interdependencies…”

Hyper_paysage

Malgr son aspect d’installation hi-tech, Sotavento est plus proche de l’art des jardins que de l’art contemporain. Paysagistes et jardiniers ont accompagn depuis le XVIIIme sicle la naissance de la modernit. Le paysage, comme l’architecture et les villes, peut tre model, dessin, organis et projet pour reprsenter et exprimer les aspirations et les fantasmes de nos socits.

Les rseaux de communication restructurent la gographie physique. La mobilit, la vitesse, l’tendue et la complexit des rseaux urbains tlescopent et superposent les chelles, crasent les distances. Lieu et paysage s’entrechoquent, se confondent. Sotavento compose un paysage plantaire, un hyper-jardin court-circuitant l’espace, une cologie des rseaux tablissant de nouvelles interdpendances. Cet hyperpaysage est l’cho de l’hyperville dans laquelle nous vivons : un enchevtrement de territoires et de rseaux. L’hyperville n’est pas l’accumulation et l’extension progressive d’un tissu, elle est une matrice qui interconnecte, localise et dlocalise des forces conomiques, sociales et culturelles.

Sotavento est un jardin dterritorialis. Un jardin dont la structure est plus un concept intellectuel et une construction informatique que la composition d’un lieu par l’amnagement physique d’un espace dlimit.

Pourtant, l encore, Sotavento ne s’loigne pas de la tradition des jardins. En effet les jardins sont souvent de vritables reconstructions de la nature : une ingienrie cologique, potique et idologique – comme par exemple les jardins baroques ou romantiques qui proposent un crin

parfaitement ajust et orchestr autour d’une vision de l’homme et du monde.

Sotavento explore et rvle le concept de ” site ” (Anne Cauquelin, Le site, paysage du troisime type? in Techniques et Architecture, dcembre 2001, Jean-Michel Place Editions, Paris): une pratique dterritorialise et dcontextualise de l’espace, qui s’applique aussi bien au site internet, au site historique ou au site d’entreprise. Par nature le site est li aux rseaux (tlcommunication, transport, tourisme, commerce), le site est donc au coeur d’une terrible tension entre local et global : s’il s’arrache au territoire c’est pour entrer dans un hyperterritoire et un hypercontexte hybrides, la fois topologiques (points et vecteurs) et topographiques (surface continue), la fois rels et virtuels.

About The Tilt

contact : carlos[at]the-tilt[dot]com

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Muttermal . Teufelsberg

Muttermal . Teufelsberg

db027 . 2006

192 kbps MP3.

Download: http://modisti.com/ccount/click.php?id=186

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Raimundas Eimontas . Guitarpad

Raimundas Eimontas . Guitarpad

db028 . 2006

224 kbps MP3.

Download: http://modisti.com/ccount/click.php?id=208

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Yoursck : Analogique Coleurs

Yoursck : Analogique Coleurs

db024 . 2006

Download: http://modisti.com/ccount/click.php?id=216

>

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Sascha Mller : Icon

Sascha Mller : Icon

db023 2006

Sascha Mller aka Pharmacom start his career with djng and producing in 1990. He was inspired by Projects like Kraftwerk, Tangerine Dream and stuff like Sven Vth played in his dj sets. The musical style reaches from ambient chill out, house and techno music in his own special way. His way of producing is the use old analog equipment in the same way as the newest Software in digital producing. The greatest thing for him is to create new soundcollages and wicked samples for his tracks. As a Dj he played in several european locations and events like love parade and thunderdome. At the moment he is also playing as a vj and is involved in multimedia productions with some other global video and grafic artists.

Download: http://modisti.com/ccount/click.php?id=270

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Princess : Magic Keyboard

Princess : Magic Keyboard

db022 2006

46 improvisations.

Download all tracks as one ZIP 33.6 Mo

“during my first visit to columbia, missouri, usa, we played music in my friend leo’s living room. he has a portable keyboard that is truly unique. it seems dust & other age related artifacts have given it a special capacity to generate a great variety of tonal patterns. its unbelievable and is totally unpredictable. the entire experience of communicating with this magical device had a profound effect on me. leo offered me this, the magic keyboard, as i left. he saw how it meant so much to me.. but this album is all i needed. i hope to meet many more magical keyboards.”

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