Na programa√ß√£o do ECOS, queremos repensar e potenciar o papel da r√°dio no actual contexto dos meios de comunica√ß√£o, enquanto meio privilegiado de difus√£o sonora, de √Ęmbito interventivo e comunit√°rio tanto regional como internacional.
Por via da parceria estrat√©gica com a stress.fm, a r√°dio acompanha e transmite todas as actividades programadas potenciando assim a interac√ß√£o entre os p√ļblicos presentes nos eventos e os p√ļblicos locais, nacionais e internacionais captados na transmiss√£o online, em directo ou atrav√©s de podcast.
OPEN CALL PARA PROJECTOS DE RADIO
Durante os 2 meses que intercalam cada fim-de semana de programa√ß√£o abrir-se-√° ao p√ļblico a possibilidade de apresentar projectos de r√°dio sobre as tem√°ticas e as m√ļltiplas rela√ß√Ķes que se podem estabelecer entre Escuta e Lugar.
Ser√£o convidados quatro intervenientes para programar e orientar o¬†open call¬†para r√°dio, com vista a alargar a reflex√£o e cria√ß√£o de conte√ļdos sonoros sobre as tem√°ticas inerentes a este projecto. Temos como objectivo fomentar o experimentalismo atrav√©s de novas formas de fazer r√°dio, apoiar novas iniciativas de r√°dio arte e aprofundar o conceito de ‚Äúself media‚ÄĚ.
OPEN CALL #1 / PAULO RAPOSO / ‚ÄúHow to get lost and start listening‚ÄĚ
OPEN CALL #2 / JENNIE SAVAGE / Intermission: Audio portraits of place – Mapping the space between A and B.
To actively use a map is to make connections, create possibility, to travel in the mind and perceptually join people, places and ideas together.
‚ÄėMapping‚Äô is an attempt to represent multiplicity. To give form to concepts, ideas, journey‚Äôs, even time.
An audio map is the playing out of sounds, ideas, field recordings, footage and imaginings from a geography this creates a new topography- a new map. A map that connects sounds to place and then forges connections between places. This process is enabeling. It connects people and ideas; situations that seemed singular become multiple.
In 1961 Gordon Cullen published a book called ‚ÄėTownscape‚Äô which explores the visual effects in the grouping of buildings, the juxtapositions of which have often emerged spontaneously and over time. What is the audio equivalent of a townscape? Can we collectively map an aural ‚Äėtownscape‚Äô for the 21st century? Since Cullen‚Äôs book was published there has been significant shifts in attitudes to town planning and architecture with the introduction of large shopping malls and ideas like zoning, the pervasive use of materials- slate paving, concrete, sheet glass, stainless steel. What would our collective recordings tell us about the kind of architectures, towns and villages we inhabit today? The economics of locality, the march of global capitalism, the sonic environments produced by these situations?
INTERMISSION: CALL FOR PARTICIPATION
Help to build an audio map by sending a recording for live broadcast during the Architecture Triennale Lisbon.
Please record a 20 minute journey that helps us to imagine your place or maps a locality. For example: Walking past a street market, up an escalator to the mall, jump on a bus, get off at the park. Or walk down the road turn left onto the beach, walk along the beach, turn right into forest‚Ä¶.
Your recording might capture local languages, music, cultures sounds and spaces.
Submissions could include: A 20 minute field recording, field recording with commentary, Interviews or conversations recored in situe or whilst walking, street names and directions, broader interpretations welcome‚Ä¶
Selected works will be broadcast and streamed by¬†stress.fm¬†between 20 and 22 of September.
All participants will be credited with weblinks.
Deadline for submissions : 9th September
Please fill out the¬†form
ECOS/ECHOES is a non commercial art and culture project. The copyright for submitted files remains with the artists. A selected number of submissions may be presented on the website as a public archive. The legal model we work is theCreative Commons License.
Jennie Savage //¬†email@example.com
Nuno Torres //¬†firstname.lastname@example.org
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