In the 1970s, composers such as Gottfried Michael Koenig, Herbert Brün, and Iannis Xenakis independently developed sound synthesis methods, which were not derived from acoustic, harmonic, or mathematical theories but from compositional principles. These composers sought radical new ways of describing sound, the composition of sound instead of with sound, and strove for extending compositional control to [...]

El Centro Superior de Enseñanza Musical Katarina Gurska, en su apuesta por la creación contemporánea con nuevos medios, convoca un nuevo curso de Posgrado en Sonología para 2012–13, coordinado por los compositores Alberto Bernal y Sergio Luque.

Interfacing with the Vortex: Interactive Granular Synthesis with SuperCollider, Arduino and Miscellaneous Sensors

AUDITION RECORDS ART IN RELEASES The 12th of february we invited Yvan Volochine to record at Transfertlab studio in Berlin. Yvan Volochine | Shishupala Vadha – linux, supercollider and midi controller – www.yvanvolochine.com LISTEN (30sec) | BUY “I started music by learning piano with an old woman in my suburb from the age of 5 til [...]

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: New release that inaugurates Hum.rec label, which will support experimental sounds made ​​from the open source philosophy. (Free / Libre and Open Source Software) and in which “releases” also include the source code. Each release will be available for download – high-quality FLAC and also in physical format, in this case in cassette 40 [...]

Miquel Parera Jaques (Barcelona 1978) After a time in free improvisation with conventional instruments, a job as producer was awakened interest in the sound as a matter work unrelated to the rhythm and harmony. Since then he has worked with computers researching ways to control the sound generation process, so that the listener and the [...]

Miquel Parera Jaques (Barcelona 1978) After a time in free improvisation with conventional instruments, a job as producer was awakened interest in the sound as a matter work unrelated to the rhythm and harmony. Since then he has worked with computers researching ways to control the sound generation process, so that the listener and the [...]

||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| ___________________________________________________RRS. Radio del Museo Reina Sofía ___________Oscar Martín ___________Institución_RS >> /dev/dsp {{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{ ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| http://radio.museoreinasofia.es/IMG/mp3/RRS_Procesos_OscarMartin.mp3 ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| Download a PDF with text, graphics,  conceptual and procedural maps and ascii-art ——————————————————————————————————————————————————— Institución_RS >> /dev/dsp presents the process of transcoding the digital images in the Museo Reina Sofía collection that appear on its webpage, providing an interpretation of [...]

FARAHNAZ HATAM THE INDIRECT ANIMAL VISIT RELEASE SHEET | DIRECT DOWNLOAD LISTEN TRACK 01.The Indirect Animal14:51 min READ MORE: AUDITION RECORDS FARAHNAZ HATAM |THE INDIRECT ANIMAL Contact: www.nkprojekt.de | soundcloud.com/hatam Farahnaz Hatam, Laptop solo Supercollider Programming environment performed live by evaluating code that is preprogrammed with a time based score, allowing a window of time for [...]