Klingler ElectroAcoustic Residency

BGSUElectroacoustics welcomes applications for its third annual Klinger Electroacoustic Residency (KEAR) program. We seek a dynamic, innovative composer, researcher, or practitioner with a project requiring the use of our surround studio facilities. One composer will be selected each academic semester (fall and spring) to visit for two weeks to work on a composition and/or research project employing multi-channel spatialization (up to 10.2), first order Ambisonics, and/or controller-driven live performance.

2013-14 Residents:
John Young (Leicester, UK)
Jonty Harrison (Birmingham, UK)

2013-14 Residents:
Adam Basanta (Montreal, QC)
Brad Garton (New York, NY)


ELIGIBIILITY
All electroacoustic composers, researchers, and practitioners are welcome to apply. Preference will be given to applicants whose proposal makes a compelling argument for using the multi-channel and/or Ambisonics (MC/A) studio resources. Preference will also be given to established professionals in the field.


AWARD DETAILS
Selected composers will receive:

  • Transportation costs to/from Bowling Green and transportation while in Bowling Green as needed (up to $2300 and adhering to Bowling Green State University travel regulations)
  • Off campus housing
  • $200 stipend
  • Unlimited access to the BGSUElectroacoustics MC/A studio for two weeks (14 days)
  • Meals and other expenses will not be covered

AWARDEE OBLIGATIONS TO BGSUElectroacoustics

While the resident’s primary activity will be working on his/her proposed project, we seek a resident willing to engage with our creative community during his/her visit by spending some informal time with our faculty and students, and sharing their expertise in a few formal settings as follows:

  • Present two music technology course lectures – topics to be agreed upon with the course instructors. (75 minutes each)
  • Teach up to four 30-minute lessons to students composing electroacoustic pieces.
  • Present one informal lecture and demonstration on the project at the residency’s end. (75-90 minutes)
  • Other activities may include interviews (audio and/or video), photography sessions, and other press-related endeavors with BGSU Marketing and Communications, to be used by BGSU at its discretion for publicity and archival purposes.
  • Commitment to serve as a judge for one future KEAR scheme.

AWARD CRITERIA

  • Proposed projects should clearly and convincingly illustrate the necessity of working in the BGSUElectroacoustics MC/A facility.
  • Awarded composers must reside in Bowling Green and work on their proposed project for two weeks (14 days total.) Shorter durations will not be permitted. Longer periods may be possible but the resident must pay his/her own expenses after completing the sponsored 14-day residency.
  • In-progress projects may be completed during the residency period.

APPLICATION PROCESS

Interested applicants must submit an electronic application form including the following:

  • Project overview and detailed description
  • Signed residency agreement
  • Maximum of three web links pointing to work examples (soundfiles, score, video demonstrations, research papers, software, etc.) Hard copy materials will not be accepted.
    • Composers should submit up to three electroacoustic compositions with a 30-minute sum total maximum duration. Multi-channel works are permitted but please include a stereo version for the jurors.
    • Researchers should submit up to three papers and/or software programs.

Review application questions here. (Applicants are encouraged to prepare questions ahead. Applications must be completed in one session.)

Submit online here.

Applications will be reviewed by a three-member international jury.

Selected residents will be notified by 01 May 2015, after which time additional details will be provided.


DEADLINE
Applications must be received by midnight (Eastern Daylight Savings Time) on Monday 06 April 2015. Late or incomplete applications will not be considered.


BGSUElectroacoustics MC/A STUDIO
Detailed studio equipment lists and photos can be found on the studio website


QUESTIONS/INQUIRIES
Contact Elainie Lillios – lillios at bgsu dot edu

STUDIO FACILITY INFORMATION: visit website

BGSUElectroacoustics welcomes applications for its third annual Klinger Electroacoustic Residency (KEAR) program. We seek a dynamic, innovative composer, researcher, or practitioner with a project requiring the use of our surround studio facilities. One composer will be selected each academic semester (fall and spring) to visit for two weeks to work on a composition and/or research project employing multi-channel spatialization (up to 10.2), first order Ambisonics, and/or controller-driven live performance.

2013-14 Residents:
John Young (Leicester, UK)
Jonty Harrison (Birmingham, UK)

2013-14 Residents:
Adam Basanta (Montreal, QC)
Brad Garton (New York, NY)


ELIGIBIILITY
All electroacoustic composers, researchers, and practitioners are welcome to apply. Preference will be given to applicants whose proposal makes a compelling argument for using the multi-channel and/or Ambisonics (MC/A) studio resources. Preference will also be given to established professionals in the field.


AWARD DETAILS
Selected composers will receive:

  • Transportation costs to/from Bowling Green and transportation while in Bowling Green as needed (up to $2300 and adhering to Bowling Green State University travel regulations)
  • Off campus housing
  • $200 stipend
  • Unlimited access to the BGSUElectroacoustics MC/A studio for two weeks (14 days)
  • Meals and other expenses will not be covered

AWARDEE OBLIGATIONS TO BGSUElectroacoustics

While the resident’s primary activity will be working on his/her proposed project, we seek a resident willing to engage with our creative community during his/her visit by spending some informal time with our faculty and students, and sharing their expertise in a few formal settings as follows:

  • Present two music technology course lectures – topics to be agreed upon with the course instructors. (75 minutes each)
  • Teach up to four 30-minute lessons to students composing electroacoustic pieces.
  • Present one informal lecture and demonstration on the project at the residency’s end. (75-90 minutes)
  • Other activities may include interviews (audio and/or video), photography sessions, and other press-related endeavors with BGSU Marketing and Communications, to be used by BGSU at its discretion for publicity and archival purposes.
  • Commitment to serve as a judge for one future KEAR scheme.

AWARD CRITERIA

  • Proposed projects should clearly and convincingly illustrate the necessity of working in the BGSUElectroacoustics MC/A facility.
  • Awarded composers must reside in Bowling Green and work on their proposed project for two weeks (14 days total.) Shorter durations will not be permitted. Longer periods may be possible but the resident must pay his/her own expenses after completing the sponsored 14-day residency.
  • In-progress projects may be completed during the residency period.

APPLICATION PROCESS

Interested applicants must submit an electronic application form including the following:

  • Project overview and detailed description
  • Signed residency agreement
  • Maximum of three web links pointing to work examples (soundfiles, score, video demonstrations, research papers, software, etc.) Hard copy materials will not be accepted.
    • Composers should submit up to three electroacoustic compositions with a 30-minute sum total maximum duration. Multi-channel works are permitted but please include a stereo version for the jurors.
    • Researchers should submit up to three papers and/or software programs.

Review application questions here. (Applicants are encouraged to prepare questions ahead. Applications must be completed in one session.)

Submit online here.

Applications will be reviewed by a three-member international jury.

Selected residents will be notified by 01 May 2015, after which time additional details will be provided.


DEADLINE
Applications must be received by midnight (Eastern Daylight Savings Time) on Monday 06 April 2015. Late or incomplete applications will not be considered.


BGSUElectroacoustics MC/A STUDIO
Detailed studio equipment lists and photos can be found on the studio website


QUESTIONS/INQUIRIES
Contact Elainie Lillios – lillios at bgsu dot edu

………………………………………………………………..
Elainie Lillios, DMA
Professor of Composition
Coordinator of Music Technology
lillios@bgsu.edu
1+419.372.9482
www.elillios.com
modisti

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