2:59 pm in Call of Works by erika

The ECPNM – European Conference of Promoters of New Music hosts the fifth European competition for the composition and interpretation of live-electronic music projects. The organising partners of this competition are members of the ECPNM such as: EULEC in Lüneburg / Hamburg, Germany; MISO Music, Portugal; Gaudeamus Muziekweek, the Netherlands The organizers of this competition [...]
Tags: Compe, Composition And Interpretation, Double Bass Player, Electric Bass Guitar, Gaudeamus, Gmx De, Hamburg Germany, Http Www Myspace Com, John Eckhardt, Live Electronic Music, Live Electronics, Max Msp, Miso, Place And Time, Project Proposals, Promoters, Sound Engineer, Sound Engineering, Super Collider, Traditional Instrument
11:42 pm in Concerts by erika

26, 27 + 28 September: Patterns + Pleasure Festival New adventures in live electronic music and beyond We’re organizing the Patterns + Pleasure Festival on 26, 27 and 28 September at Frascati Amsterdam. A three-day festival presenting the latest and most adventurous contemporary electronic music from today There will be lectures, workshops, debates and performances [...]
Tags: Bart Van, Boogie Woogie, Chris Salter, David Toop, De Vree, Doom Music, Erfan, Instrumental Hip Hop, Jamie Allen, Jessica Rylan, Joel Ryan, Lippit, Live Electronic Music, New Directions In Music, Penelope Gouk, Rijken, Sound Artists, Symposium Program, Takuro, Van Dongen
2:25 pm in Releases by reductive

NEW SERIES OF LIVE SET TO DOWNLOAD: First issue of the reductive concert series: Kevin Drumm: Emerging from the city’s improvised music scene, in the 1990s he became one of the world’s pre-eminent prepared guitar players. Since then his work has expanded to include electroacoustic compositions and live electronic music made with laptop computers and [...]
Tags: 1990s, Analog Synth, Audio Document, Electroacoustic Compositions, EVOL, Guitar Players, Kevin Drumm, Laptop Computers, Live Electronic Music, Live Music, Music Scene, Sound Artist, Spain, Synthesizers, Toronto
11:44 pm in Workshops by spieler

The laptop orchestra has been a unique emerging phenomenon in the world of live electronic music over the last few years. Stemming from the early efforts of laptop pioneers who took to the stage in the late 90′s and early 2000′s claiming the laptop as a new modern real-time digital instrument, the laptop orchestra concept [...]
Tags: Abstractions, Acoustic Musicians, Classical Concert Hall, Digital Instrument, Ists, Linux Laptop, Live Electronic Music, Music Performance, Open Music, Optimized Version, Orchestras, Performance Instrument, Performance Strategies, Performance Tradition, Physical Presence, Puredata, Steim, Time Digital, Time Music, Workshop Attendees
2:45 pm in Video, Web by erika

KVSwalk_SOLO aims to research the possibilities and limitations of physicality and embodied musicality in computer music performance. The musical structure is centered around the metaphoric imaginary, as well as sonic derivatives of the Karman Vortex Street phenomena. For its ensemble version, a set of ‘high-order parameters’ were defined for each performer, favoring timbre variation and [...]
Tags: Analog Digital, Analog Electronics, Cancino, Chile 1979, Computer Music Performance, Custom Controller, Density Control, Electronic Musical Instruments, Ensemble Version, Generation Engine, International Music Council, Juan Parra, Karman Vortex Street, Live Electronic Music, Live Electronics, Music Conventions, Nagoya Jp, Notation System, Physical Gestures, Royal Conservatory, Solo Version, Sonology, Sound Generation, Traditional Musical Instruments, University Of Chile