7:42 pm in Installations, Video by erika

Voice Lessons is an electronic, audio device that interrogates the popular myth that every musical instrument imitates the human voice. Touching the screen allows the participant to manipulate the visuals and vocalizations of the “voice teacher” as he recites vocal warm up exercises. The piece resides in the space between a musical instrument and voice [...]
Tags: England, Human Voice, Interactive Touch, Keston, Musical Instrument, Musicals, Myth, Participant, Possibilities, Royal Shakespeare Company, Shakespeare, Touch Screen, Visuals, Vocalizations, Voice Lesson, Voice Lessons, Voice Teacher
4:00 pm in Concerts by Dale Jonathan Perkins

The second movement (Cuckoo-borough) of Dale’s Voice Without Words will be performed at the ICMC on August 4th at Huddersfield University, UK. The piece will be presented in 5.1 surround sound. You can hear a stereo version in this post.
Tags: 2f, Bass Pedal, Bird Section, Cuckoo, Dark Bird, Drone, Electronic Music, Emotional Qualities, Experimental Piece, Harmonic Support, Huddersfield University Uk, Human Voice, Icmc, Improviser, Inadequacy, Jonathan Perkins, Listening Process, Maps, Param Name, Perkins Lt, Player Swf, Psychological States, Stereo Version, Support Materials, Swan Song, White Noise, X Shockwave Flash
11:11 am in Software by spieler

Ongoing development of a Free, Open Source bio-sensing software/hardware framework for the application of muscle sounds to biophysical generation and control of music, video and responsive milieux. This research will investigate to what extent could muscle sounds be employed musically and how such envision could inform the methodology of music performance. Similarly to human voice, [...]
Tags: Biological Motion, Excellent Control, Experimental Paradigm, Expressive Capabilities, Free Open Source, Hardware Framework, Human Voice, Impressive Range, Intimate Interactions, Kinetic Energy, Mechanical Vibration, Muscles Of The Body, Muscular Energy, Music Performance, Music Researchers, Musical Performance, Ongoing Development, Perceptual Experience, Solo Piece, Sport Professionals, Virtual Instruments