Achnn . Sprint de la sève, écume et moquette
Feb 2
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We started doing sound collage together in 2005, then improvisation in 2007. Our first goal was, and still is, to feel pleasure by playing music.
Anne is not an academic musician but she has the feeling and the freedom to use her voice, to hit objects, guitar and everything around her.
I play toy ziher and computer with the help of a software called «usine». This software is much more adapted to my feeling in improvisation.
Sprint de la sève, écume et moquette it’s an improvisation we made in spring 2009.Le sacre du printemps ah ah! hum..at home.
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2l2code : memory stick
Ene 5

2l2code proposes to revise the condition of the human voice in the scope of new technologies as a metaphor that refers by extension to the concept of musical composition and improvisation. The concept of instrument and performer, the concept of work and author and even the very concept of the individual.
Merran Laginestra : voice & electronics
Pedro Lopez : electronics
2l2code
“…The five tracks that make up this half hour long album are mostly dense, heavily layered collages of sound, some human voice, treated heavily in some places, less so in others, alongside a mix of recorded clatter and digitally processed detritus. There is a very strong sense of the cinematic here. I suspect that listening to this music on a 4:1 system could be a great experience, as the sounds fly in and out fast with a tremendous feel of spatial awareness. The music itself is mostly based around small pockets of drama, voices laid over one another, tinny chimes, a spot of birdsong, a ‘plane passing close by overhead, all very nervous and chattery, things moving quickly, sudden slams of sound ending one passage and opening another, scurries of computerised scribble charging off at odd tangents.
While the concrete feeling is strong, (The voices remind me occasionally of Lionel Marchetti’s 1992 gem Mue) the work of Helena Gough springs to mind as a stylistic companion, massed details carefully placed on top of each other so as to allow the music to really bombard the senses…”
Richard Pinelli
The Watchfull Ear
“An interesting form of electroacoustic music, with a stronger emphasis on plasticity than on aural cinematography….
…The quadraphonic spatialization is bright, active, and immersive, so much that you could turn your back on your front speakers without harming the music”
Francois Couture
Monsieur Délire
“The future of releasing music might be like this release.”
(FdW) Vital Weekly
The first quadraphonic #netlabel release ever?
Thomas L. Raukamp
#ccmusic
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columna de humo. oxydum paisajes (…)
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anochece detrás del silencio
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lengua de la lengua
interna en la arenisca
arenisca
muro de inconsciencia
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iiiii
iiiiiiiiii
iiiiiiiiiiiii
…
dibújame anocheciendo
tres tristes tigres
haz que los aviones se estrellen
detrás de mis orejas
—-!!!
ajiajiajaia
ajaiajaiajaiajaiajai
ajaiajaiajajaia
- 1 …
- 2 alondra
- 3 nevatilla
- 4 anillo de boda
- 5 granito de café chupado
- 6 chica de pubis rojo
- 7 merienda
- 8 camellia japonica (fimbriata alba)
- 9 jarabe para la tos
- 10 exhausta
me levanto y hace frío. la casa chilla de placer. sola. hay que barrer la nieve de la cocina. hay que cocinar cabeza de cerdo. hay que cocinar cabeza de cerdo. hay que meter las manos en sangre y dejar coagular. hay que doblegar a la ola.
no siento miedo de lo que pase
(…)
todo son silencios
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casa ascendente
ojos que se preparan para un interior
…
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dices palabras
palabras dices
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iiiiiii
callarás?
enmúra-me
paredes secas
paredes solo
sola
y gritos contenidos
(…
dije: ‘hoy es día de lavar el gato? ahogaré sus uñas para clavarme en ellas. la naturaleza sigue su curso. un papa tropieza y cae anverso sobre sus fieles. palomas mil sobre una plaza de ciudad desconocida. la biblia de los infieles
JUMAS: ardo como si fuese necesario
la hierba se tumba
el animal piensa que es inútil
piensa en un dios arcaico
en un dios seco
en un objeto que amará después
de haber muerto
(…
Maite Dono
http://maitedono.blogspot.com/
INSPIRACIONES-2/2 CODE: MEMORY STICK-MERRAN LAGINESTRA Y PEDRO LÓPEZ
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Quadraphonic Stream
The files in format AC3 quadraphonic are an acceptable version of the original quadraphonic files, but they have a certain amount of compression.
In order to stream quadraphonic version you must have (besides obviously a quadraphonic/5.1 audio system) VLC 1.3 installed.
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You can also download this m3u file and play it in VLC on your computer.
Stereo Stream
The stereo files only serve togged an approximate idea of the original works, as the original quadraphonic format is not replaceable in stereo.
The available for streaming versions in mp3 on the web are not even representative of this work and should only serve as an additional complement to the information already given.
If you are interested in a quadraphonic DVD-audio or quadraphonic Interlaced wav versión without compression, please contact us.
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Martin Back : Seedlings +
Nov 29
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Martin Back is a sound/media artist, musician/composer and sonic provocateur living and working in Santa Fe, New Mexico, USA. He studied film and video at the College of Santa under the tutelage of pioneering media theorist Gene Youngblood and media artist David Stout. He has studied experimental composition and sound art privately with composer David Dunn. Martin’s work is multiplicitous and makes use of drone, graphic and text scores, digital computers and software, custom analog electronics, field recordings, noise, custom instruments, and site specific performance. He performs often in various ensembles in New Mexico, including the Ancestral Groan Liberation Orchestra; the Soundpainting Orchestra of New Mexico; and The Transducers.
‘Cold Front’ is a work for aeolian guitar and drums. Four tracks of wind-powered drum and guitar were recorded and edited together without any manipulation other than editorial selections of pacing and time.
‘Seedlings’ explores heterosexual sex in metaphor of struggle, unity, opposition. Small timbre-particles of a one hour recording of sexual intercourse were processed using phase vocoding techniques and then edited together.
‘Paper Bag Piece’ is….a paper bag.
‘Study for Diaphonous Transforms……’ uses a single recording of my parakeets to further generate new timbres and accompaniments. This work is a sketch for a forthcoming 8 channel diffusion work.
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V/A : expansion sonora
Nov 23
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These pieces are presented in
Circuito Electrovisiones 2009
“Circuito Electrovisiones” is not a traditional festival but an “encounter”, and a wide one, as it is stated in its web page (www.electrovisiones.com). DJ “party” events are mixed with “serious” electroacoustic concerts and more. The criteria for the multichannel concert selection was a mixture of the quality of works, style and aesthetic contrast in between pieces and, finally, length. Aesthetic contrast in between pieces was an important element of criteria for the benefit of the audience.
1. Daniel Mayer (Austria) : L Lokale Orbits / Solo 3
2. Clara Maïda (France) : Ipso Facto
3. Tilmal Kuentzel (Germany) : Auscultare
4. Ryan Smith (USA) : No Marble
5. Mark Hannesson (Canada) : Hidden_intensions
6. Ruth Aguirre (Mexico) : inter0010me1010dia0011
Our appreciation to the Fonoteca Nacional, especially when Francisco Rivas for trusting and supporting Circuito Electrovisiones.
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Troddin : Troddin of troddins
Ago 27

troddin of troddins is the new album which are collected
as a playlist with 20 improvisations.
over the two years of life troddin have made multiple improvisations,
most of which we have recorded. This material now serves as a sound
source to work on to make the final troddin of troddins.
Troddin is a free improvisation of free sounds created by free people while the silence becomes the reference. All kind of ways are possible, find your own way. All you have to do is listen to the silence and begin to play! A wrapping atmosphere is necesary to have a good conception of ourselves and feel immersed in the spellbound of Troddin’s sounds.
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troddin de troddins es el nuevo álbum que contiene 20 improvisaciones como una lista de reproducción.
Durante los dos años de vida troddin han hecho múltiples improvisaciones,
la mayoría de los cuales se ha grabado. Este material sirve ahora como fuente de sonidos para hacer el troddin de los troddins.
troddin es una improvisación libre de sonidos libre creado por la gente libre, mientras que el silencio se convierte en la referencia. Todo tipo de formas son posibles, encuentra tu propio camino. Todo lo que tienes que hacer es escuchar el silencio y comenzar a jugar!
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earwolf : ice & energy playing mills
Mar 13

modisti 05
Wolfgang Peter Menzel electroacoustic sound compositions
1. ice
2. energy playing mills
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Joshua Manchester : Live at Heaven Gallery
Ene 25

Modisti 04
Joshua Manchester and Aaron Zarzutzki
This is a live improvised set from a Chicago concert at Heaven Gallery. Aaron and Joshua perform from different ends of the spectrum. Aaron uses electricity to create vibrations which he manipulates physically. Joshua seeks to exploit acoustic phenomena by utilizing a heavily modified snare drum.
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snowman lost his head : The Dharma Projeckt
Ene 6

Modisti 03
Minimailistic and conceptual experimentation created with the program Ableton live 5 from the manipulation of textures and electronic sounds. Electromagnetic music covered by the decadence of human consciousness in relation to the universal consciousness.
Experimentación minimalista y conceptual creada con el programa Ableton live 5 a partir de la manipulación de texturas y sonidos electrónicos. Música electromagnética que trata la decadencia de la consciencia humana en relación a la consciencia universal
modisti : what’s happening?
Ene 5

multichannel sound instalation for six tracks
stereo reduction sampling
Modisti 02
Belma Martín: voice
Pedro López : electronics
modisti : this is the end?
Ene 4

modisti : this is the end?
modisti 01 (April 24, 2001)
Life doesn’t always favour the positive or healthy we are familiar with, the gleam of a plant nor the indefinite taste of water from a spring. Life enters unknown paths that are yet to be defined; children, don’t show up your faces at the sad scene of the stone- breaker’s who didn’t know how the resist the stone, the light which couldn’t bear its beauty, if you don’t know how to walk, walk slower and if you hesitate… don’t hesitate.
Belma Martin : voice
Pedro Lopez : Electronics







