This album experiment start as a call from the director of the of Institute of viral sonology Hugo Paquete. This call consists in  exploring the potentiality of the computer as an automatic machine to generate compositional material and aesthetics content base on stochastic probabilities. 60 seconds files 6 composers collaborators 6 minutes compositions 12 tracks Artists: Magnus Bunnskog Pedro [...]

This album experiment start as a call from the director of the of Institute of viral sonology Hugo Paquete. This call consists in  exploring the potentiality of the computer as an automatic machine to generate compositional material and aesthetics content base on stochastic probabilities. 60 seconds files 6 composers collaborators 6 minutes compositions 12 tracks Artists: Mamabaer-Kommissar Hjuler Nathalie [...]

Launched by Aarhus Universitet in 2011, SoundEffects: An interdisciplinary journal of sound and sound experience is a peer-reviewed online journal that brings together a plurality of theories, methodologies, and historical approaches applicable to sound as both mediated and unmediated experience. The journal primarily addresses disciplines within media and communication studies, aesthetics, musicology, comparative literature, cultural studies, and [...]

Description: This album experiment start as a call from the director of the of Institute of viral sonology Hugo Paquete. This call consists in  exploring the potentiality of the computer as an automatic machine to generate compositional material and aesthetics content base on stochastic probabilities. 60 seconds files 6 composers collaborators 6 minutes compositions 12 tracks Artists: Virginia Moreira [...]

This album experiment start as a call from the director of the of Institute of viral sonology Hugo Paquete. This call consists in exploring the potentiality of the computer as an automatic machine to generate compositional material and aesthetics content base on stochastic probabilities. 60 seconds files 6 composers collaborators 6 minutes compositions 12 tracks [...]

Call for 60 sec Sonic Material by Institute of viral sonology

This call consists of exploring the potentiality of the computer as an automatic machine to generate compositional material and aesthetics content based on stochastic probabilities. 60 second files 6 composers collaborators 6 minute compositions 12 tracks Connecting and collecting sound material from different collaborators without prior selection. Constructing a social and artistic possibility to generate aesthetic content based on the power of computer algorithmic to compose in a randomatic aesthetic.

Institute of viral sonology. That is an under cover, under governmental, under political, under aesthetic agency for sonic proliferation and psychological affections and sonic terror.
Connecting and collecting different sound material from different collaborators and without a previous selection construct a social and artistic possibility to generate aesthetic content base in the power of computer algorithmic to compose in a randomatic aesthetic.

The first track (‘Process’) is an improvised solo Amplifier performance recorded to hand-held tape recorder at a house concert organised by Tim Green. The recording is an incomplete document of the performance. At certain points in the recording the listener may notice the sounds of a camera – these are the sounds of my camera [...]

Call for Participation The festival will take place at the Institute for Musicology and Music Informatics (IMWI), University of Music Karlsruhe from 19th to 21st of April in 2013, organized by the IMWI, the local live coding band Benoît and the Mandelbrots and members of the live coding organization TOPLAP. It will be a weekend dedicated to this [...]

Open Call Participation Datscha Radio Berlin. 24. – 31. August. http://www.datscharadio.de

Miquel Parera Jaques (Barcelona 1978) After a time in free improvisation with conventional instruments, a job as producer was awakened interest in the sound as a matter work unrelated to the rhythm and harmony. Since then he has worked with computers researching ways to control the sound generation process, so that the listener and the [...]

Miquel Parera Jaques (Barcelona 1978) After a time in free improvisation with conventional instruments, a job as producer was awakened interest in the sound as a matter work unrelated to the rhythm and harmony. Since then he has worked with computers researching ways to control the sound generation process, so that the listener and the [...]