Notes from the artist
The world is constantly vibrating. There is a swinging in the air. Rivers flow and so does blood. Even the ground is moving from time to time under massive strokes of energy. The travel of energy happens in waves and by vibration. Thus, the beating of a heart appears to have a similar shape like the way energy travels through oceans and continents. The omnipresence of waves equals the power musical oscillation possesses for expressing energy. This energy does not only travel around the world but it bears what the world consists of. The ubiquity of energy, of vibration and oscillation also lies behind John Cages observation that true silence can only be found in death.
“O/live” circles and meditates around the interpenetration of the world by vibration. Waves of sounds and noise gather to form patterns and rhythmic structures. The artificial as well as natural origin of the sounds renders apparent that through the perspective of waves and oscillation no distinction between the organic and the inorganic world can be made. There are pulses and rhythms everywhere in the world. Natural patterns and artificial sequences intermingle inseparably. Their differentiation from a perspective of musicality would be futile. But communication happens nevertheless. In “O/live” oscillation creates patterns of repetition from which rhythm is derived and further transformed into vibes that spread information by expressing vitality and, thus, unraveling the seed of life in everything that exists.
Camera – A U Blur.
Patrick K.-H. / Oleg Makarov,
Room Sketch: Sonic Relay Frameworks,
algorithmical sound installation,