In brief, this is a collection of large scale works (up to 20 instruments on one composition, nothing that is rushed verse/chorus). I tried to focus on the following theme : compassion. My music went elsewhere, but sometimes reaches it under small tributes to what I love.

Hard percussive sounds (piano, classical guitar, double basses, cellos that hit the chords or focus on unusual textures) are entering the world of fragile strings and winds.

Poems are included with the music works (both in French and English depending on the poems), although they are mostly not heard in the music. These poems almost all take the form of a tribute. Some were written for a music piece that I do not expect to compose (in tribute to Béla Tarr, to Björk or to an unknown man) for various reasons.

Collaborators :
* Marco Oppedisano adds electronic guitars on Le gouffre, l’horreur et puis plus rien d’invisible.
* Charles Barabé adds drone guitars on Temple Grandin’s Cuddle Machine.

A) Werner Herzog’s Wife (6:58)
B) Le son de Claude Gauvreau (10:23)
C) Temple Grandin’s Cuddle Machine (9:19)
D) Être un Oiseau en Novembre (12:36)
E) Le gouffre, l’horreur et puis plus rien d’invisible (8:43)

(47:59)

Maintenant disponible en FLAC (sans compression) sur cette page de freakywaves

Cover Art 2000×2000, Tracklist 2000×2000

Poems :
Poeme-Bjork ; Poeme-Gauvreau ; Poeme-Gouffre ; Poeme-Grandin ; Poeme-HommeInconnu ;Poeme-Injonction ; Poeme-Oiseau ; Poeme-Oiseau-English ; Poeme-sansAppui ; Poeme-Tarr ; Poeme-WernerHerzog

Thanks for listening and reading the poems !

Berger Rond [2011.01.08]
http://www.freakywaves.com/vb/Vincent/music.htm