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:::: AUDITION RECORDS 2010-2011 :::: COMPLETE CATALOGUE ::::

7:53 pm in Concerts, Publications, Releases by Julian Bonequi

More than 200 artists involved | Audition 2010-2011 CONCERT DOCUMENTS, COMPILATIONS AND REVIEWS OF RADICAL SOUND ARCHIVES London, Madrid, Berlin, Vienna, Istanbul, Mexico, Oslo, Barcelona, The Hague, New York, Bogotá, Buenos Aires, Netherlands, Poland, Japan, France & Italy. http://auditionrecords.com/catar.html 25th December 2011: [ar053] Choi Joonyong, Hong Chulki, Ryu Hankil | ALL EARS FESTIVAL OSLO [ar054] [ar055] RADICAL POLAND III/IV [...]

[ar019] KLINGT.ORG 11th years of experimental music, Vienna

3:16 am in Concerts, Publications by Julian Bonequi

[ar019] KLINGT.ORG 11th years Vienna VISIT RELEASE SHEET DIRECT DOWNLOAD LISTEN TRACKS 1.Takeshi Fumimoto ……………… 5:48 min 2.CastellĂł/Lee/Schellander …… 22:02 min 3.knappsession v0.3……………. 29:31 min 4.Glissandinos ………………………… 6:51 min 5.Noid “nach oben fallen”………. 22:16 min 6.Pendler-Proud Mary ………………. 3:40 min 7.Schnee/5jahre.klingt.org…….. 21:10 min READ MORE: AUDITION RECORDS klingt.org compilation curated by Dieb13 More about klingt.org [...]

Low Frequency Orchestra & Wolfgang Mitterer: Mole

8:05 pm in Releases by Matija Schellander

Low Frequency Orchestra & Wolfgang Mitterer: Mole CD, chmafu nocords. Release date: 11.14.10 Wolfgang Mitterer – organ Low Frequency Orchestra: Angelica Castello – Paetzold recorders, electronic devices Maja Osojnik – Paetzold recorders, electronic devices, voice Thomas Grill – digital sounds Matija Schellander – double bass, synthesizer (on 5.) Herwig Neugebauer – double bass Mathias Koch [...]

LOW FREQUENCY ORCHESTRA Das Spiel vom Kommen und Gehen

5:13 pm in Concerts, Uncategorized by Matija Schellander

DVD Präsentation “Das Spiel vom Kommen und Gehen” ist eine interdispziplinäre Zusamenarbeit des Low Frequency Orchestra mit dem MedienkĂĽnstler Martin Pichlmair und dem bildenden KĂĽnstler Robert Lettner, in der die Grenzen zwischen Komposition, Gestlatung, Interpretation und Improvisation verschwimmen. Die Spielanweisungen fĂĽr die AusfĂĽhrung sind in keiner herkömmlichen Partitur zu finde, sondern als farbige Streifen angeordnet, [...]