Since a while, we have created the GRIS (Groupe de Recherche en Immersion Spatiale: Research Group in Spatial Immersion) at the faculty of music of Université de Montréal. One of our read more

Spiralling is a videomusic I created throughout the year of 2009-2010. it was premiered at the institue Musique et Recherche in Belgium on May 20 2010. and was created in read more

Steve Reich (1936-) 1.- Double Sextet (2007) 2.- 2×5 (2008) eighth blackbird. Bang on a Can Nonesuch 524853-2 En torno a la música minimalista existe un hecho incontestable: Ninguno de read more

dreams of solaris n o i s e d r o p from goaj on Vimeo. music by Kokoro No Jojishi from panospria.com

There’s this feeling from some noise performances of a constant aural assault. It’s like being attacked, and the first impulse is to flee. This music—a duo set from MV Carbon read more

Music by Michael Santos. movement #2 (the view from 618) is the next in the series of films by Daniel Hopkins. Movement#2 looks at the movement of the day from read more

October 6th, 2010. Festvial Earzoom, ŠKUC Ljubljana (Slovenia) http://www.irzu.org/festival/festival.html Thomas Grill (digital sounds) and Matija Schellander (double bass) have both been working in experimental and improvised music for most diverse read more

“The first four tracks on Major Monk Plus 3 are music-oriented sound collages that loosely follow an anti-rationalist simian protagonist as he pursues his life-long vendetta against a group of read more

Black Square release page Archive.org page This work is first album of Sanmi which played sine wave with glitch livecut pingpong delay works at Tundra Electronic Festival in Lithuania 2009. read more

The Emergent Sonorities group was formed in January 2010, as part of a Digital Media Studio Project based at the University of Edinburgh. The group’s aim was to investigate an read more

Lately I’ve been increasingly interested in the notion of water sounds being a particularly powerful addition to the extended vocabulary of music. Instead of using actual field recordings, however, in read more

As part of ISSUE’s Music & Technology Month, Australian musicologist (and occasional FMA guest-blogger) Caleb Kellycurated an evening of fantastic performances to complement his talk on the use of deliberately cracked and malfunction-ed read more

sounding nothing submissions wanted / soundwork about Samuel Becketts work the starting point straight to the point: the music possibly imagined or, the other way round, the imagination upcoming from read more